Vaganova method
The Vaganova method is a ballet technique and training system devised by the Russian dancer and pedagogue Agrippina Vaganova (1879-1951). Fusing elements of traditional French technique from the romantic era, with the athleticism and virtuosity of the Italian school,[1] the method is designed to work the body as a whole, with total involvement of the body in every movement, and equal attention paid to the upper body as well as the legs and feet. Veganova believed that this approach increases consciousness of the body, thus creating a harmony of movement and greater expressive range.[2][3] The training regime for the Vaganova method is complex and rigorously planned, to produce a clean, virtuoso technique. Due to its strictly codified training system, the Vaganova method is widely considered to be injury-free, if taught correctly.[1]
[edit] History
Vaganova was a student at the Imperial Ballet School in Saint Petersburg, graduating in 1897 to dance professionally with the school's parent company, the Imperial Russian Ballet. She retired from dancing in 1916 to pursue a teaching career. Following the Russian revolution of 1917, she returned to the school as a teacher in 1921, although it had by then been re-established as the Leningrad Choreographic School by the Soviet government. The Imperial Russian Ballet was also disbanded and was re-established as the Soviet Ballet.
As a teacher, Vaganova devised her own methods of classical ballet training and technique, fusing elements of French, Italian and other methods as well as influences from other Russian dancers and teachers. These became known worldwide and led to her being made director of the school and training some of the most famous dancers in history.
Through the 30 years she spent teaching ballet and pedagogy, Vaganova developed a precise dance technique and system of instruction. Tenets of the Vaganova training method include the development of lower back strength and arm plasticity, and the requisite strength, flexibility and endurance for ballet. Much of her work was focused on the capability of the dancer to perform a classical pas de deux and the skills necessary for such a performance. In terms of pedagogical training, Vaganova concentrated attention on precision in a teacher's instruction, particularly when to teach what, how long to teach, and in what amount.
In 1948, Vaganova authored a book titled "The Foundation For Dance" (more commonly known as "Basic Principles of Russian Classical Dance"), although the dance technique described in it had been famous within the ballet world for over three decades. The book outlined her ideas on ballet technique and teaching.
Following Vaganova's death in 1951, her teaching method was preserved by instructors such as Vera Kostrovitskaya. In 1957, the school was renamed the Vaganova Ballet Academy in recognition of her achievements. Today the Vaganova method is the most common method of teaching ballet in Russia. It is also widely used in Europe and in North America. The Vaganova Ballet Academy continues to be the associate school of the former Imperial Russian Ballet, although it is now known as the Mariinsky Ballet.
[edit] References
- ^ a b "About the Vaganova Syllabus". Ballet Fantastique. http://www.balletfantastique.org/academy/info_for_parents/vaganova_syllabus.htm. Retrieved 2011-10-27.
- ^ "The Vaganova Method". Web.grinnell.edu. http://web.grinnell.edu/courses/tut/F01/TUT100-04/vaganova/The%20Vaganova%20Method.htm. Retrieved 2011-10-27.
- ^ "Dance Spirit magazine – Inspiring. Trendy. Fun. Dream big. Dream now". Dancespirit.com. 2010-04-01. http://www.dancespirit.com/articles/2536. Retrieved 2011-10-27.
[edit] External links
- "Official website of the Vaganova Ballet Academy". http://www.vaganova.ru/page_en.php?id=266&pid=272.
- "History of the Vaganova Ballet Academy". http://www.vaganova.ru/page_en.php?id=266&pid=272.
- About the Vaganova Syllabus