Vereker Monteith Hamilton
Vereker Monteith Hamilton (1856–1931) was the son of Lieut. Col. Christian Monteith Hamilton of the 92nd Highlanders, and brother of British general Sir Ian Standish Monteith Hamilton. He was a Scottish artist of military and historical works. Born at Hafton, Argyll on February 14, 1856, he followed his brother to Wellington College in 1871-73, and was destined for the army, and traveled to Dresden in 1873 to spend time with Colonel Dammers. However, he chose a career in art instead, following several years in Ceylon from 1873 to 1883 where he grew coffee. He studied art under Alphonse Legros at the Slade School where he won a prize in 1886 for landscape painting. He exhibited at the Royal Academy from 1886 onwards and at the Paris Salon, Glasgow and at the Grosvenor Gallery. He traveled to India in 1886 and spent a good deal of time there visiting Simla and Kashmir. In late 1893 he was living in Kilberry, Tarbert, Argyllshire.
Hamilton's military works focused primarily on contemporary events such as Piper Findlater at Dargai and the Tirah campaigns. He exhibited two paintings of the latter campaign entitled Missing and Afridis. His painting of Peiwar Kotal was inspired by a conversation with Sir Lord Roberts who encouraged Hamilton to paint the scene. Another picture from the Second Afghan War depicted The 92nd at Kandahar, but he considered it a "shocking bit of work", and after its exhibition at the Royal Academy, repainted it with a number of new figures; it was exhibited again under its new title Macpherson's Brigade at Kandahar. In 1899, he returned to the subject with his Royal Academy piece Sniping the rear guard. During the First World War, the artist who was a conscientious objector served with the British Red Cross.
He married Miss Lilian Swainson, granddaughter of ornithologist William John Swainson, and died at Cowden, Kent in 1931 aged 76. Hamilton published an autobiography in 1925 entitled Things that Happened.
- A Forlorn Hope: Peninsula 1810 (1896) (South African National Gallery, Cape Town)
- The attack on the Peiwar Kotal (1891 (National Army Museum)
- An Ambuscade: an incident of the last Afghan campaign (1893) (Gordon Highlanders)
- After the attack on Sherpur (1893)
- A Shot at Daybreak: Kashmir (1894)
- The Forlorn Hope at Badajoz
- The Storming of the Kashmir Gate at Delhi (Private collection)
- Study for 'The Storming of the Kashmir Gate, Delhi' (Bugler Hawthorne) (Wellington College, Berkshire)
- Macpherson's Brigade assaulting Pir Paimal &c. (Royal Regiment of Scotland, Gordon Highlanders)
- Sniping the rear guard (North-West Frontier) (1897)
- Quatre Bras (1897) (Museum of New Zealand Te Papa Tongarewa)
- Piper Findlater at Dargai (1898 - Gordon Highlanders Museum, Aberdeen)
- The Airship flown by Captain Neville Usborne, R.N. (Imperial War Museum)
- Hamilton, Vereker M. (1925). Things that Happened. London: Edward Arnold & Co.
- Harrington, Peter (1993). British Artists and War: The Face of Battle in Paintings and Prints, 1700-1914. London: Greenhill ISBN 1-85367-157-6