"Two Out of Three Ain't Bad" is a love song performed by the American musician Meat Loaf in his solo career, preceded by "You Took the Words Right Out of My Mouth" and followed by "Paradise by the Dashboard Light". It is a track off his 1977 album Bat Out of Hell, written by Jim Steinman. It reached #11 on the Billboard Hot 100 and earned a million-selling Gold single from the RIAA. It stands as one of his career signature tunes, still enjoying recurrent airplay.
It was the final song written for the album. In a 2003 interview for the VH1 Ultimate Albums series, Steinman recalls:
"I remember Mimi Kennedy [a cast member of Jim's then-current musical Rhinegold] telling me, she said, you know, when I was probably complaining why no one liked my stuff and couldn't get a deal, she says, "Well Steiny, your stuff is so complicated. Can't you write something simple?" And while she was saying that the oldies station was on the radio and it was playing that old Elvis song, 'I Want You, I Need,' whatever it was. 'I Want You, I Need You, I Love You', you know. I just started singing my own song but it was 'I Want You, I Need You, I Love You.' She said, "Why don't you write something simple like that, 'I want you, I need you, I love you'?" I said, "Well I'll try." I don't try to make them complicated. I remember going home and I tried so hard but the best I could do was: I want you, I need you but there ain't no way I'm ever gonna love you, don't be sad, 'cause two out of three ain't bad. So it was still a twist but it was my closest to a simple song, and one Elvis could have done."
A music video was shot for the single and received significant airplay on television video programs of that day, a number of years before the conception of MTV.
Two mixes were created for the song. In the album mix of 5:27, one can hear prominent Moog-synthesizer embellishments by session keyboardist Roger Powell. The single mix of 3:50 downmixes considerably the synthesizer, in place of a much warmer and predominant string arrangement by Ken Ascher. This mix also edits out and removes the first lyrical bridge of the song which includes the line, "There ain't no Coupe de Ville hiding at the bottom of a Cracker Jack box", and does some overlapping, splicing and editing to seamlessly merge back into the second part of the lyrical bridge, starting with, "I can't lie, I can't tell you that I'm something I'm not." Yet, another lyrical edit in the last verse removes the lines, "And though I know I'll never get her out of my heart, she never loved me back, Ooh I know, well I remember how she left me on a stormy night, oh she kissed me and got out of our bed." Lastly, a song fade-out beginning in the middle of the ending chorus' second refrain is also featured, hence removing the full-circle lyrics of "Baby we can talk all night, but that ain't getting us nowhere," that both started and ended the song, in its full album mix version.
Subsequent versions 
The Nitty Gritty Dirt Band did a modified version of the song on their 1984 album Plain Dirt Fashion. The Dirt Band's version shortens the second and third verses and makes minor changes to the lyrics to give the song more of a country feel.
It was later covered by Bonnie Tyler, produced by Steinman and his partner Steven Rinkoff, on her 1996 Free Spirit album.
Canadian country music singer Julian Austin performed a cover for his 1997 debut album What My Heart Already Knows and reached No. 10 on the RPM Top Country Tracks charts. Unlike the Nitty Gritty Dirt Band, Austin sings the actual version of the song recorded by Meat Loaf 20 years earlier.
Country music singer Jamey Johnson performed a version for The Imus Ranch Record II released in 2010.
Singer Mikey Graham sang a version for his first audition for Boyzone.
Meat Loaf version 
Bonnie Tyler version 
|Billboard Hot Dance Breakout Sales
External links