Turn on, tune in, drop out

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For the album by Timothy Leary, see Turn On, Tune In, Drop Out (album). For the album by Freak Power, see Turn On, Tune In, Cop Out.

"Turn on, tune in, drop out" is a counterculture-era phrase popularized by Timothy Leary in 1966. In 1967 Leary spoke at the Human Be-In, a gathering of 30,000 hippies in Golden Gate Park in San Francisco and uttered the famous phrase, "Turn on, tune in, drop out". It was also the title of his spoken word album Turn On, Tune In, Drop Out recorded in 1966. On this lengthy album one can hear Leary speaking in a monotone, soft-spoken voice on his views about the world and humanity and describing nature, Indian symbols, "the meaning of inner life", the LSD experience, peace and many other issues.

In a 1988 interview with Neil Strauss, Leary stated that slogan was "given to him" by Marshall McLuhan during a lunch in New York City. Leary added that McLuhan "was very much interested in ideas and marketing, and he started singing something like, 'Psychedelics hit the spot / Five hundred micrograms, that's a lot,' to the tune of a Pepsi commercial of the time. Then he started going, 'Tune in, turn on, and drop out.'"[1] The phrase was used by Leary in a speech he delivered at the opening of a press conference in New York City on September 19, 1966. It urged people to embrace cultural changes through the use of psychedelics and by detaching themselves from the existing conventions and hierarchies in society. It was also the motto of his League for Spiritual Discovery.[2] The phrase was derided by more conservative critics.[who?]

In his speech, Leary stated:

Like every great religion of the past we seek to find the divinity within and to express this revelation in a life of glorification and the worship of God. These ancient goals we define in the metaphor of the present — turn on, tune in, drop out.[3]

Leary later explained in his 1983 autobiography Flashbacks:

"Turn on" meant go within to activate your neural and genetic equipment. Become sensitive to the many and various levels of consciousness and the specific triggers that engage them. Drugs were one way to accomplish this end. "Tune in" meant interact harmoniously with the world around you - externalize, materialize, express your new internal perspectives. "Drop out" suggested an active, selective, graceful process of detachment from involuntary or unconscious commitments. "Drop Out" meant self-reliance, a discovery of one's singularity, a commitment to mobility, choice, and change. Unhappily my explanations of this sequence of personal development were often misinterpreted to mean "Get stoned and abandon all constructive activity".[4]

Turn on, tune in, drop out is also the title of a book (ISBN 1-57951-009-4) of essays by Timothy Leary, covering topics ranging from religion, education, and politics to Aldous Huxley, neurology, and psychedelic drugs.

Leary later (during the February 1967 salon known as the Houseboat Summit) announced his agreement with a new ordering of the phrase as he said, "I would agree to change the slogan to 'Drop out. Turn on. Drop in.'"[5]

During his last decade, Leary proclaimed that the "PC is the LSD of the 1990s" — "turn on, boot up, jack in" reworked the existing phrase to suggest joining the cyberdelic counterculture.[6]

The phrase was referenced in several songs of the time. Psychedelic rock band Strawberry Alarm Clock parodies the quote in their 1967 song "Incense and Peppermints", singing "Turn on, tune in, turn your eyes around" in one of the lines. Gil Scott-Heron criticised the concept in his 1970 poem and song The Revolution Will Not Be Televised, with the line "You will not be able to plug in, turn on and cop-out".

"Turn On, Tune In" is also the title of a song by Threshold, which includes the lyrics, "Turn on, tune in, drop out".

"Turn On Tune In Drop Out" is also the title of a song by Cracker, which includes the lyrics in the title.

"Turn on, Tune in, Drop out" is also the name of a not familiar song by Infected Mushroom. "you turn to, tune in, and you drop out" are all the lyrics of this song, sung repetitively.

The CSI episode title "Turn On, Tune In, Drop Dead" also parodies the quote, with the episode focusing on how two victims who are supposedly dead get up and walk away.

See also[edit]

References[edit]

  1. ^ Strauss, Neil. Everyone Loves You When You're Dead: Journeys into Fame and Madness. New York: HarperCollins, 2011, p. 337-38
  2. ^ Ray, Oakley (1983). Drugs, society, & human behavior (3rd ed.). St. Louis: Mosby. p. 382. ISBN 080164092X. 
  3. ^ "Transcript". American Experience documentary on the Summer of Love. PBS and WGBH. 2007-03-14. 
  4. ^ Timothy Leary, Flashbacks: A Personal and Cultural History of an Era pg. 253,
  5. ^ Hagerty, Lorenzo (1967). Psychedelic Salon 193-WattsLearyHsbtSumit67. Retrieved 2012-02-02. 
  6. ^ Ruthofer, Arno (1997). Think for Yourself; Question Authority. Archived from the original on 2006-11-23. Retrieved 2007-02-02.