Transmetropolitan

From Wikipedia, the free encyclopedia
Jump to: navigation, search
This article is about the comic book series. For the War from a Harlot's Mouth album, see Transmetropolitan (album). For the Pogues song, see Red Roses for Me.
Transmetropolitan
Cover to Transmetropolitan Vol. 2 TPB.
Art by Darick Robertson.
Publication information
Publisher Helix, Vertigo (imprints of DC Comics)
Schedule Monthly
Format Ongoing series
Genre Cyberpunk, science fiction
Publication date 19972002
Number of issues 60
Main character(s) Spider Jerusalem
Yelena Rossini
Channon Yarrow
Mitchell Royce
Creative team
Writer(s) Warren Ellis
Artist(s) Darick Robertson
Inker(s) Rodney Ramos
Colorist(s) Nathan Eyring
Creator(s) Warren Ellis
Darick Robertson

Transmetropolitan is a cyberpunk comic book series written by Warren Ellis with art by Darick Robertson and published by DC Comics.[1] The series was originally part of the short-lived DC Comics imprint Helix, but upon the end of the book's first year the series was moved to the Vertigo imprint as DC Comics cancelled the Helix imprint. It chronicles the battles of Spider Jerusalem, infamous renegade gonzo journalist of the future,[2] a homage to gonzo journalism founder Hunter S. Thompson. Spider Jerusalem dedicates himself to fighting the corruption and abuse of power of two successive United States presidents; he and his "filthy assistants" strive to keep their world from turning more dystopian than it already is while dealing with the struggles of fame and power, brought about due to the popularity of Spider via his articles.

The monthly series began in July 1997 and came to its conclusion in September 2002.[3] The series was later reprinted in an array of ten trade paperback volumes, and also featured two "specials" (I Hate It Here and Filth of the City) with text pieces written by the Spider Jerusalem character and illustrated by a wide range of comic artists.[4] These were later collected in trade paperbacks.

Story synopsis[edit]

Some time in the future (how long precisely is never specified, but said to be in the 23rd century) Spider Jerusalem, retired writer and bearded hermit, lives an isolated existence in a fortified mountain hideaway, retired from City life for the last five years.[5] Following a call from his irate publisher demanding the last two books per his publishing deal, Jerusalem packs his belongings and descends the mountains before traveling back into The City, a twisted amalgam of pervasive consumerism, sex, violence, and drugs. However, this futuristic culture is highly self-centered and focused almost exclusively on present-day matters. "Revivals" from cryogenic stasis are largely ignored and left to fend for themselves on the streets. Cultural "Reservations" are established for the sole purpose of preserving past civilizations. Some people convert to "foglets," clouds of nanomachines that make anything from particles in the air and can spread thin enough to be invisible. No one even knows the current calendar year (this fact revealed by Spider in Issue #42), so everyone always refers to events in time relative to the present day.

Jerusalem returns to working for his old partner and editor Mitchell Royce, who now edits The Word, the City's largest newspaper. The first assignment he attaches himself to is an attempted separatist secession by followers of the Transient movement (a group of people who use genetic body modification based on alien DNA to become a completely different species, forced to live in the Angels 8 slum district) led by Fred Christ, a former rock group manager and impresario similar to Malcolm McLaren. Jerusalem manages to stop the (secretly staged) riots and police brutality that follows, only to be beaten brutally by police on the way home for his troubles.

The first year of the series focuses upon a series of one-off stories exploring The City, Spider's background, and his often tense relationship with his assistants/sidekicks, Yelena Rossini and Channon Yarrow (known collectively as the 'filthy assistants'), who become his full-time partners in his journalistic battles as the series progresses.

With the second year of the series, the series shifts towards a lengthy storyline for the remainder of the book's run, involving the election and the corrupt presidency of Gary Callahan, nicknamed "The Smiler" by Spider. Though Spider initially considers Callahan to be the lesser evil when compared to "The Beast," his investigation into Callahan's past and his ties with a right-wing hate group (who provided him with a genetically cloned Vice President) ultimately leads to the murder of Vita Severn, the Smiler's politically naive campaign manager, to whom Spider had taken a rare liking. In a one-on-one meeting, Spider quickly realizes that Callahan is not merely corrupt but is a complete lunatic who wants to be President for no reason but to hurt people with his new power. To his horror, the people end up voting the Smiler into office by a wide margin.

Once elected, Callahan begins to use his presidential power to torment Spider. Spider escapes from a massacre conducted by the city's corrupt police against protesters during a scandal where several police officers watch as a young man is murdered by racists over his genetic background. Callahan spikes the story via "D-Notices," a form of government mandated censorship over any or all stories that could "embarrass" the country and the Callahan administration. After being informed of the "D-Notice," Spider leaks the story onto the internet via a news feedsite known as "The Hole" and follows it up with a story exposing Callahan's corrupt circle of advisers, one of whom was revealed to be a pedophile. When Royce runs the story, Callahan extorts the paper's board of directors into firing Spider, who by that point has already formed an alliance to have his future stories published by "The Hole." However, after Callahan arranges for the City to be left defenseless from a hurricane-like "ruinstorm" that ravages the city and kills thousands, Spider collapses and is quickly diagnosed with an incurable degenerative neurological illness with similar symptoms to Alzheimer's and Parkinson's disease due to exposure to Information Pollen (which Spider had been exposed to multiple times earlier in the storyline—and which carries dangerous side effects). Diagnosed with about a year until dementia renders him dysfunctional and with only a 1% chance of escaping this fate, Spider increases his vendetta against Callahan, ultimately exposing his evil deeds and bringing the President down.

Spider returns to his mountain home in the final issue epilogue. Royce comes to visit. The assistants show him around the house while explaining that Spider's disease is progressing. He can barely do anything for himself. It is revealed Channon has a successful book deal, and Yelena is slowly becoming Spider's replacement. Out in the garden, Spider tells Royce further details. He cannot light his own cigarette and is forgetting one day out of seven. However, when Spider is left alone in his chair, he pulls out a package of cigarettes, along with what appears to be a handgun. He appears to be placing the barrel under his chin, until it's revealed in the next frame that it's actually a lighter. He lights the cigarette and then spins the lighter on his finger, suggesting to the readers that he was in fact one of the 1% of patients who recover from the disease, and is now merely faking his illness so that he may enjoy his retirement in peace. The series ends on an overhead shot of Spider laughing boisterously.

Characters[edit]

Publishing[edit]

The series was originally published under DC Comics's then-new science fiction Helix imprint. When the Helix line was discontinued, Transmetropolitan was the only ongoing series of the line which had not been canceled. It switched to the Vertigo imprint, starting with issue #13. The entire set of trade paperbacks are now published under the Vertigo label.

Collected editions[edit]

Volume Old Printing ISBN New Printing ISBN
Vol. 1: Back on the Street #1–3 ISBN 1-56389-445-9
ISBN 978-1-56389-445-9
#1–6 ISBN 1-4012-2084-3
ISBN 978-1-4012-2084-6
Vol. 2: Lust for Life #4–12 ISBN 1-56389-481-5
ISBN 978-1-56389-481-7
#7–12 ISBN 1-4012-2261-7
ISBN 978-1-4012-2261-1
Vol. 3: Year of the Bastard #13–18 and story from Vertigo: Winter's Edge II ISBN 1-56389-568-4
ISBN 978-1-56389-568-5
#13–18 ISBN 1-4012-2312-5
ISBN 978-1-4012-2312-0
Vol. 4: The New Scum #19–24 and story from Vertigo: Winter's Edge III ISBN 1-56389-627-3
ISBN 978-1-56389-627-9
#19–24 and stories from Vertigo: Winter's Edge II and III ISBN 1-4012-2490-3
ISBN 978-1-4012-2490-5
Vol. 5: Lonely City #25–30 ISBN 1-56389-722-9
ISBN 978-1-56389-722-1
#25–30 ISBN 1-4012-2819-4
ISBN 978-1-4012-2819-4
Vol. 6: Gouge Away #31–36 ISBN 1-56389-796-2
ISBN 978-1-56389-796-2
#31–36 ISBN 1-4012-2818-6
ISBN 978-1-4012-2818-7
Vol. 7: Spider's Thrash #37–42 ISBN 1-56389-894-2
ISBN 978-1-56389-894-5
#37–42 ISBN 1-4012-2815-1
ISBN 978-1-4012-2815-6
Vol. 8: Dirge #43–48 ISBN 1-56389-953-1
ISBN 978-1-56389-953-9
#43–48 ISBN 1-4012-2936-0
ISBN 978-1-4012-2936-8
Vol. 9: The Cure #49–54 ISBN 1-56389-988-4
ISBN 978-1-56389-988-1
#49–54 ISBN 1-4012-3049-0
ISBN 978-1-4012-3049-4
Vol. 10: One More Time #55–60 ISBN 1-4012-0217-9
ISBN 978-1-4012-0217-0
#55–60 and the specials Transmetropolitan: I Hate It Here and Transmetropolitan: Filth of the City ISBN 1-4012-3124-1
ISBN 978-1-4012-3124-8
Vol. 0: Tales of Human Waste Contains specials Transmetropolitan: I Hate It Here and Transmetropolitan: Filth of the City along with "Edgy Winter" from Vertigo: Winter's Edge II ISBN 1-4012-0244-6
ISBN 978-1-4012-0244-6
Content moved to Volume 10 (specials) and 4 (Winter's Edge) N/A

In other media[edit]

Film adaptation[edit]

Co-creators Ellis and Robertson were approached about making a Transmetropolitan film adaptation, with Patrick Stewart's production company Flying Freehold Productions' offering to option the rights in February 2003. Later, the burgeoning Internet boom led to an offer to create an online animated film series, with Stewart providing the voice of Spider Jerusalem, but the project never fully developed. Rumours have stated that Ellis and Robertson have indicated that they would like to see Tim Roth play the character of Spider Jerusalem, however during a panel at London's Kapow! comic convention Ellis said that there is no chance of seeing Spider Jerusalem on the big screen and Tim Roth was not discussed to play him. He further explained that production costs would be too expensive to bring Transmetropolitan to the big screen.[6][7]

Transmetropolitan remains unfilmed. In 2010, Ellis noted in his Twitter account that no production was underway.

Merchandise[edit]

Some items of Transmetropolitan merchandise have been made, Robertson himself having produced one T-shirt: a black shirt with a three-eyed smiley face on the front with the text "I Hate It Here" in yellow on the back. DC Direct has produced five products: a black T-shirt with an image of Spider Jerusalem lifted from the comic's interiors with the text "Spider Jerusalem. Cheap. But not as cheap as your girlfriend". They produced an action figure in the early stages which featured Jerusalem wearing nothing but his trademark boxer shorts so as to show off his tattoos, and a variant figure that is giving the finger and holding a bowel disruptor. The third is a statue of Jerusalem, in the same state of near-nudity, sitting on the toilet growling into his cell phone and arguing with his editor Mitchel Royce, who is visible on his small laptop computer on the base. The fourth is a wristwatch with the three-eyed Transient smiley as the watch's face; and the fifth is a replica of Spider's trademark glasses.

References[edit]

  1. ^ Yayanos, Meredith (December 18, 2000). "Transmetropolitan's Warren Ellis". Publishers Weekly (Reed Elsevier). Retrieved 2008-10-28. [dead link]
  2. ^ "COMICS: Mot Just For Speciality Stores Anymore". Publishers Weekly. October 16, 2000. Retrieved 2008-10-28. "Sometimes the cart is pulling the horse--DC/Vertigo's Transmetropolitan, a dark science-fiction satire about a gonzo journalist in a sprawling future city, is the textbook example of a well-regarded comic for older readers that pulled itself up from poor sales with the help of some heavily promoted collections." [dead link]
  3. ^ Cascio, Jamais (May 22, 2004). "The Transmetropolitan Collection". Worldchanging. Retrieved 2008-10-28. 
  4. ^ De Blieck Jr., Augie (May 18, 2001). "Transmetropolitan: Filth of the City". Comic Book Resources. 
  5. ^ Bukatman, Scott (2003). Matters of Gravity. Durham: Duke University Press. p. 209. ISBN 978-0-8223-3119-3. 
  6. ^ Goodsmith, Edward (2008-01-29). "Warren Ellis on 'Transmetropolitan'". Comics2Film. Retrieved 2008-03-27. 
  7. ^ "Transmetropolitan Update". The Z Review. The Z Review. 2003. Archived from the original on 2008-07-19. Retrieved 2008-03-27. 

External links[edit]