Tomi Ungerer
Jean-Thomas "Tomi" Ungerer (born November 28, 1931)[1] is a French-German illustrator best known for his erotic and political illustrations, as well as children's books. He is active in exchanges between France and Germany due to his dual nationality. He describes himself as Alsatian.
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[edit] Biography
Tomi Ungerer was born in Strasbourg, France. His mother Alice moved to Logelbach, near Colmar, after the death of Tomi's father, Theodore — an artist, engineer, and astronomical clock manufacturer — in 1936. Ungerer also lived through the German occupation of Alsace and the requisitioning of the family home by the Wehrmacht.
As a young man, Ungerer was inspired by the illustrations appearing in The New Yorker magazine, particularly the work of Saul Steinberg.[1])[2] Ungerer moved to the United States in 1956. The following year, he published his first children's book for Harper & Row, The Mellops Go Flying. He also did illustration work for such publications as The New York Times, Esquire, Life, Harper's Bazaar, The Village Voice,[2] and for television during this time, and began to create posters denouncing the Vietnam War.
Upon the publication of Ungerer's children's book Moon Man in 1966, Maurice Sendak called it "easily one of the best picture books in recent years."[3]
After Allumette; A Fable, with Due Respect to Hans Christian Andersen, the Grimm Brothers, and the Honorable Ambrose Bierce in 1974, he ceased writing children's books, focusing instead on adult-level books, many of which focused on sexuality. He eventually returned to children's literature with Flix 1998. Ungerer donated many of the manuscripts and artwork for his early children’s books to the Children’s Literature Research Collection at the Free Library of Philadelphia.[4]
In 1998, Ungerer was awarded the Hans Christian Andersen Award for illustration.
In 2007, his hometown dedicated a museum to him, the Musée Tomi Ungerer/Centre international de l’illustration.[3]
Ungerer currently divides his time between Ireland (where he and his wife moved in 1976),[5] and Strasbourg.[3] In addition to his work as a graphic artist and 'drawer', he is also a designer, toy collector and "archivist of human absurdity."[3]
[edit] Overview of work
Tomi Ungerer describes himself first and foremost as a story teller and satirist. Prevalent themes in his work include political satire such as drawings and posters against the Vietnam War and against animal cruelty, eroticism, and imaginative subjects for children's books.
[edit] Bibliography
[edit] Children's books
- The Mellops Go Flying (1957)
- Mellops Go Diving for Treasure (1957)
- Crictor (1958)
- The Mellops Strike Oil (1958)
- Adelaide (1959)
- Christmas Eve at the Mellops (1960)
- Emile (1960)
- Rufus (1961)
- The Three Robbers (1961)
- Snail, Where Are You? (1962)
- Mellops Go Spelunking (1963)
- Flat Stanley (1964) — art by Tomi Ungerer, written by Jeff Brown
- One, Two, Where's My Shoe? (1964)
- Beastly Boys and Ghastly Girls (1964) — art by Tomi Ungerer, poems collected by William Cole
- Oh, What Nonsense! (1966) — art by Tomi Ungerer, edited by William Cole
- Orlando, the Brave Vulture (1966)
- What's Good for a 4-Year-Old? (1967) — art by Tomi Ungerer, text by William Cole
- Moon Man (Der Mondmann) (Diogenes Verlag AG Zürich, 1966)
- Zeralda's Ogre (1967)
- Ask Me a Question (1968)
- The Sorcerer's Apprentice (1969) — text by Barbara Hazen
- Oh, How Silly! (1970) — art by Tomi Ungerer, edited by William Cole
- The Hat (1970)
- I Am Papa Snap and These Are My Favorite No Such Stories (1971)
- The Beast of Monsieur Racine (1971)
- The Hut (1972)
- Oh, That's Ridiculous! (1972) — art by Tomi Ungerer, edited by William Cole
- No Kiss for Mother (1973)
- Allumette; A Fable, with Due Respect to Hans Christian Andersen, the Grimm Brothers, and the Honorable Ambrose Bierce (1974)
- Tomi Ungerer's Heidi: The Classic Novel (1997) — art by Tomi Ungerer, text by Johanna Spyri
- Flix (1998)
- Tortoni Tremelo the Cursed Musician (1998)
- Otto: The Autobiography of a Teddy Bear (1999)
- Zloty (2009)
[edit] Adult books
- Der Herzinfarkt (1962)
- The Underground Sketchbook (1964)
- The Party (1966)
- Fornicon (1969)
- Tomi Ungerer's Compromises (1970)
- Poster Art of Tomi Ungerer (1972)
- America (1974)
- Totempole (1976)
- Babylon (1979)
- Cat-Hater's Handbook, Or, The Ailurophobe's Delight (1981) — co-authored by William Cole
- Symptomatics (1982)
- Rigor Mortis (1983)
- Slow Agony (1983)
- Heute hier, morgen fort (1983)
- Far out Isn't Far Enough (1984)
- Femme Fatale (1984)
- Schwarzbuch (1984)
- Joy of Frogs (1985)
- Warteraum (1985)
- Schutzengel der Hölle (1986)
- Cats As Cats Can (1997)
- Tomi: A Childhood Under the Nazis (1998)
- Liberal Arts: The Political Art of Tomi Ungerer (1999)
- Erotoscope (2002)
[edit] List of exhibitions
- Berlin, 1962. Posters against racism and the Vietnam War
[edit] Other works
- Design of Dr. Strangelove film poster (1964)
- Design of the logo for the ill-fated Broadway musical Kelly (1965)
- Design of the Janus Aqueduct in Strasbourg (1988)
[edit] Quotes
- "If people were brave enough to live out their erotic fantasies, pornography would disappear altogether. I've always believed that eroticism, even more than sensuality, is a form of liberation." — Erotoscope[citation needed]
[edit] References
- ^ a b Ungerer profile, Lambiek's Comiclopedia.
- ^ a b Kennedy, Randy. "Tomi Ungerer Returns," New York Times (July 27, 2008).
- ^ a b c d Author bio, Moon Man (Phaidon Press Limited, 2009).
- ^ http://libwww.freelibrary.org/blog/index.cfm?srch=3&postid=1153
- ^ "Tomi Ungerer - Biography". Official website. http://www.tomiungerer.com. Retrieved 2010-08-15.
[edit] External links
| Wikimedia Commons has media related to: Tomi Ungerer |
- Official site
- The Musée Tomi Ungerer
- Biography translated from an exhibition in Hanover
- Tomi Ungerer: The Artist and His Background (1971)