|Written by||James Lapine|
|Date premiered||December 22, 1981|
|Place premiered||The Public Theater, New York City, New York|
Twelve Dreams is a 1981 play by James Lapine which was inspired by a case study contained in Carl Jung's book Man and His Symbols. The case concerns a 10-year-old girl who gave her father, a psychiatrist, an unusual Christmas present — a handwritten booklet describing twelve dreams that she had had when she was eight years old.
Charles struggles to make sense of the dreams, torn between his role as father and psychiatrist. He enlists the help of a visiting European psychiatrist. The professor is intrigued by the dreams, remarking that they are those of an older person facing their mortality. Interspersed in Emma's dreams are real-life figures such as her best friend, Jenny, Rindy, a neurotic patient of her father's, her ballet teacher, Miss Banton as well as Sanford, her father's apprentice.
- James Olson as Charles Hatrick
- Olivia Laurel Mates as Emma Hatrick
- Marcel Rosenblatt as Jenny
- Stefan Schnabel as Professor Jan Rubes
- Thomas Hulce as Sanford Putnam
- Carole Shelley as Dorothy Trowbridge
- Valeri Mahaffey as Miss Banton
- Stacy Glick as Rindy
Off-Broadway revival (1995)
- Harry Groener as Charles Hatrick
- Mischa Barton as Emma Hatrick
- Kathleen Chalfant as Jenny
- Jan Rubes as Professor
- Matt Ross as Sanford Putnam
- Donna Murphy as Dorothy Trowbridge
- Meg Howrey as Miss Banton
- Brittany Boyd as Rindy
- Original music by Allen Shawn
- Choreography by Lar Lubovitch
- Set design by Adrianne Lobel
- Costume designs by Martin Pakledinaz
- Lighting by Peter Kaczorowski
Vincent Canby gave the 1995 revival a favorable review in The New York Times. Canby affirmed that "Mr. Lapine has produced an elaborate theatrical meditation on Jung's work in which Emma, Charles, the Professor and all the other characters in the play behave like people in a case history. Everybody is reduced to symptoms. No character has more reality than any of the phantoms that inhabit Emma's dreams, which, with a good deal of directorial skill, are woven into the play's action." Canby also said that Barton "has a sweet gravity as the doomed Emma."
Variety also reviewed the 1995 revival and were unanimous in their support of the "extraordinary" play, "The company, perfectly cast underplays admirably. The result is itself a riveting dream which, for all its unsettling animal imagery, never loses its focus on the people at its core; it's an enormously empathic evening."
Brad Leithauser of Time wrote that Lapine "does an adroit job of interweaving day event and night-revelation. The dream sequences are spookily compelling and splendidly differentiated. The play has the true fierceness of dream logic - the sense that you are watching events that unfold that are both unpredictable and ineluctable. Five musicians pilot us from one real to the other, artfully building towards songs that never emerge."
- Twelve Dreams 8 June 1995
- THEATER REVIEW; Fleshing Out Jung's Theory The New York Times. 9 June 1995
- Twelve Dreams Playdatabse. Retrieved on 24 December 2011
- Production history James Lapine. Retrieved on 24 December 2011
- Leithauser, Brad. Twelve Dreams. 10 July 1995
- Twelve Dreams Internet Off-Broadway Database. Retrieved on 24 December 2011