University of Pennsylvania Museum of Archaeology and Anthropology
|University of Pennsylvania Museum of Archaeology and Anthropology|
The Warden Garden and Main Entrance to the Penn Museum
|Location||3260 South St.,
|Type||Anthropology and Archaeology|
|Director||Dr. Julian Siggers|
The University of Pennsylvania Museum of Archaeology and Anthropology — commonly called Penn Museum — is an archaeology and anthropology museum that is part of the University of Pennsylvania in the University City neighborhood of Philadelphia, Pennsylvania.
The Penn Museum transforms understanding of the human experience.
An internationally renowned educational and research institution dedicated to the understanding of cultural diversity and the exploration of the history of humankind, the University of Pennsylvania Museum of Archaeology and Anthropology—which has conducted more than 300 archaeological and anthropological expeditions around the world—was founded during the administration of Provost William Pepper. In 1887, Provost Pepper persuaded the Trustees of the University of Pennsylvania to erect a fireproof building to house artifacts from an upcoming expedition to the ancient site of Nippur in modern-day Iraq (then part of the Ottoman Empire). During the late 19th and early 20th centuries, North American and European museums regularly sponsored such excavations throughout the Mediterranean and Near East, sharing the ownership of their discoveries with the host country. Penn Museum followed this practice in acquiring the vast majority of its collections, and, as a result, most of the Museum's objects have a known archaeological context, increasing their value for archaeological and anthropological research and presentation. Today the Museum's three floors of gallery space feature materials from the ancient Mediterranean World, Egypt, the Near East, Mesopotamia, South and East Asia, and Mesoamerica, as well as artifacts from the native peoples of Africa and Native American tribes. Since 1958, the Penn Museum has published Expedition magazine. (ISSN 0014-4738) The excavations and collections of the Museum provide resources for student research and the Museum hosts the Graduate Group in the Art and Archaeology of the Mediterranean World.
On 19 November 2008, University of Pennsylvania Museum Administration announced its decision to terminate 18 Research Specialist positions in archaeological and anthropological research in the Mediterranean world, the Middle East, and the Americas, effective May 31, 2009. The scientific research center MASCA (Museum Applied Science Center for Archaeology)] was also closed, although the MASCA scientists were moved to other Sections within the museum. The decision received local and world-wide criticisms and reactions among archaeologists and concerned communities, who felt that it represented a decided departure from the original mission of the Penn Museum as a research institution since its foundation in 1887. Museum administrators announced that this was a measure taken due to the current financial crisis and the deep budget cuts at the University of Pennsylvania.
On June 1, then-Director Dr. Richard Hodges announced that newly defined positions as "Associate Curator" or "Research Project Manager" have been offered to 11 of the 18 individuals affected.
The Museum has stated that its commitment to research remains firm, as indicated by more than 50 research projects spanning five continents that engage nearly 200 Museum-affiliated scholars—more than can be found at any other archaeological and anthropological institute/museum in North America.
The Museum is housed in an Arts and Crafts and Eclectic style building that is one of the landmarks of the University of Pennsylvania campus. The existing original building (onto which have been grafted several later additions) is actually only approximately one-third of an ambitious design that would have created one of the largest museum buildings in the United States. Features of the extant building include a dramatic rotunda and gardens that include Egyptian papyrus. The Penn Museum was designed by a team of Philadelphia architects, all of whom taught on the faculty of the University: Wilson Eyre, Cope & Stewardson and Frank Miles Day. The first phase was completed in 1899 and housed the discoveries from an expedition sponsored by the University to the ancient site of Nippur. In 1915, the rotunda, which houses the Harrison Auditorium in the basement was completed. Charles Klauder designed the Coxe Memorial Wing, which opened in 1926 to house the Museum's Egyptian collection. The Sharpe Wing was completed in 1929.
The Coxe Memorial Egyptian Wing was added to the museum in 1924 through a bequest by former museum board president Eckley Coxe. The administrative wing was added in 1929. The Academic Wing, which provided laboratories for the Anthropology department and classrooms was opened in 1971. The most recent major addition was made in 2002, with the addition of the Mainwaring (Collections Storage) Wing.
Penn Museum's extensive collections fall into two main divisions: archaeology, the artifacts recovered from the past by excavation, and ethnology, the objects and ideas collected from living peoples. There is also an extensive collection of skeletal material, which is not on display. More than 30 galleries feature materials from around the world and throughout the ages including:
The Penn Museum has one of the largest collections of African ethnographic and archaeological objects in the country. Mostly obtained from 1891 to 1937, the collection contains objects from all regions of Africa, but with a concentration from the Democratic Republic of the Congo, Gabon, Angola, Morocco, Sierra Leone, Ivory Coast, Senegal, Nigeria, Kenya, Tanzania, Ethiopia, South Africa, Namibia, Botswana and Madagascar.
The Penn Museum has one of the most extensive Sherbo Island collections in the world. During a museum sponsored expedition in 1936-1937, Curator of General Ethnology, Henry Usher Hall spent seven months conducting ethnographic research among the Sherbo people of Sierra Leone. The collection consists of textiles, sculpture, artifacts related to subsistence and household items, secret society and examples of medicine bundles. Hall's papers include field notes, bibliographies, and textual commentaries that provide ethnographic information about the way of life of the Sherbro people and others--including the Mende, Krim, and Temne peoples--who lived among them.
The Central African collection includes approximately 3000 artifacts from the Democratic Republic of Congo (formerly the Belgian Congo). The majority of these artifacts were collected by the German ethnographer Leo Viktor Frobenius on his expedition to the Kasai district of the Congo in 1906. His collection illustrates the diverse sculptural forms found among the different cultural groups in the Central African region. Some of the cultures represented in the collection are the Kuba, Kongo, Luba, Suku, Yaka, Pende, Teke, Chokwe, and Luluwa. One of the lesser known collection within the African Section is the Moroccan collection. Dr. and Mrs. Talcott Williams travelled to Morocco in 1898 and returned with approximately 600 objects to document the cultures in Morocco. The collection consists of clothing, shoes, rugs, blankets, weapons, jewelry, pottery, baskets, cooking pots. This thorough collection of objects representing daily life was well documented by Dr. Williams who also collected on behalf of the Smithsonian.
The North American archaeological collections contain specimens from 45 of the 50 United States. Regions of particular strength include Alaska, New Jersey, New Mexico, Pennsylvania and Texas.
The North American ethnographic holdings number approximately 40,000 specimens attributed to approximately 200 tribes and organized within eleven geographic regions (Artic, Sub-Arctic, Northwest Coast, Plateau, California, Great Basin, Southwest, Great Plains, Southeast and Northeast). The strongest collections are those systematically created via study and collecting expedition in Alaska, the Northwest Coast, Southwest, Southeast, and Sub-arctic regions. Individual donations significantly contribute to the collections in many areas.
Penn Museum's Mesoamerican collections include objects from Mexico, Guatemala, Belize, El Salvador, Honduras, Nicaragua, Panama and Costa Rica. The American Section's ethnographic collections from Mesoamerica include strong collections of masks, ceramics, and textiles from Guatemala, and very small collections from Mexico, Panama, Costa Rica, Nicaragua, and El Salvador. In Guatemala, Robert Burkitt acquired ethnographic ceramics, textiles, tools, hammocks, fans and gourds from the Alta Verapaz the early twentieth century.
The Museum houses the outstanding Lilly de Jongh Osborne collection of 19th and early 20th Century Guatemalan textiles, exceptional because of its complete outfits for men, women and children acquired systematically across different Guatemalan villages. This collection includes raw material and other objects and tools related to weaving. Ruben Reina studied the production of ceramics in Guatemala in the 1960s and 1970s, and collected ceramics and textiles from the region. The Section houses a large collection of Guatemalan masks amassed by James Moore in the 1960s.
The Museum's South American collections are as varied as the regions from which they come - the arid coast of Peru, the Andean Highlands, and the tropical lowlands of the Amazon Basin. The collections include anthropological materials from Argentina, Bolivia, Brazil, Chile, Colombia, Ecuador, Guyana, Paraguay, Peru, and Venezuela.
The American Section's ethnographic holdings from South America are strongest in materials from Bolivia, Brazil, Guyana, and Peru. The Aymara, Quechua, and Yuracaré of Bolivia are represented in early collections acquired by Max Uhle and William Curtis Farabee. More than thirty indigenous tribes from Brazil are represented in ethnographic collections acquired by Farabee and Vincenzo M. Petrullo in the 1920s and 1930s respectfully. Twelve different indigenous groups are represented in the collections acquired in Guyana by Farabee in the 1920s. More than twenty-five native groups from Peru are represented as well. Smaller collections represent some of the indigenous peoples of Argentina (Yahgan), Chile (Alacaluf, Mapuche), Colombia (Arhuaco, Chocó, Goajira, and Kogi), and Ecuador (Jivaro, Tumaco, Saparo).
The Chinese collection is housed in a spacious gallery underneath the museum's Harrison Rotunda, which measures ninety feet across and ninety feet from the floor and is one of the largest unsupported masonry domes in the nation. This gallery houses large paintings and sculptures, as well as a perfectly spherical carved Chinese crystal which belonged to Empress Dowager Cixi — one of the finest in existence. Along with an Egyptian status of Osiris, the crystal ball was stolen in 1988, and its elegant silver stand, a stylized ocean wave, was found in a culvert not far from the Museum. The items were recovered in 1991 after a former museum staff member saw the statue in an area antique shop; the crystal ball was traced to a home in New Jersey and returned to the Museum.
The museum's collection of Egyptian artifacts is considered one of the finest in the world. The museum's Egyptian galleries house an extensive collection of statuary, mummies, and reliefs. Most notably, the museum houses a set of architectural elements, including large columns and a 13-ton granite Sphinx of Ramesses II, circa 1200 B.C., from the palace of the Pharaoh Merenptah. These were excavated by a museum expedition to Egypt in 1915. In the late 1970s Karl-Theodor Zauzich (attendant of the Egytian section) discovered 3 missing fragments of the Insinger Papyrus in the Museum's collections.
The museum's most important collection is arguably that of the Royal Tombs of Ur, which The University of Pennsylvania co–excavated with the British Museum in Iraq. Ur was an important and wealthy city-state in ancient Sumer, and the artifacts from its royal tombs showcase the city's wealth. The collections consists of a variety of crowns, figures, and musical instruments, many of which have been inlaid with gold and precious stones. The often traveling collection includes a well known Bull-headed lyre. The museum's Babylonian section houses a collection of almost 30,000 clay tablets inscribed in Sumerian and Akkadian cuneiform, making it one of the ten largest collections in the world. The collection contains the largest number of Sumerian school tablets and literary compositions of any of the world's museums, as well as important administrative archives ranging from 2900 to 500 BCE.
The Penn Museum conducted an excavation of the Mayan city of Tikal, Guatemala from 1956 to 1970. Many important artifacts from this excavation are on view in the museum, along with several stelae from the contemporary cities of Caracol and Piedras Negras. The gallery also displays many Aztecan, Oaxacan, and Teotihuacano artifacts.
- Graduate Group in the Art and Archaeology of the Mediterranean World
- The Benghazi Venus
- List of museums with major collections of Egyptian antiquities
- Hiram M. Hiller, Jr.
- G. Roger Edwards
- "Expedition Magazine".
- Wang, Kathy (26 November 2008). "Financial crisis forces firing of 18 Penn Museum researchers". The Daily Pennsylvanian. Retrieved 2009-03-31.
- Maps & Buildings @ Penn
- "The Chinese Rotunda: A stunning setting for a remarkable collection". Museum Homepage.
- Gibbons, Jr., Thomas J. (30 October 1991). "Treasures Stolen from the Museum are Recovered after Three Years". The Philadelphia Inquirer.
- University of Pennsylvania. University Museum, University of Pennsylvania. University Museum. Section of Oriental Art (1917). University museum: section of oriental art. University of Pa. Retrieved 24 April 2014.
- University of Pennsylvania Museum of Archaeology and Anthropology website
- The Museum's Permanent Exhibitions
- The Graduate Group in the Art and Archaeology of the Mediterranean World
- Secrets of the Silk Road, UPenn Museum, Symposium: Reconfiguring the Silk Road, New Research on East-West Exchange in Antiquity
- "A Museum Full of Antiquities Embraces Modernity," Jon Hurdle, The New York Times, 4 December 2012