Theatrical release poster
|Directed by||Mike Leigh|
|Produced by||Simon Channing Williams|
|Written by||Mike Leigh|
|Music by||Andrew Dickson|
|Editing by||Jim Clark|
|Studio||Thin Man Films|
|Distributed by||Momentum Pictures (UK)
Fine Line Features (US)
|Running time||125 minutes|
Vera Drake is a 2004 British drama film written and directed by Mike Leigh, telling the story of a working-class woman in London in 1950 who performs illegal abortions. It won the Golden Lion at the Venice Film Festival and it was nominated for three Academy Awards and won three BAFTAs.
Vera Drake (Imelda Staunton) is devoted to her family, looking after her husband and children, her elderly mother, and a sick neighbour. Her shy daughter, Ethel (Alex Kelly), works in a lightbulb factory, and son, Sid (Daniel Mays), tailors men's suits. Her husband, Stanley (Phil Davis), is a car mechanic. Although Vera and her family are poor, their strong family bonds hold them together, and we see Vera's constant small acts of kindness to the many people she encounters throughout her day. Vera works as a house cleaner. However, unbeknownst to her family, she also serves as a backroom abortionist. She receives no money for this, believing her help to be an act of charity. However, her partner Lily (Ruth Sheen), who also carries on a black-market trade in scarce postwar foodstuffs, charges two guineas (two pounds and two shillings: equivalent to £48 in 2005) for arranging the abortions, without Vera's knowledge.
The film also contains a subplot about an upper class young woman, Susan (Sally Hawkins), the daughter of one of Vera's employers. Susan is raped by a suitor, becomes pregnant, and asks a friend to put her in contact with a doctor, through whom she can obtain an abortion. The doctor refers her to a psychiatrist, who prompts her to answer questions in a certain way, so that he can legally recommend an abortion on therapeutic psychiatric grounds: that she has a family history of mental illness and that she may commit suicide if not allowed to terminate the pregnancy. The abortion costs her a hundred guineas.
After one of her patients nearly dies, Vera is arrested by the police and taken into custody for questioning. She is held overnight and appears before a magistrate the next morning. Sid is shocked by his mother's secret activities and tells his father that he does not think that he can forgive her.
Vera is bailed to appear at the Old Bailey. None of Vera's employers will give her a character reference. Her solicitor thinks she will receive the minimum sentence of 18 months in jail; the judge sentences her to two and a half years imprisonment 'as a deterrent to others'. This affects all the people who previously depended on Vera's kindness.
- Imelda Staunton as Vera Drake
- Richard Graham as George
- Eddie Marsan as Reg
- Anna Keaveney as Nellie
- Sally Hawkins as Susan
- Alex Kelly as Ethel Drake
- Daniel Mays as Sid Drake
- Phil Davis as Stanley Drake
- Sam Troughton as David
- Ruth Sheen as Lily
- Adrian Scarborough as Frank
- Lesley Manville as Mrs. Wells
- Marion Bailey as Mrs. Fowler
- Lesley Sharp as Jessie Barnes
- Peter Wight as Det. Inspector Webster
- Martin Savage as Det. Sergeant Vickers
- Leo Bill as Ronny
- Sinéad Matthews as Young Woman
- Chris O'Dowd as Sid's Customer
- Allan Corduner as Psychiatrist
- Jim Broadbent as Judge
In Vera Drake, Leigh incorporated elements of his own childhood. He grew up in north Salford, Lancashire, and experienced a very ordinary but socio-economically mixed life as the son of a doctor and a midwife. In the book The Cinema of Mike Leigh: A Sense of the Real, Leigh said, "I lived in this particular kind of working-class district with some relations living in slightly leafier districts up the road. So there was always a tension, or at least a duality: those two worlds were forever colliding. So you constantly get the one world and its relationship with the other going on in my films".
Mike Leigh is known to use unusual methods to achieve realism in his films. "Leigh’s actors literally have to find their characters through improvisation and research the ways people in specific communities speak and behave. Leigh and his cast immerse themselves in the local life before creating the story" (1994: 7: Watson 29). Critic Roger Ebert explains:
His method is to gather a cast for weeks or months of improvisation in which they create and explore their characters. I don’t think the technique has ever worked better than here; the family life in those cramped little rooms is so palpably real that as the others wait around the dining table while Vera speaks to policeman behind the kitchen door, I felt as if I were waiting there with them. It’s not that we 'identify' so much as that the film quietly and firmly includes us.
Leigh often uses improvisation in order to capture his actors' unscripted emotions. When filming Vera Drake, only Imelda Staunton knew ahead of time that the subject of the film was abortion. None of the cast members playing the family members, including Staunton, knew that Vera was to be arrested until the moment the actors playing the police knocked on the door of the house they were using for rehearsals. Their genuine reactions of shock and confusion provided the raw material for their dialogue and actions.
In addition to these methods utilized by Mike Leigh, the director is also admired for his preference of British actors to Hollywood stars. This has led to criticism of Leigh, as being "a patroniser of the working class.". However, using Dickens in his defense, he rebuts these accusations outright proclaiming that the last thing he seeks in his actors is, "a stereotype." Criticism of this stereotype was fulminated to the greatest extent by the film, Vera Drake.:
These abiding quibbles aside, Vera Drake is a compelling and complex film. Though much has been made of the the [sic?] controversial subject matter - back street abortion - its main theme is the buried family secret, the ticking time bomb that can lurk underneath even the most stable marriage. Much of the film's cumulative power lies in its delineation of a rock solid family suddenly rocked to the core by a revelation that is literally beyond their comprehension: the fact that their beloved, and loving, mother is an abortionist. Why, I ask Leigh, does she keep her secret for so long?
The film was a critical success. The website Metacritic, which compiles and averages reviews from leading film critics, gave it a score of 83 out of 100. Review aggregator Rotten Tomatoes reports the film as holding an overall 92% approval rating based on 155 reviews, with a rating average of 7.9 out of 10. The site's general consensus is that, "with a piercingly powerful performance by Imelda Staunton, Vera Drake brings teeming humanity to the controversial subject of abortion."
As of 9 April 2006, Vera Drake had grossed $12,941,817 at the box office worldwide, including over $3.7 million in the U.S.
The film has attracted some criticism from those who worked in midwifery during the 1950s. The chief concern is the method of abortion used by Vera Drake in the film. This involves a Higginson bulb syringe used to introduce a warm, dilute solution of carbolic soap and an unspecified liquid disinfectant into the woman's uterus. This method is claimed by Jennifer Worth, a nurse and midwife in the 1950s and 1960s, to be invariably fatal. She calls the film itself "dangerous", as it could be shown in countries where abortion is illegal and the method depicted copied by desperate women. However, a letter in response to her article claims a real-life experience of just such an abortion in Notting Hill in 1965.
Awards and nominations
- 2004 European Film Awards - won Best Actress and nominated for Best Film
- 2004 Venice Film Festival - won Golden Lion for Best Film & Volpi Cup for Best Actress
- 2005 Golden Globes - nominated for Best Actress - Motion Picture Drama
- 2004 Academy Awards - nominated for Best Actress, Best Director, Best Original Screenplay
- 2004 Camerimage - won Golden Frog for best cinematography (Dick Pope)
- 2005 BAFTAs - won Best Director, Best Actress in a Leading Role and Costume Design (for Jacqueline Durran). Nominated for Best Film, Best Supporting Actor, Best Supporting Actress, and Best British Film.
- BBFC: Vera Drake Linked 2013-05-27
- Watson, Garry. ''The Cinema of Mike Leigh: A Sense of the Real'', Wallflower Press, 2004, 207pp, ISBN 1-904764-10-X. Books.google.dk. Retrieved 2010-01-01.
- Ebert, Roger. ''Vera Drake'', Roger Ebert's Movie Yearbook 2007, Andrews McMeel, 2006, 990pp, p745. Books.google.dk. Retrieved 2010-01-01.
- The Observer, Sunday 5 December 2004.
- "Vera Drake" Metacritic Retrieved 4 November 2010
- "Vera Drake" Rotten Tomatoes Retrieved 4 November 2010
- "Box Office Mojo". (statistics on Vera Drake)
- Jennifer Worth (nurse and midwife 1953–73) (2005-01-06). "A deadly trade". Guardian.co.uk. Retrieved 2009-02-21.
- Anonymous (2005-01-07). "My own Vera Drake". Guardian.co.uk. Retrieved 2012-02-24.
- Fuller, Graham, Mike Leigh On Mike Leigh, Faber, 2008, 438pp, ISBN 978-0-571-20469-4
- Official website
- Vera Drake at the Internet Movie Database
- Vera Drake at Box Office Mojo
- Vera Drake at Rotten Tomatoes
- Vera Drake at Metacritic
- AbsoluteNow.com: Vera Drake's long synopsis