|This article needs additional citations for verification. (September 2014)|
Universal Monsters or Universal Horror is the name given to a series of distinctive horror, suspense and science fiction films made by Universal Studios from 1923 to 1960. The series began with the 1923 version of The Hunchback of Notre Dame, and continued with The Phantom of the Opera, Dracula, Frankenstein, The Mummy, The Invisible Man, Bride of Frankenstein, Son of Frankenstein, The Wolf Man, The Ghost of Frankenstein, Frankenstein Meets the Wolf Man, Son of Dracula, and Creature from the Black Lagoon. The studio's leading horror actors were Lon Chaney, Bela Lugosi, Boris Karloff, and Lon Chaney, Jr., and Edward Van Sloan, the numerous directors included Tod Browning, James Whale, Robert Florey and Karl Freund. Although Universal has continued to make films featuring the Monsters in ensuing decades, they have made fewer since the 1950s.
1920s - Lon Chaney
Universal's earliest success in the horror genre was the 1923 historical drama The Hunchback of Notre Dame, which starred Lon Chaney as Quasimodo. The lavish production sets rebuilt 15th-century Paris on an epic scale, even re-creating the famed Notre Dame de Paris cathedral.
A runaway success at the box office, Hunchback of Notre Dame inspired Universal to produce their first true horror film, The Phantom of the Opera, based on the mystery novel by Gaston Leroux. The film was released in 1925. Chaney designed and endured torturous make-up that exceeded the demands of his previous role as the Hunchback. As with the film Hunchback, the sets played an important part in the film. The interior of the Opéra Garnier was recreated to scale, and remains one of the longest-standing film sets to this day. It was used for the 1943 remake with Claude Rains, as well as numerous other pictures.
Chaney, who was a freelance player at the time of Phantom of the Opera's production, eventually signed a contract at Metro-Goldwyn-Mayer and could no longer produce character roles for Universal. His death in 1930 ended any possibility of his leaving MGM for another studio, and Universal turned their attentions to other actors. These included German character actor Conrad Veidt, who had appeared in the 1920 German expressionist horror masterpiece, Das Cabinet des Dr. Caligari (The Cabinet of Dr. Caligari), and starred in 1928's Universal horror film The Man Who Laughs.
- The Hunchback of Notre Dame (1923) with Lon Chaney
- The Phantom of the Opera (1925) with Lon Chaney and Mary Philbin
- The Cat and the Canary (1927) with Laura LaPlante
- The Man Who Laughs (1928) with Mary Philbin and Conrad Veidt
- The Last Warning (1929) with Laura LaPlante
- The Last Performance (1929) with Conrad Veidt and Mary Philbin
1930s - Boris Karloff and Bela Lugosi
In spite of the Great Depression, executive Carl Laemmle Jr. produced massive successes for the studio with Dracula (directed by Tod Browning) and Frankenstein (directed by James Whale), both in 1931.
The success of these two movies launched the careers of Bela Lugosi (Dracula) and Boris Karloff (Frankenstein), and ushered in a whole new genre of American cinema. With Universal at the forefront, filmmakers would continue to build on their success with an entire series of monster movies. These films also provided steady work for a number of genre actors including Lionel Atwill, Dwight Frye, Edward Van Sloan, and John Carradine. Other regular talents involved were make-up artists Jack Pierce and Bud Westmore, and composers Hans J. Salter and Frank Skinner. Many of the horror genre's most well-known conventions—the creaking staircase, the cobwebs, the swirling mist and the mobs of peasants pursuing monsters with torches—originated from these films and those that followed.
The Mummy, starring Karloff, was produced in 1932. This was followed by a trilogy of films based on the tales of Edgar Allan Poe: Murders in the Rue Morgue (1932) starring Lugosi, The Black Cat (1934), and The Raven (1935), the latter two of which teamed Lugosi with Karloff. The Invisible Man, released in 1933, was a phenomenal hit and would spawn several sequels. Of all the Universal monsters, the most successful and sequelized was undoubtedly the Frankenstein series, which continued with the critically acclaimed Bride of Frankenstein (1935). Dracula too had its share of sequels, beginning with Dracula's Daughter in 1936, although only Abbott and Costello Meet Frankenstein, the 1948 comedy that was the beginning of the end for the Universal monster cycle, would feature Lugosi himself recreating his signature role; the studio replaced him with Lon Chaney, Jr. or John Carradine in the earlier 1940s sequels.
The end of Universal’s first run of horror films came in 1936 as the Laemmles were forced out of the studio after financial difficulties and a series of box office flops, partly due to a temporary ban on American horror films in Britain in the wake of MGM's Mad Love and The Raven (both 1935). The monster movies were dropped from the production schedule altogether and would not re-emerge for another three years. In the meantime, a theatre owner revived Dracula and Frankenstein as a double feature, resulting in an immediate smash hit and leading to the original movies being re-released by the studio to surprising success. This forced the new executives to give the go-ahead to Son of Frankenstein (1939) starring Basil Rathbone, Boris Karloff and Bela Lugosi. Thirteen of the seventeen 1930s Universal horror films listed below star either Lugosi or Karloff or both:
- Dracula (1931) with Bela Lugosi
- Dracula (Spanish version) (1931)
- Frankenstein (1931) with Boris Karloff
- The Mummy (1932) with Boris Karloff
- Murders in the Rue Morgue (1932) with Bela Lugosi
- The Old Dark House (1932) with Boris Karloff
- The Invisible Man (1933) with Claude Rains
- The Black Cat (1934) with Boris Karloff and Bela Lugosi
- The Raven (1935) with Boris Karloff and Bela Lugosi
- Werewolf of London (1935) with Henry Hull
- Bride of Frankenstein (1935) with Boris Karloff
- Dracula's Daughter (1936) with Gloria Holden
- The Invisible Ray (1936) with Boris Karloff and Bela Lugosi
- Night Key (1937) with Boris Karloff
- The Phantom Creeps (1939) with Bela Lugosi
- Son of Frankenstein (1939) with Boris Karloff and Bela Lugosi
- Tower of London (1939) with Boris Karloff
1940s - Lon Chaney, Jr.
During the 1940s, the most successful of the new series of Universal Horror movies was The Wolf Man (1941), which also established Lon Chaney, Jr. as the new leading horror actor for the studio, following in his father Lon Chaney's footsteps.
The Frankenstein and Wolf Man series, abruptly descending in quality to the realm of B movies, continued with The Ghost of Frankenstein (1942), in which Lon Chaney, Jr. played Frankenstein's monster, and Frankenstein Meets the Wolf Man (1943) with Bela Lugosi as the monster and Chaney, Jr. as the werewolf. Son of Dracula (1943) featured Chaney, Jr. in Lugosi's original role as the Count. The Mummy series was also continued with The Mummy's Hand (1940) and The Mummy's Tomb (1942). Eventually, all of Universal's monsters, except the Mummy and Invisible Man, were be brought together in House of Frankenstein (1944) and House of Dracula (1945), in which Dracula was played by John Carradine. As the decade drew to a close, the comedy Abbott and Costello Meet Frankenstein (1948) proved an instant hit for the studio, with Lugosi in his second movie as Dracula, starring alongside Chaney, Jr. as Larry Talbot (the Wolf Man), and Glenn Strange as Frankenstein's monster. Lon Chaney, Jr. played the lead in seventeen of the thirty-five 1940s Universal horror films listed below:
- Black Friday (1940) with Boris Karloff and Bela Lugosi
- The Invisible Man Returns (1940) with Vincent Price
- The Invisible Woman (1940) with Virginia Bruce and John Barrymore
- The Mummy's Hand (1940) with Tom Tyler
- Man Made Monster (1941) with Lon Chaney, Jr.
- The Wolf Man (1941) with Lon Chaney, Jr. and Bela Lugosi
- The Black Cat (1941) with Basil Rathbone and Bela Lugosi
- Horror Island (1941) with Dick Foran and Peggy Moran
- The Ghost of Frankenstein (1942) with Lon Chaney, Jr. and Bela Lugosi
- Night Monster (1942) with Bela Lugosi
- Invisible Agent (1942) with Peter Lorre
- The Mummy's Tomb (1942) with Lon Chaney, Jr.
- Frankenstein Meets the Wolf Man (1943) with Lon Chaney, Jr. and Bela Lugosi
- Phantom of the Opera (1943) with Claude Rains
- Son of Dracula (1943) with Lon Chaney, Jr. and Evelyn Ankers
- Captive Wild Woman (1943) with Evelyn Ankers
- The Mad Ghoul (1943) with Evelyn Ankers and David Bruce
- Calling Dr. Death (1943) with Lon Chaney, Jr.
- Weird Woman (1944) with Lon Chaney, Jr. and Evelyn Ankers
- Dead Man's Eyes (1944) with Lon Chaney, Jr.
- The Climax (1944) with Boris Karloff
- House of Frankenstein (1944) with Boris Karloff and Lon Chaney, Jr.
- The Invisible Man's Revenge (1944) with Evelyn Ankers
- Jungle Woman (1944) with Evelyn Ankers
- The Mummy's Ghost (1944) with Lon Chaney, Jr.
- The Mummy's Curse (1944) with Lon Chaney, Jr.
- The Jungle Captive (1945) with Rondo Hatton
- House of Dracula (1945) with Lon Chaney, Jr.
- The Frozen Ghost (1945) with Lon Chaney, Jr. and Evelyn Ankers
- Strange Confession (1945) with Lon Chaney, Jr.
- Pillow of Death (1945) with Lon Chaney, Jr.
- House of Horrors (1946) with Rondo Hatton
- The Brute Man (1946) with Rondo Hatton
- She-Wolf of London (1946) with June Lockhart
- Abbott and Costello Meet Frankenstein (1948) with Lon Chaney, Jr. and Bela Lugosi
By the 1950s, Universal had stopped filming most of its original line of horror characters, with Frankenstein's monster, Dracula and the Wolf Man having been retired with the Abbott & Costello film in 1948. It was left to Abbott & Costello to keep alive public interest in characters such as the Mummy and the Invisible Man, but in 1954 Universal's horror films returned to popularity.
With the success of Creature from the Black Lagoon (directed by Jack Arnold in 1954) the revived Universal Horror franchise gained a new generation of fans. The original movies such as Dracula and Frankenstein were re-released as double features in many theatres, before eventually premiering on syndicated American television in 1957 as part of the famous Shock Theater package of Universal Monster Movies. The Hammer versions were also popular and, in turn, sparked renewed interest in the "originals". Soon dedicated magazines such as Famous Monsters of Filmland would help propel these movies into lasting infamy. Universal spent the last half of the decade issuing a number of one-shot monster films. By the early 1960s the original monsters were merchandised in the form of toys and model kits, the most famous of which were from the now-defunct Aurora Company.
- Abbott and Costello Meet the Invisible Man (1951)
- The Strange Door (1951) with Charles Laughton and Boris Karloff
- The Black Castle (1952) with Boris Karloff
- Abbott and Costello Meet Dr. Jekyll and Mr. Hyde (1953) with Boris Karloff
- It Came From Outer Space (1953)
- Creature from the Black Lagoon (1954)
- Revenge of the Creature (1955)
- Cult of the Cobra (1955) with Faith Domergue
- This Island Earth (1955) with Faith Domergue
- Tarantula (1955)
- Abbott and Costello Meet the Mummy (1955)
- The Creature Walks Among Us (1956)
- The Mole People (1956)
- The Deadly Mantis (1957)
- The Monolith Monsters (1957)
- Monster on the Campus (1958)
- The Thing That Couldn't Die (1958)
- Curse of the Undead (1959)
- The Leech Woman (1960)
In 1999 and 2001 respectively, the films The Mummy and The Mummy Returns were both box office successes. Another sequel was made, The Mummy: Tomb of the Dragon Emperor, which was released in August 2008. Another movie, The Scorpion King, was made as a spin-off prequel to the second movie.
The Wolfman was released on February 12, 2010 starring Benicio del Toro, Anthony Hopkins, Emily Blunt, and Hugo Weaving. The film basically follows the plot line of the original The Wolf Man, albeit with various changes.
The original films have seldom been out of print and have been widely collected in numerous formats, first as short excerpts on 8 mm, Super 8 and 16 mm film for showing with home movie projectors, then complete in the Beta, VHS and LaserDisc video formats. In 1999, the movies first became available on DVD. Since then they have been remastered, re-released and re-packaged twice more: In 2004, as part of the Legacy Series and also under the 75th Anniversary banner in 2006.
The Legacy Series included The Wolf Man, Frankenstein, Dracula, The Mummy, The Invisible Man and Creature from the Black Lagoon.
To celebrate Universal Studios 100th anniversary, some films were remastered in high-definition and released on Blu-ray Disc on October 2, 2012 in the set "Universal Classic Monsters: The Essential Collection". The set included Dracula, Frankenstein, Bride of Frankenstein, The Mummy, The Invisible Man, The Wolf Man, Phantom of the Opera, and Creature from the Black Lagoon, as well as the 1931 Spanish version of Dracula, included as a bonus feature on the Dracula disc.
Later influences and homages
||Lists of miscellaneous information should be avoided. (July 2014)|
In 1957, Hammer Film Productions began producing their own series of monster movies in Eastmancolor, starting with The Curse of Frankenstein (1957) and Dracula (1958). Universal was also the distributor for several of the films, enabling Hammer to replicate several features of the original Universal horrors in The Evil of Frankenstein (1963).
In 1962 the television show Route 66 had an episode, "Lizard's Leg and Owlet's Wing", written by Stirling Silliphant, which was a homage to the Universal monsters, starring Boris Karloff, Lon Chaney, Jr., and Peter Lorre playing themselves, and with Karloff and Chaney donning, for the last time, their original Frankenstein's monster and Wolf-Man make-ups.
Richard O'Brien's The Rocky Horror Picture Show (1975) featured the character Magenta (played by Patricia Quinn), whose shock hair was modelled on that of the Bride of Frankenstein. The film is a parody of B-movies; the title song "Science Fiction/Double Feature" references Universal's film The Invisible Man.
The release of movies featuring the Universal Monsters in the Shock Theater television packages of the late 1950s and early 1960s made them available to a new audience developing a keen interest in these films and is largely responsible for the Monster Boom of the early 1960s.
This new interest would have far reaching reverberations from the kids that grew up during this time, when they began coming of age. The sustained interest from those that had developed an interest in the horror genre when they were young was greatly responsible for the creation of the horror punk genre of music in the mid-to-late 1970s with bands like The Damned, The Cramps and The Misfits.
In 1986, the first entry in the Castlevania series was released in Japan. It featured several homages to the Universal and Hammer horror films, notably the inclusion of a Universal-style Frankenstein's monster as a boss. Later Castlevania games would continue to pay tribute to the classic horror films, while at the same time forging their own identity as a more dramatic and story-driven series.
The Monster Squad, a 1987 film released by Tri-Star Pictures and directed by Fred Dekker, featured Dracula, Frankenstein's monster, The Wolf Man, The Mummy and The Creature from the Black Lagoon. In 1998, filmmaker Kevin Brownlow made the documentary Universal Horror. It was narrated by Kenneth Branagh, and featured interviews with many of the original stars.
In 2004, Stephen Sommers directed Van Helsing featuring the characters of Dracula, his Brides, a Wolf Man, and the Frankenstein Monster. The film was a homage to the classic Universal monster mash up movies of the 1940s, such as the Frankenstein Meets and The House of series and proved popular at the box office despite mixed reviews. Stephen Sommers had also directed both the remake of The Mummy and its sequel, The Mummy Returns. The release of Van Helsing sparked the release of several deluxe DVD box sets featuring restored versions of many Universal Horror films, in particular those of Frankenstein's monster, Dracula, The Wolf-Man, The Invisible Man, The Mummy and Creature from the Black Lagoon.
The 2005 feature film Frankenstein vs. the Creature from Blood Cove directed by William Winckler is an homage to the classic Universal Monsters, shot in black and white, featuring a Frankenstein Monster, the monster's Bride, a werewolf, and a half-man, half-fish creature. Swan Lake', composed by Tchaikovsky, was used as the film's title theme, just as it was used in Universal's Dracula and Mummy films.
The 2009 film House of the Wolf Man is an homage to the 1940s monster films House of Frankenstein and House of Dracula. Unlike Dekker's Monster Squad or Sommers' Van Helsing, Eben McGarr's film is intended to look and feel like a Universal film of the 1940s. Ron Chaney, grandson of Lon Chaney, Jr., stars in the film.
Friday the 13th Part VI: Jason Lives starting scene was a homage to Universal Monsters, mainly Frankenstein's monster. Jason Voorhees is resurrected in a similar fashion to Frankenstein's monster.
The 2012 movie Frankenweenie contains many references to the Universal Monsters, such as Frankenstein's Monster, The Bride of Frankenstein, The Invisible Man, The Mummy, Creature from the Black Lagoon, The Wolf Man and Dracula. There are also references to other monster movies such as Godzilla, Gremlins, Horror of Dracula, The Fly, and Gamera.
Merchandising of the Universal Monsters films has been collected by fans around the world for decades. However, when the films were originally released there was little in the way of merchandising other than lobby cards and posters. The 1931 Frankenstein 6-sheet movie poster is considered to be the most valuable poster in the world. There is only one copy of this poster known to exist.
Many years later, when the films regained popularity after being regularly shown on American TV, toys and model kits began to be sold. Universal particularly held to the copyrighting of their depiction of Frankenstein's monster.
Out of the first wave of collectables, the most notable was the 1961 plastic model kit of Frankenstein's monster by the now-defunct Aurora Plastics Corporation. In the next few years there followed models of Dracula, the Wolf Man, the Mummy, the Phantom of the Opera, and the Creature from the Black Lagoon before the series switched to generic or characters from other firms, though there was a Bride of Frankenstein model in 1965. These hollow statues were quite popular among American boys.
After the popularity of the Aurora series, other companies eventually began using licensed caricatures of the Universal Monsters. Over the decades many collectables have appeared in one form or another; from Halloween masks and action figures to coffee mugs, miniature die-cast cars, jigsaw puzzles, Pez dispensers, lunch boxes, postal stamps, and so on.
Other memorabilia include the products from Sideshow Collectibles with very accurate 12 inch (1/6 scale) "action figures" of many of the Universal Monsters, as well as museum quality 1/4 scale "Premium Format" figures usually cast from polystone with accurate cloth costumes and decoration.
NECA Toys released a series of bobble head caricatures of all the main Universal Monsters in 2006, including Dracula, Frankenstein, The Mummy, The Wolfman, Bride of Frankenstein, The Phantom of the Opera and the Creature from the Black Lagoon.
Diamond Select Toys is the current license holder for action figures, including 7-inch figures, 8-inch retro-styled figures and 2-inch Minimates. Diamond Select also makes vinyl banks based on the films, and their products are often issued in both color and black-and-white. Diamond Select is also a licensee for The Munsters, and has made figures of all of the show's Universal-inspired family members.
In video and computer games, Universal Monsters have also made appearances in titles such as Monsterville and Darkstalkers.
Universal Monsters Cinematic Universe
- This table only includes characters which have appeared in multiple films within the Universal Monsters Cinematic Universe.
- A dark grey cell indicates the character was not in the film.
- Mad Monster Party?
- Mad Mad Mad Monsters
- Minor characters in Universal Monsters
- Monster Force
- Hotel Transylvania
||This article uses bare URLs for citations, which may be threatened by link rot. (July 2014)|
- Okuda, Ted; Yurkiw, Mark (2007). Chicago TV Horror Movie Shows: From Shock Theatre to Svengoolie. Lake Claremont Press. p. 14. ISBN 978-1893121133. "The 'Shock!' package was sold in 142 markets. As a result, stations across the country aired a late-night Shock Theatre series to showcase these pictures."
- "Universal Classic Monsters: The Essential Blu-ray Collection Announced". Daily Dead. 2012-06-28. Retrieved 2013-10-19.
- [dead link]
- [dead link]
- "Bigpoint.com | Play the best online browser games for free". Universalmonstersonline.com. Retrieved 2013-10-19.