Uthama Puthiran (1958 film)

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For the 1940 film, see Uthama Puthiran (1940 film). For the 2010 film, see Uthamaputhiran (2010 film). For other uses, see Uthama Puthiran.
Uthama Puthiran
Uthama-Puthiran 1958.jpg
Theatrical poster
Directed by T. Prakash Rao
Produced by S. Krishnamoorthy
C. V. Sridhar
T. Govindarajan
Written by C. V. Sridhar
Screenplay by C. V. Sridhar
T. Prakash Rao
Based on Uthama Puthiran 
by T. R. Sundaram
Starring Sivaji Ganesan
Padmini
M. N. Nambiar
P. Kannamba
K. A. Thangavelu
Music by G. Ramanathan
Cinematography A. Vincent
Edited by N. M. Sankar
Production
company
Venus Pictures
Distributed by Venus Pictures
Release dates
7 February 1958[1]
Running time
157 minutes
Country India
Language Tamil

Uthama Puthiran (English: Virtuous Son) is a 1958 Indian Tamil historical fiction film directed by Tatineni Prakash Rao. The film stars Sivaji Ganesan, Padmini and M. N. Nambiar in the lead roles, while K. A. Thangavelu, Ragini and P. Kannamba play supporting roles. It is the first film to feature Sivaji Ganesan in two distinct roles.[2][3] The film was released on 7 February 1958, and ran for over 100 days in theatres. The film was also released in Telugu as Veera Prathap and in Hindi as Sitamgar.[4][5]

Uthama Puthiran is the story of a queen who gives birth to twins. But as fate would have it, one of the twins is forcefully abandoned and grows up elsewhere. He grows up as a kind and honest man, while the other twin grows up as a greedy and arrogant man. When fate brings both the twins together and they start fighting, it is only their mother who can bring peace. The film's plot is loosely based on Alexander Dumas' The Man in the Iron Mask. It is the second Tamil film to be based on the same novel after the 1940 film of the same name.

Plot[edit]

In the fictional land of Malarpuri, the queen (P. Kannamba) delivers a male child. Her brother Naganathan (M. N. Nambiar) replaces it with a dead child with help from a maidservant, and informs king Varaguna Pandiyan (Sadasiva Rao) that the newborn is dead. To Naganathan's surprise, the queen gives birth to another boy soon after delivering the first. Minister Gunaseelar arrives by then and the king is informed of the birth of two children, one dead and one alive. Everyone is happy that at least one is alive. Naganathan decides to kill the first infant and hands it over to his servant Somappa (Stunt Somu). However, Somappa and his wife raise the prince in a forest.

The crown prince is Vikraman and his identical twin in the forest is Parthiban (both played by Sivaji Ganesan). On his deathbed, the king (M. K. Radha) appoints Naganathan as the guardian of crown prince Vikraman, and gives the order that Naganathan would be solely responsible for Vikraman’s safety. To achieve his objective of ruling the country, Naganathan brings up Vikraman with all vices and does not allow him to bond with his mother. On the other hand, Parthiban grows up to become a valiant warrior under the guidance of Somappa and fights for the public.

After the king’s death, Vikraman ascends the throne and hands over administrative controls to Naganathan, who indulges in all kind of looting by levying more taxes. Parthiban comes out of forest and saves the minister’s daughter Amudhavalli (Padmini) when her chariot goes out of control. They fall in love, and he starts visiting her palace late in the night. Amudha encounters Vikraman, who looks similar to Parthiban, but does not disclose this to anyone. Vikraman likes her and tells Naganathan to fix his marriage with her. Amudha does not accept when Vikraman’s mother comes with the proposal. One night, the soldiers notice Parthiban getting into the palace and they reach Amudha’s room. She makes him escape by making him wear Vikraman’s costume. While leaving, he meets his mother, but pretends to be Vikraman. When he is talking to her, Vikraman arrives and they scuffle. Parthiban escapes, but when he comes again to meet Amudha, he is thrown into prison.

Through the maidservant, the queen learns that Parthiban is also her son. She goes to the prison and orders his release. By then, Vikraman arrives with Naganathan, who confirms they are brothers, but states that the kingdom cannot afford to have two brothers fighting for power. Vikraman does not wish to share the kingdom and to avoid anyone recognising him, orders that Parthiban be masked and imprisoned. Parthiban has an iron mask locked on his face; its key is with Vikraman. Amudha and Parthiban’s friend (K. A. Thangavelu) hatch a plan to rescue Parthiban. Amudha makes Vikraman insensibly drunk after a dance and takes the key. Parthiban’s associates reach the prison, set him free, put the same on Vikraman’s face and dump him in prison. Parthiban assumes charge of the kingdom and introduces citizen friendly policies which are welcomed by the people.

Naganathan suspects foul play. By then, Vikraman sends a message to Naganathan by writing on his dinner plate about Parthiban impersonating him. Naganathan rushes to jail, releases Vikraman, brings him to the Assembly and stops the coronation of Parthiban as king. In the fight that ensues between Naganathan’s army and Parthiban’s people, Naganathan dies. Parthiban and Vikraman fight despite a plea from their mother. When Vikraman loses, he escapes in a chariot wearing his mask. Parthiban tries to stop him, but he rushes away. Vikraman dies when his chariot falls off a cliff. Parthiban rules Malarpuri as a virtuous son along with Amudha and his mother.

Cast[edit]

Production[edit]

In those days, it was technically very difficult to film movies which call for double roles. Though computer technology was non-existent those days, filming was very well executed. There was nothing much to my dance performance in Utthama Puthiran. I had already mentioned I was a good dancer, having been trained in the art of traditional Indian dance. The dance performance for Utthama Puthiran was different. The credit goes to the dance master, Heera Lal, who conceived the dance and choreographed it with fast steps and claps.

—Sivaji Ganesan in his autobiography[2]

Development[edit]

When Venus Pictures came out with an advertisement of their film Uthama Puthiran in a newspaper with Sivaji Ganesan in the leading role, the same day actor MGR announced a same-titled film in the same paper on the same day. With the help of N. S. Krishnan, Ganesan made MGR scrap his plan of making the same film. MGR persisted his with his plans to make a double action film and finally made Nadodi Mannan, and released it much after Uthama Puthiran.[1]

Filming[edit]

The film was scripted by Sridhar. Cinematography was handled by Aloysius Vincent. Bollywood dancer Helen was recruited to perform a dance sequence in the song Yaaradi Nee Mohini, which was Tamil cinema's first "rock ‘n’ roll dance".[6][7]

During the shooting of the song Unnazhagi at Brindavan, a foreigner visiting India requested permission to shoot the scenes with his camera, and permission was granted. Both the cinematographer and the foreigner simultaneously shot the song and dance sequence from the same angles. Zoom technique was unknown to Indian film technicians those days, but the foreigner's camera had it. When the crew learnt this, they requested the foreigner to provide a copy of his version to be used in the film, and he obliged.[1]

Though the foreigner had used 16mm, the crew managed to use some zoom shots taken by him in the film. Thus, Uthama Puthiran became the first Indian film to have the shots with zoom technique.[1]

Influences[edit]

Uthama Puthiran is a remake of the same-titled 1940 film that featured P. U. Chinnappa in two distinct roles, notably the first Tamil film to feature an actor in two roles.[8] It is also said to be adapted from the French novel The Man in the Iron Mask, written by Alexandre Dumas in 1850.[9] The story of identical twins was used often in Tamil cinema, and Dumas himself used it to write his famous The Corsican Brothers which was also adapted into Tamil. The Gemini Studios version Apoorva Sagotharargal with M. K. Radha playing the twins was a box office hit. M. G. Ramachandran played the twins in a rehash of the film titled Neerum Neruppum, which did not do as well.[3] Uthama Puthiran (1958) also was the inspiration behind Imsai Arasan 23m Pulikesi, a 2007 historical comedy film starring comedian Vadivelu as the twins.[10]

Soundtrack[edit]

The soundtrack of the film has been composed by G. Ramanathan.[11]

No. Song Singers Lyrics Length (m:ss)
1 Anbe Amudhey T. M. Soundararajan & P. Suseela A. Maruthakasi 03:20
2 Yaaradi Nee Mohini T. M. Soundararajan, A. P. Komala, K. Jamuna Rani & Jikki Ku. Ma. Balasubramaniam 07:06
3 Kaathiruppan Kamalakannan P. Leela Sundara Vathiyar 04:48
4 Mullai Malar Mele T. M. Soundararajan & P. Suseela A. Maruthakasi 03:22
5 Unnazhagai Kanniyargal P. Suseela K. S. Gopalakrishnan 04:45
6 Muthe Pavazhame R. Balasaraswathi Devi & A. P. Komala Kalyanasundaranar 05:28
7 Kondattam Manasukulle P. Leela Thanjai N. Ramaiah Doss 03:55
8 Mannulagellam Ponnulagaga Jikki & P. Suseela A. Maruthakasi 03:14
9 Pulli Vaikkiraan Seerkazhi Govindarajan & P. Leela Ku. Ma. Balasubramaniam 02:03

Release[edit]

Reception[edit]

Uthama Puthiran ran for over 100 days in theatres.[4] However, according to Sivaji Ganesan, the film was a "flop".[12] With Sivaji Ganesan's dual role performance being praised, he went on to do several hit dual role films in his later career.[13]

Reviews[edit]

Uthama Puthiran received positive reviews from critics. Ananda Vikatan (6.8.1959) praised the film for "the stylish acting by Sivaji, grand making, songs and the fight scenes".[1] The Hindu praised Sivaji Ganesan's dual role performance, and labelled him as a "Consummate villain and a suave hero".[14] Film critic Malathi Rangarajan said, "That one scene where the arrogant twin callously goes up and down on the swing as his mother rebukes and pleads with him to mend his ways, is enough to ensure the everlasting shelf-life of the decades-old offering from the stable of Sivaji Ganesan. Catch it the next time it is telecast. It's worth it."[15] Indiaglitz said, "It has good performances, melodious music, and an engaging screenplay and is hugely entertaining."[9] Film historian Randor Guy praised the film for its "excellent screenplay, fine dialogue, music, Sivaji Ganesan’s superb performance and Prakash Rao’s impressive direction."[6]

References[edit]

  1. ^ a b c d e G. Dhananjayan (2011). The Best of Tamil Cinema: 1931 to 1976. Galatta Media. pp. 167–168. 
  2. ^ a b Sivaji Ganesan (2002). Autobiography of an Actor, p. 118, Sivaji Prabhu Charities Trust, Chennai
  3. ^ a b Randor Guy (17 March 2011). "Arts / Cinema : A trailblazer". Chennai, India: The Hindu. Retrieved 9 April 2012. 
  4. ^ a b "Chevalier Dr. Sivaji V. C. Ganesan". Geocities.ws. Retrieved 9 April 2012. 
  5. ^ "Did you know?". The Times of India. 13 August 2013. Retrieved 23 August 2013. 
  6. ^ a b Randor Guy (5 January 2013). "Blast from the Past: Uthama Puthran 1958". The Hindu (Chennai, India). Retrieved 14 February 2013. 
  7. ^ "The first Tamil film to have rock ‘n’ roll dance. - Times Of India". Timesofindia.indiatimes.com. 2 July 2013. Retrieved 23 August 2013. 
  8. ^ Randor Guy (2 May 2008). "Blast from the Past: Utthama Puthiran (1940)". Chennai, India: The Hindu. Retrieved 24 June 2012. 
  9. ^ a b "Uthama Puthiran - Making history with historicals - Tamil Movie News". IndiaGlitz. 19 September 2006. Retrieved 2 May 2012. 
  10. ^ "Friday Review Chennai / Film Review : Messages in a light vein - Imsai Arasan 23rd Pulikesi". Chennai, India: The Hindu. 14 July 2006. Retrieved 20 April 2012. 
  11. ^ "Uthama Puthiran Songs". Raaga.com. Retrieved 9 April 2012. 
  12. ^ "No stopping him". The Hindu (Chennai, India). 27 September 2004. 
  13. ^ "THE DOUBLE ACTION BONANZA IN KOLLYWOOD". Behindwoods.com. Retrieved 9 April 2012. 
  14. ^ "Consummate villain and a suave hero". Chennai, India: The Hindu. Retrieved 26 May 2012. 
  15. ^ Malathi Rangarajan (14 January 2012). "Arts / Cinema : Two to tango". Chennai, India: The Hindu. Retrieved 27 May 2012. 

External links[edit]