Under the Skin (novel)
First edition cover art
Under the Skin is a 2000 surrealist novel by Michel Faber. Set in northern Scotland, it traces an extraterrestrial who, manifesting in human form, drives around the Scottish countryside picking up male hitchhikers whom she drugs and delivers to her home planet. The novel, which was Faber's debut, was shortlisted for the 2000 Whitbread Award. It was later adapted into a feature film by Jonathan Glazer.
The protagonist is Isserley, an extraterrestrial sent to Earth by a rich corporation on her planet to pick up unwary hitchhikers. She drugs them and delivers them to her compatriots, who mutilate and fatten her victims so that they can be turned into meat—human ("vodsel") flesh is a delicacy on the aliens' barren homeworld.
The novel is darkly satirical. It touches on political themes around big business, factory farming, and environmental decay; and reflects on more personal questions of sexual identity, humanity, snobbery, and mercy.
The novel begins with Isserley picking up hitchhikers. Gradually, it is revealed she is an alien, originally somewhat canine in form, that has been surgically altered to look like a woman, thus suffering constant pains. She takes her job seriously, and considers herself a valuable professional. Isserley has an orderly system for appraising vodsel to potentially capture. At the same time, she is spiteful of what she considers her deformed body made so for the job. The only other of her kind to undergo similar surgery to look like homo sapiens is her direct superior, Esswis.
Isserley spends her spare time walking on the pebbled beach by her cottage, marveling at the beauty of Earth compared to her home world where most beings are forced to live and toil underground, and the wealthy Elite live on the surface, but still unable to tolerate being outside. Sometimes, she admires wandering sheep, as they remind her of children at home and she considers the non-bipeds anthropomorphic. Isserley considers herself and her people the "human beings," and the "homo sapiens" of Earth animals for farming. Amlis Vess, the son of her employer, visits the farm and sets 4 vodsel free; she and Esswis hunt down and shoot them. Isserley pretends to not speak English when a vodsel writes "mercy" in the dirt in front of her and Amlis, hoping to keep hidden the extent of their language capabilities.
Eventually, she is almost raped by one of the hitchers, and is forced to kill him and leave his body. The experience shakes her, and she captures the next hitcher without interviewing him to assess the risk, failing to discover that she actually shares many inner thoughts with him, as well as the fact he would be missed by family (usually a key factor). In anger, she demands to see what happens to the vodsel during "processing," where she watches as his tongue is cut out and he is castrated. Due to her claustrophobia of the subterranean structure, she has never seen this, and is shocked and disappointed at how fast it goes. She insists on seeing one actually killed and becomes hysterical at not being able to see the entire gruesome process.
Isserley is calmed down by Amlis, himself an Elite, whose beliefs are that vodsel should not be consumed, suggesting they are more similar to him and Isserley than she admits. After he departs to their home world, to share with their people what he had witnessed (the beauty of Earth, the treatment of vodsel), Isserley's attitude changes. She begins to doubt her job, and is especially nonplussed after learning that others are more than willing to take her place. She captures one last victim, but feels guilty for doing so when his dog was waiting. Returning to where she found him, she frees the dog from the hitcher's van.
Isserley decides to quit, and not return to the base of operations. She is forced to pick up one last hitcher, a man who insists on needing a ride to see his girlfriend give birth, and mentions reincarnation on the way. Driving faster than usual, the car wrecks, and Isserley's body is essentially ruined while the hitcher is thrown through the window, still alive. Isserley ponders what will happen to her body, as she must activate an explosive that will destroy all evidence of the crash, and her. She thinks her atoms and particles will become dispersed in the environment and air, and is at peace with that. She then hits the switch.
The Guardian reviewed the book and said "the real triumph is Faber's restrained, almost opaque prose. This is a man who could give Conrad a run at writing the perfect sentence." However, they wrote, "finally, having utterly convinced us of his alien narrator and persuaded us to go along for the ride for nearly 300 pages, Faber doesn't quite know where to go: the miniaturist aims at a big metaphysical moment. Metaphysics are fine, but you can't feed a family on them. Still, the journey alone is worthwhile."
- Williamson, Nigel (29 January 2000). "Alien world – interview with Michael Faber". The Times. Retrieved 3 November 2010.
- "Under the Skin - Michel Faber". Google Books. Retrieved 2014-06-24.
- Crow, Roger (2014-06-23). "Under the Skin - The Review". The Huffington Post. Retrieved 2014-06-24.
- "Flesh-creeping". The Guardian. 1 April 2000. Retrieved 3 November 2010.
- McClintock, Pamela (3 November 2010). "Scarlett Johansson gets 'Under the Skin'". Variety. Retrieved 3 November 2010.
- "Filming for new Scarlett Johansson film to stop traffic". BBC News (BBC). 9 November 2011. Retrieved 9 November 2011.