Tomorrow Night (film)
Website re-release poster
|Directed by||Louis C.K.|
|Produced by||Louis C.K.
|Written by||Louis C.K.|
|Music by||Neal Sugarman|
|Edited by||Doug Abel|
Circus King Films
|Running time||87 minutes|
Charles is the misanthropic and obsessive-compulsive owner of a photo shop. He lives alone, and at night sexually gratifies himself by sitting in a bowl of ice cream. One day, Charles notices an abundance of photos he has developed that have not been picked up. He begins to call each customer to remind them to pick up their photos. One of these customers is Florence, an elderly woman who is tormented by her gambling-addicted husband Lester. She longs for her son Willie, who joined the army two decades ago but has not returned any of her letters; although in fact, the dim-witted Willie does not realize that he is on the end of a cruel joke played by the Army mail-room workers who have not given him any of his mother's letters over the past twenty years or sent his.
Charles decides to seek companionship; he attempts to date an aggressively sexual prostitute named Lola Vagina but finds her too extroverted. When he realizes that the final two packages of photographs in his store belong to Florence and another mysterious customer who will not pick up their phone, he visits Florence himself to deliver her photographs. After meeting her, Charles is attracted to her extreme cleanliness, and visits her the next day to ask to marry her. Florence, however, explains that her husband will never allow a divorce, but Charles asks to speak with him. That night, Lester finally wins at the dog races, but is attacked and killed by a pack of wild dogs while walking home with his winnings.
Charles and Florence wed. After returning from their honeymoon in Florida, Florence discovers him sitting in ice cream. She is disgusted, but allows him to continue if he agrees to adopt a son with her. They successfully adopt Clean, a teenage African-American delinquent. Shortly after, Willie returns home and joins their family as well. That night, Florence says that she is happier than she has ever been; the next morning, Charles asks for a divorce, but find that Florence has died. He leaves, and Willie becomes Clean's new father.
He returns to his photo shop, where he finds the last package of photos left by a customer who did not leave his name or address. Charles attempts to call him again, but finds the number is not listed. Finally, he opens the envelope, and finds a series of photographs of random places and people. He comes to a photo of himself inspecting those photos, while the next photo is of his dead body shortly after. The film closes on Charles' terrified eyes, while Lester's laughing and dog growls are heard.
- Chuck Sklar as Charles
- Martha Greenhouse as Florence
- J. B. Smoove as Mel the Mailman
- Rick Shapiro as Tina
- Joseph Dolphin as Husband
- Greg Hahn as Willie
- Heather Morgan as Lola Vagina
- Steve Carell as Mail Room Guy without Glasses
- Robert Smigel as Mail Room Guy with Glasses
- Wanda Sykes as Wanda
- Bill Chott as Fop
- Nick DiPaolo as Mister Vagina
- Cary Prusa as Waiter
- Matt Besser as Man with Beard
- Amy Poehler as Woman Sprayed by Hose
- Louis C.K. as Man Washing Sidewalk
- Conan O'Brien as himself
- Spike Feresten as Network Page
- Bruce Brown as Clean
- Robert Trumbull as Priest
- Gary Lahti as Adoption Agent
Tomorrow Night began production on a budget of $20,000, financed by Louis C.K.'s earnings as a television comedy writer on HBO's The Chris Rock Show and ABC's The Dana Carvey Show. On the first day of shooting, a crew member used the wrong type of film stock in the camera, and various other problems caused the first three days' footage to be unusable.
In April 1997, C.K. found himself running out of money to complete production. On April 9, 1997, C.K. appeared on Late Night with Conan O'Brien, showed a clip of Tomorrow Night, and made a "tongue-in-cheek entreaty for funds" to finish the film. C.K.'s friends Jon Stewart, Dennis Leary, Brett Butler, Spike Feresten, Chris Rock lent him money to help finish the project, which ended up costing around $180,000 in total.
Tomorrow Night premiered at the Sundance Film Festival on January 23, 1998. The film was also screened at other festivals in 1998 including South by Southwest in March, Florida Film Festival on June 17, and the Hamptons International Film Festival in October. The film was later shown on March 5, 1999 at the Village Theatre in Chicago, May 27–28, 2000 at the Sunset 5 Theatre in West Hollywood, and June 3–4, 2000 at the Monica 4-Plex in Santa Monica.
C.K. was unable to attract any distributors to release the film in theaters, even going as far as unsuccessfully handing out tickets at Sundance. On January 29, 2014, C.K. began selling Tomorrow Night on his website as a digital download.
Dennis Harvey of Variety gave the film a mixed review, writing, "It takes the viewer awhile to settle into pic’s endearing, off-kilter rhythms, and some of the material here... is uninspired. But for the most part Tomorrow Night grows steadily more hilarious as absurd situations are played out in a deliberately paced deadpan." At South by Southwest, Sarah Hepola writes that the film's characters "weave a most enjoyable jaunt into an off-kilter universe, so wild and nonsensical, so bittersweet and beautiful that it might just be our own." Writing from the Hamptons International Film Festival, David Schwartz writes, "Tomorrow Night is directed with surprising elegance and understatement. Moody black-and-white cinematography and touching yet eccentric performances add up to a potential cult favorite."
Writing in 2014 after its online re-release, Neil Genzlinger of The New York Times gave the film a negative review, writing, "It’s clunky and sluggish and only intermittently funny, even given that it may be deliberately aiming for those qualities. It’s not smart enough to be the kind of deadpan darling that it’s trying to be." The A.V. Club gave it a C+, calling the acting, "Wildly uneven, leaning toward amateurish."
- Wolk, Josh (January 5, 1998). "Comedy Writer". Entertainment Weekly. Retrieved February 2, 2014.
- Blistein, Jon (January 9, 2014). "Louis C.K. to Release 1998 Film With Steve Carell, Amy Poehler". Rolling Stone. Retrieved February 2, 2014.
- Korn, Steven (January 30, 2014). "Louis C.K.'s 'Tomorrow Night': What he said about it in 1997". Entertainment Weekly. Retrieved February 2, 2014.
- "SXSW Film Conference and Festival '98 Further Reflections". South by Southwest. March 27, 1998. Retrieved January 29, 2014.
- Schneider, Steve (June 17, 1998). "Rhythm of the night". Orlando Weekly. Retrieved January 30, 2014.
- Schwartz, David. "Tomorrow Night". Hamptons International Film Festival.
- Johnson, Allan (March 5, 1999). "Louis C.k.'s Comedic Premises Are Over-the-edge Weird". Chicago Tribune. Retrieved January 29, 2014.
- Thomas, Kevin (May 25, 2000). "Pool's 'Emporte-moi,' One Girl's Tender Tale". Los Angeles Times. Retrieved January 30, 2014.
- Schneider, Steve (June 18, 1998). "Parallel dementias". Orlando Weekly. Retrieved January 30, 2014.
- Zinoman, Jason (January 28, 2014). "Louis C. K. to Release His First Feature Film Online". The New York Times. Retrieved January 29, 2014.
- Harvey, Dennis (February 1, 1998). "Review: ‘Tomorrow Night’". Variety. Retrieved January 29, 2014.
- Genzlinger, Neil (January 29, 2014). "Loving Ice Cream and an Older Woman". The New York Times. Retrieved January 29, 2014.
- Dowd, A.A. (January 30, 2014). "Louis C.K.’s unearthed first feature is a revealing misfire". The A.V. Club. Retrieved February 3, 2014.
- Official website
- Tomorrow Night at Sundance Film Festival Official Website
- Tomorrow Night at the Internet Movie Database
- Tomorrow Night at AllMovie
- Tomorrow Night at Rotten Tomatoes