Unique Forms of Continuity in Space

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Unique Forms of Continuity in Space
'Unique Forms of Continuity in Space', 1913 bronze by Umberto Boccioni.jpg
Artist Umberto Boccioni
Year 1913
Type Bronze
Dimensions 111.44 cm (43.87 in)
Location Museo del Novecento (1931 cast), Milan

Unique Forms of Continuity in Space (Italian: Forme uniche della continuità nello spazio) is a bronze Futurist sculpture by Umberto Boccioni. It is seen as an expression of movement and fluidity.[1] The sculpture is depicted on the obverse of the Italian-issue 20 cent euro coin.

History[edit]

The Futurist movement was striving to portray speed and forceful dynamism in their art. Boccioni, though trained as a painter, began sculpting in 1912. He exclaimed that "these days I am obsessed by sculpture! I believe I have glimpsed a complete renovation of that mummified art."[2] The following year Boccioni completed the sculpture. His goal for the work was to depict a "synthetic continuity" of motion instead of an "analytical discontinuity" that he saw in artists like František Kupka and Marcel Duchamp.[3] In 1912–13 Boccioni created several other sculptures[4] including his 1913 "Development of a Bottle in Space".

Composition[edit]

It seems clear to me that this succession is not to be found in repetition of legs, arms and faces, as many people have stupidly believed, but is achieved through the intuitive search for the unique form which gives continuity in space.

Umberto Boccioni[3]

Unique Forms of Continuity in Space depicts a human-like figure apparently in motion. The sculpture has an aerodynamic and fluid form. As a pedestal, two blocks at the feet connect the figure to the ground. The figure is also armless and without a discernibly real face. The form was originally inspired by the sight of a football player moving on to a perfectly weighted pass.[5]

Though Boccioni apparently reviled traditional sculpture, Unique Forms of Continuity in Space does resemble more realist works.[6] It is reminiscent of the classical Winged Victory of Samothrace, which Filippo Marinetti, founder of Futurism, declared was inferior in beauty to a roaring car.[7] The lack of arms also pays homage to Auguste Rodin's Walking Man.[8]

Original plaster and casts[edit]

Boccioni's work was in plaster, and was never cast into bronze in his lifetime. His plaster cast is displayed at the Museu de Arte Contemporânea in São Paulo. Two casts were made in 1931, one of which is displayed at the Museum of Modern Art in Manhattan.[6] Two were made in 1949, one of which is displayed at the Metropolitan Museum of Art in New York[2] and other one at the Museum of Twentieth Century in Milan. Two more were made in 1972, one of which is displayed at the Tate Modern in London.[9]) Another eight, in 1972, were made not from the plaster, but from one of the 1949 bronzes.

Influence[edit]

Unique Forms of Continuity in Space on the obverse of the Italian 20-cent euro coin.

In 2009 Italian composer Carlo Forlivesi in collaboration with Stefano Fossati, Director of the Italian Cultural Institute in Melbourne, created an international composition competition and workshop titled Unique Forms of Continuity in Space (Forme Uniche della Continuità nello Spazio), commemorating the hundredth anniversary of Italian Futurism. With a name which brings to mind Boccioni's piece, the initiative, organised on an annual basis, celebrates the power of musical composition mingled with the strength of the Italian language. The international composition competition and workshop Unique Forms of Continuity in Space aims to contribute to the creation of a large and eclectic body of art works, with particular significance for the relationship between music and poetry.[10] [11]

References[edit]

  1. ^ Petrie, Brian (March 1973). "Futurism at the Royal Academy". The Burlington Magazine 115 (840): 196–198. 
  2. ^ a b "Umberto Boccioni: Unique Forms of Continuity in Space". The Metropolitan Museum of Art. Retrieved 2008-01-11. 
  3. ^ a b Henderson, Linda (1981). "Italian Futurism and "The Fourth Dimension"". Art Journal (Art Journal, Vol. 41, No. 4) 41 (4): 317–323. doi:10.2307/776440. JSTOR 776440. 
  4. ^ "Umberto Boccioni: Unique Forms of Continuity in Space (1990.38.3)". In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–.
  5. ^ Andrew Graha Dixon (18 January 2009). "Umberto Boccioni and 100 years of Futurism". Retrieved 18 January 2013. 
  6. ^ a b "Umberto Boccioni. Unique Forms of Continuity in Space. 1913". The Museum of Modern Art. Retrieved 2008-01-11. 
  7. ^ Richard, Paul (November 9, 1980). "FUTURISM; A smashing Show of the Artist-Prophets Who Put Modern Art in Motion". The Washington Post. 
  8. ^ Glueck, Grace (February 13, 2004). "ART REVIEW; Blurring the Line Between the Present and the Future". New York Times. 
  9. ^ "Umberto Boccioni: Unique Forms of Continuity in Space". The Tate Modern. Retrieved 2008-03-15. 
  10. ^ "Musical Composition Workshop: Unique Forms of Continuity in Space". The Italian Institute of Culture, Melbourne. Retrieved 2010-01-15. 
  11. ^ "International Composition Competition: Unique Forms of Continuity in Space". Retrieved 2010-01-15. 

External links[edit]

  • Umberto Boccioni, a full text exhibition catalog from The Metropolitan Museum of Art, which contains material on this work