Vietnam Veterans Memorial
|Vietnam Veterans Memorial|
IUCN category V (protected landscape/seascape)
Visitors at the wall in January 2005.
|Location||Washington, D.C., United States|
|Area||2.00 acres (0.81 ha)|
|Established||November 13, 1982|
|Visitors||3,799,968 (in 2006)|
|Governing body||National Park Service|
|NRHP Reference #||01000285|
|Added to NRHP||November 13, 1982|
The Vietnam Veterans Memorial is a 3-acre (12,000 m²) national memorial in Washington, D.C. It honors U.S. service members of the U.S. armed forces who fought in the Vietnam War, service members who died in service in Vietnam/South East Asia, and those service members who were unaccounted for (Missing In Action) during the War.
Its construction and related issues have been the source of controversies, some of which have resulted in additions to the memorial complex. The memorial currently consists of three separate parts: the Three Soldiers statue, the Vietnam Women's Memorial, and the Vietnam Veterans Memorial Wall, which is the best-known part of the memorial.
The main part of the memorial, which was completed in 1982, is in Constitution Gardens adjacent to the National Mall, just northeast of the Lincoln Memorial. The memorial is maintained by the U.S. National Park Service, and receives around 3 million visitors each year. The Memorial Wall was designed by American architect Maya Lin. In 2007, it was ranked tenth on the "List of America's Favorite Architecture" by the American Institute of Architects.
- 1 Appearance
- 2 Ritual
- 3 History
- 4 Vietnam Veterans Memorial Collection
- 5 Inspired works
- 6 Vandalism
- 7 See also
- 8 References
- 9 Further reading
The Memorial Wall is made up of two 246 feet 9 inches (75.21 m) long gabbro walls, etched with the names of the servicemen being honored in panels of horizontal rows with regular typeface and spacing. The walls are sunk into the ground, with the earth behind them. At the highest tip (the apex where they meet), they are 10.1 feet (3.1 m) high, and they taper to a height of 8 inches (20 cm) at their extremities. Symbolically, this is described as a "wound that is closed and healing."
When a visitor looks upon the wall, his or her reflection can be seen simultaneously with the engraved names, which is meant to symbolically bring the past and present together. One wall points toward the Washington Monument, the other in the direction of the Lincoln Memorial, meeting at an angle of 125° 12′. Each wall has 72 panels, 70 listing names (numbered 1E through 70E and 70W through 1W) and 2 very small blank panels at the extremities. There is a pathway along the base of the Wall, where visitors may walk.
The wall listed 58,191 names when it was completed in 1983; as of May 2011[update], there are 58,272 names, including 8 women. Approximately 1,200 of these are listed as missing (MIAs, POWs, and others). Directories are located on nearby podiums so that visitors may locate specific names.
On the walls are the names of servicemen classified as MIA (Missing in Action) when the walls were constructed, or where who were KIA (Killed in Action) are inscribed in Optima typeface. Information about rank, unit, and decorations are not given.
Those who died in action are denoted by a diamond, those who where missing (MIAs, POWs, and others) are denoted with a cross. When the death of one who was previously missing is confirmed, a diamond is superimposed over the cross. If the missing were to return alive, which has never occurred as of March 2009[update], the cross is to be circumscribed by a circle.
They are listed in chronological order, starting at the apex on panel 1E in 1959 (although it was later discovered that the first casualties were military advisers who were killed by artillery fire in 1957), moving day by day to the end of the eastern wall at panel 70E, which ends on May 25, 1968, starting again at panel 70W at the end of the western wall which completes the list for May 25, 1968, and returning to the apex at panel 1W in 1975.
According to the Vietnam Veterans Memorial Fund, "there is no definitive answer to exactly how many, but there could be as many as 38 names of personnel who survived, but through clerical errors, were added to the list of fatalities provided by the Department of Defense."
The Three Soldiers
A short distance away from the wall is another Vietnam memorial, a bronze statue named The Three Soldiers (sometimes called The Three Servicemen). The statue depicts three soldiers, purposefully identifiable as White American, African American, and Hispanic American. In their final arrangement, the statue and the Wall appear to interact with each other, with the soldiers looking on in solemn tribute at the names of their fallen comrades. The distance between the two allows them to interact while minimizing the impact of the addition on Lin's design.
The Vietnam Women's Memorial is a memorial dedicated to the women of the United States who served in the Vietnam War, most of whom were nurses. It serves as a reminder of the importance of women in the conflict. It depicts three uniformed women with a wounded soldier. It is part of the Vietnam Veterans Memorial, and is located on National Mall in Washington D.C., a short distance south of The Wall, north of the Reflecting Pool.
In Memory memorial plaque
A memorial plaque, authorized by Pub.L. 106–214, was dedicated on November 10, 2004, at the northeast corner of the plaza surrounding the Three Soldiers statue to honor veterans who died after the war as a direct result of injuries suffered in Vietnam, but who fall outside Department of Defense guidelines. The plaque is a carved block of black granite, 3 by 2 feet (0.91 by 0.61 m), inscribed "In memory of the men and women who served in the Vietnam War and later died as a result of their service. We honor and remember their sacrifice."
Ruth Coder Fitzgerald, founder of The Vietnam War In Memory Memorial Plaque Project, worked for years and struggled against opposition to have the In Memory Memorial Plaque completed. The organization was disbanded, but their web site is maintained by the Vietnam War Project at Texas Tech University.
Visitors to the Wall will take a piece of paper and place it over a name on the wall and rub a pen or pencil over it as a memento of their loved ones. This is called "rubbing".
Visitors to the memorial began leaving sentimental items at the memorial at its opening. One story claims that this practice began during construction, when a Vietnam veteran threw the Purple Heart his brother received posthumously into the concrete of the memorial's foundation. Several thousand items are left at the memorial each year. The largest item left at the memorial was a sliding glass storm door with a full-size replica "tiger cage". The door was painted with a scene in Vietnam and the names of U.S. POWs and MIAs from the conflict. Other items left include a Harley-Davidson motorcycle with the license plate HERO, a plain brown teddy bear which was dressed by other unconnected visitors, a 6' abstract sculpture titled "After the Holocaust", and an experimental W. R. Case "jungle survival knife" of which only 144 were made.
In April 27, 1979, four years after the Fall of Saigon. The Vietnam Veterans Memorial Fund, Inc. (VVMF), was incorporated as a non-profit organization to establish a memorial to veterans of the Vietnam War. Much of the impetus behind the formation of the fund came from a wounded Vietnam veteran, Jan Scruggs, who was inspired by the film The Deer Hunter, with support from fellow Vietnam veterans such as retired Navy chaplain Arnold Resnicoff. Eventually, $8.4 million was raised by private donations.
A year later a site near the Lincoln Memorial was chosen and authorized by Congress on the site of a demolished World War I Munitions Building. Congress announced that the winner of a design competition will design the park. By the end of the year 2,573 register for design competition with a prize of $50,000. On March 30, 1981, 1,421 designs where submitted. The designs are displayed at an airport hangar at Andrews Air Force Base for the selection committee, in rows covering more than 35,000 square feet (3,300 m2) of floor space. Each entry was identified by number only, to preserve the anonymity of their authors. All entries were examined by each juror; the entries were narrowed down to 232, then 39. Finally, the jury selected entry number 1026. The artist was Maya Lin.
Opposition to design
The selected design was very controversial, in particular its unconventional design, its black color and its lack of ornamentation. Some public officials voiced their displeasure, calling the wall "a black gash of shame." Two prominent early supporters of the project, H. Ross Perot and James Webb, withdrew their support once they saw the design. Said Webb, “I never in my wildest dreams imagined such a nihilistic slab of stone.” James Watt, Secretary of the Interior under President Ronald Reagan, initially refused to issue a building permit for the memorial due to the public outcry about the design. Since its early years, criticism of the Memorial's design faded. In the words of Scruggs, "It has become something of a shrine."
Negative reactions to Lin's design created a controversy; a compromise was reached by commissioning Frederick Hart (who had placed third in the original design competition) to produce a bronze figurative sculpture in the heroic tradition. Opponents of Lin's design had hoped to place this sculpture of three soldiers at the apex of the wall's two sides. Lin objected strenuously to this, arguing that this would make the soldiers the focal point of the memorial, and her wall a mere backdrop. A compromise was reached, and the sculpture was placed off to one side to minimize the impact of the addition on Lin's design.
Building the wall
||This section is in a list format that may be better presented using prose. (April 2014)|
On March 11, 1982 the revised design was formally approved, and on March 26, 1982 ground was formally broken. Stone for the wall came from Bangalore, Karnataka, India, and was deliberately chosen because of its reflective quality. Stone cutting and fabrication was done in Barre, Vermont. The typesetting of the original 58,195 names on the wall was performed by Datalantic in Atlanta, Georgia. Stones were then shipped to Memphis, Tennessee where the names were etched. The etching was completed using a photoemulsion and sandblasting process. The negatives used in the process are in storage at the Smithsonian Institution.
- October 13, 1982 – The U.S. Commission of Fine Arts approves erection of a flagpole to be grouped with sculptures.
- November 13, 1982 – Memorial dedication after a march to its site by thousands of Vietnam War veterans. As a National Memorial it was administratively listed on the National Register of Historic Places the same day.
- November 1984 – The Three Soldiers statue is dedicated.
- May 4, 2010 – Six names were added to the Vietnam Veterans Memorial during a ceremony. The new names are veterans who died after the war as a direct result of injuries suffered in the combat zone.
Timeline for those listed on the wall
- November 1, 1955 – Dwight D. Eisenhower deploys Military Assistance Advisory Group to train the South Vietnamese military units and secret police. However, the U.S. Department of Defense does not recognize such date since the men were supposedly only training the Vietnamese. The officially recognized date is the formation of the Military Assistance Command Viet-Nam, better known as MACV. This marks the official beginning of American involvement in the war as recognized by the memorial.
- June 8, 1956 – The first official death in Vietnam is U.S. Air Force Technical Sergeant Richard B. Fitzgibbon, Jr. of Stoneham, MA who was murdered by another U.S. airman.
- July 8, 1959 – Charles Ovnand and Dale R. Buis are killed by guerrillas at Bien Hoa while watching the film The Tattered Dress. They are listed 1 and 2 at the wall's dedication. Ovnand's name is spelled on the memorial as "Ovnard," due to conflicting military records of his surname.
- April 30, 1975 – Fall of Saigon. The U.S. Department of Veterans Affairs uses May 7, 1975 as the official end date for the Vietnam era as defined by 38 U.S.C. § 101.
- May 15, 1975 – 18 U.S. servicemen (14 Marines, two Navy corpsmen, and two Air Force crewmen) are killed on the last day of a rescue operation known as the Mayagüez incident with troops from the Khmer Rouge in Cambodia. They are the last servicemen listed on the timeline.
Addition of the Women's memorial
The Women's memorial was designed by Glenna Goodacre for the women of the United States who served in the Vietnam War. The original winning entry of the Women's Memorial design contest was deemed unsuitable. Glenna Goodacre's entry received an honorable mention in the contest and she was asked to submit a modified maquette (design model). Goodacre's original design for the Women's Memorial statue included a standing figure of a nurse holding a Vietnamese baby, which although not intended as such, was deemed a political statement, and it was asked that this be removed. She replaced them with a figure of a kneeling woman holding an empty helmet. On November 11, 1993 the Vietnam Women's Memorial was dedicated.
On November 10, 2000 a memorial plaque, authorized by Pub.L. 106–214, honoring veterans who died after the war as a direct result of injuries suffered in Vietnam, but who fall outside Department of Defense guidelines was dedicated. Ruth Coder Fitzgerald, founder of The Vietnam War In Memory Memorial Plaque Project, worked for years and struggled against opposition to have the In Memory Memorial Plaque completed. The organization was disbanded, but their web site is maintained by the Vietnam War Project at Texas Tech University.
Vietnam Veterans Memorial Collection
Items left at the Vietnam Veterans Memorial are collected by National Park Service employees and transferred to the NPS Museum Resource Center, which catalogs and stores all items except perishable organic matter (such as fresh flowers) and unaltered U.S. flags. The flags are redistributed through various channels.
From 1992 to 2003, selected items from the collection were placed on exhibit, at the Smithsonian Institution's National Museum of American History as "Personal Legacy: The Healing of a Nation" including the Medal of Honor of Charles Liteky, who renounced it in 1986 by placing the medal at the memorial in an envelope addressed to then-President Ronald Reagan.
Vietnam veteran John Devitt of Stockton, California, attended the 1982 dedication ceremonies of the Vietnam Veterans Memorial. Recognizing what he saw as the healing nature of the Wall, he vowed to make a transportable version of the Wall, a "Traveling Wall" so those who were not able to travel to Washington, D.C. would be able to see and touch the names of friends or loved ones in their own home town. Using personal finances, Devitt founded Vietnam Combat Veterans, Ltd. With the help of friends, the half-size replica of the Vietnam Veterans Memorial, named The Moving Wall, was built and first put on display to the public in Tyler, Texas, in 1984. The Moving Wall visits hundreds of small towns and cities throughout the U.S., staying five or six days at each site. Local arrangements for each visit are made months in advance by veterans' organizations and other civic groups. Thousands of people all over the US volunteered their time and money to help honor the fallen. Desire for a hometown visit of The Moving Wall was so high that the waiting list became very long. Vietnam Combat Veterans built a second structure of The Moving Wall. A third structure was added in 1989. In 2001, one of the structures was retired due to wear. By 2006, there had been more than 1000 hometown visits of The Moving Wall. The count of people who visited The Moving Wall at each display ranges from 5,000 to more than 50,000; the total estimate of visitors is in the tens of millions. As the wall moves from town to town on interstates, it is often escorted by state troopers and up to thousands of local citizens on motorcycles. Many of these are Patriot Guard Riders, who consider escorting The Moving Wall to be a "special mission", which is coordinated on their website. As it passes towns, even when it is not planning a stop in those towns, local veterans organizations sometimes plan for local citizens to gather by the highway and across overpasses to wave flags and salute the Wall.
Other Traveling replicas:
- The Wall That Heals is a traveling half-scale replica of the Vietnam Veterans Memorial started in 1996 by the Vietnam Veterans Memorial Fund. A 53-foot (16 m) tractor-trailer transports the 250-foot (76 m) wall replica and converts to a mobile Education Center at each stop, showing letters and memorabilia left at The Wall in Washington, D.C. and more details about those whose names are shown.
- Created by the American Veterans Traveling Tribute, The Traveling Wall is an 80% replica Vietnam Veterans Memorial Wall and is 360 feet (110 m) long and 8 feet (2.4 m) tall at its apex. It claims to be the largest traveling replica.
- Created by Vietnam and All Veterans of Brevard, Inc, The Vietnam Traveling Memorial Wall is a 3⁄5 scale of the Vietnam Veterans Memorial and is almost 300 feet (91 m) long and 6 feet (1.8 m) tall at the center.
- Created by Dignity Memorial, the Dignity Memorial Vietnam Wall is 3⁄4 scale of the Vietnam Veterans Memorial.
Located across Ocean Avenue from the Wildwoods Convention Center, New Jersey, this memorial was unveiled and dedicated on May 29, 2010. The memorial wall is a half-size granite replica of the Vietnam Memorial in Washington, D.C., and the only permanent memorial in the northeast, other than the memorial in the nation's capital.
Located 401 East Ninth Street in Winfield, Kansas. Plans for the Vietnam War Memorial in Winfield began in 1987 when friends who had gathered for a class reunion wanted to find a way to honor their fallen classmates. The project quickly grew from honoring only Cowley County servicemen to representing all 777 servicemen and nurses from Kansas who lost their lives or are missing in action from the Vietnam War. The memorial is a replica of the Vietnam War memorial in Washington D.C. It was also created as a tribute to servicemen and nurses who served in any world war.
As a Memorial Genre
The first US memorial to an ongoing war, the Northwood Gratitude and Honor Memorial in Irvine, CA, is modelled on the Vietnam Veterans memorial in that it includes a chronological list of the dead engraved in dark granite. As the memorialized wars (in Iraq and Afghanistan) have not concluded, the Northwood Gratitude and Honor Memorial will be updated yearly. It has space for about 8000 names, of which 5,714 were engraved as of the Dedication of the Memorial on November 14, 2010.
There have been three known incidents of vandalism at the memorial wall.
- The first occurred in April 1988, when a swastika and various scratches were found etched in two of the panels. The panels were replaced.
- In 1993, someone burned one of the directory stands at the entrance to the memorial.
- On September 7, 2007, an oily substance was found by park rangers on the memorial's wall panels and paving stones. It was spread over an area of 50 to 60 feet (18 m). Memorial Fund founder Jan Scruggs deplored the scene, calling it an "act of vandalism on one of America's sacred places". The removal process took a few weeks to complete.
|Wikimedia Commons has media related to Vietnam Veterans Memorial.|
|Wikisource has original text related to this article:|
- Vietnam War Memorial, Hanoi
- Vietnam Forces National Memorial, Canberra
- Vietnam Veterans Memorial (The Wall-USA), an online memorial
- Vietnam Veterans of America, chartered by Congress and campaigns on issues important to Vietnam veterans
- The Virtual Wall, an online memorial
- The Wall That Heals, a 1997 film
- s:Maya Lin's original competition submission for the Vietnam Veterans Memorial
- Northwood Gratitude and Honor Memorial
- "National Register Information System". National Register of Historic Places. National Park Service. July 9, 2010.
- Robbins, Eleanora I. (2001). Building Stones and Geomorphology of Washington, D.C.: The Jim O’Connor Memorial Field Trip. CiteSeerX: 10
.1 .1 .124 .7887.
- Rasmussen, Kenneth (October 16, 2010). "The Post Could Have Better Explained Cracks in the Wall". Opinions. The Washington Post (Letter to the Editor). Retrieved October 16, 2010.
- "Vietnam Memorial Fund: FAQs".[dead link]
- "MRCE: Frequently Asked Questions (continued)". National Park Service. Retrieved June 21, 2010.
- Garber, Kent (November 3, 2007). "A Milestone for a Memorial that Has Touched Millions". U.S. News and World Report. Retrieved November 11, 2009.
- Wills, Denise (November 1, 2007). "The Vietnam Memorial's History". The Washingtonian. Retrieved November 11, 2009.
- "Six Names Added to Vietnam Veterans Memorial". American Forces Press Service.
- "MRCE: Frequently Asked Questions". National Park Service. Retrieved June 21, 2010.
- "Local AMVETS to Salute Wall". Greenville Advocate. July 17, 2007.
- "Kansas Vietnam War Memorial". Winfield, KS.
- "The Northwood Gratitude and Honor Memorial". northwoodmemorial.com.
- Kang, Sukhee (February 22, 2010). "Letter". City of Irvine. Retrieved June 21, 2010.
- "Vandals Scratch Swastika on Face of Viet Veterans Memorial". Los Angeles Times. United Press International. May 3, 1988.
- "Substance on Vietnam Memorial is Vandalism". Oswego, NY: WTOP-TV. Retrieved September 2, 2010..
- Vietnam Veterans Memorial (Leaflet). National Park Service. GPO:2004—304–377/00203.
- The National Parks: Index 2001–2003. Washington: United States Department of the Interior.
- Ashabranner, Brent K. (1989). Always to Remember: The Story of the Vietnam Veterans Memorial. New York: Putnam.
- ——— (1998). Their Names to Live: What the Vietnam Veterans Memorial Means to America. Brookfield, CT: Twenty-first Century Press.
- Berdahl, Daphne. "Voices at the Wall: Discourses of Self, History and National Identity at the Vietnam Veterans Memorial". History & Memory: Studies in Representation of the Past 6 (Fall–Winter 1994): 88–124.
- Blair, Carole; Jeppeson, Marsha S. & Pucci, Enrico, Jr. (August 1991). "Public Memorializing in Postmodernity: The Vietnam Veterans Memorial as Prototype". Quarterly Journal of Speech 77: 263–288. doi:10.1080/00335639109383960.
- Capasso, Nicholas (1998). The National Vietnam Veterans Memorial in Context: Commemorative Public Art in America, 1960–1997 (PhD Thesis). Rutgers University.
- Carlson, A. Cheree & Hocking, John E. (September 1988). "Strategies of Redemption at the Vietnam Veterans Memorial". Western Journal of Speech Communication 52: 203–215. doi:10.1080/10570318809389636.
- Carney, Lora S. (1993). "Not Telling Us What to Think: The Vietnam Veterans Memorial". Metaphor and Symbolic Activity 8 (3): 211–219. doi:10.1207/s15327868ms0803_6.
- Danto, Arthur (August 31, 1985). "The Vietnam Veterans Memorial". The Nation. pp. 152–155.
- Ellis, Caron S. (Summer 1992). "So Old Soldiers Don't Fade Away: The Vietnam Veterans Memorial". Journal of American Culture 15: 25–28. doi:10.1111/j.1542-734x.1992.t01-1-00025.x.
- Ehrenhaus, Peter (March 1988). "Silence and Symbolic Expression". Communication Monographs 55: 41–57. doi:10.1080/03637758809376157.
- Foss, Sonja K. (Summer 1986). "Ambiguity as Persuasion: The Vietnam Veterans Memorial". Communication Quarterly 34: 326–340. doi:10.1080/01463378609369643.
- Friedman, Daniel S. (November 1995). "Public Things in the Modern City: Belated Notes on Tilted Arc and the Vietnam Veterans Memorial". JAE: Journal of Architectural Education 49: 62–78. doi:10.1080/10464883.1995.10734669.
- Griswold, Charles L. (Summer 1986). "The Vietnam Veterans Memorial and the Washington Mall: Philosophical Thoughts on Political Iconography". Critical Inquiry 12: 688–719. doi:10.1086/448361.
- Haines, Harry (1986). "'What Kind of War?': An Analysis of the Vietnam Veterans Memorial". Critical Studies in Mass Communucation 3: 1–20. doi:10.1080/15295038609366626.
- Hass, Kristin Ann (1998). Carried to the Wall: American Memory and the Vietnam Veterans Memorial. Berkeley: University of California Press.
- Hess, Elizabeth (1987). "Vietnam: Memorials of Misfortune". In Williams, Reese. Unwinding the Vietnam War: From War into Peace. Seattle: Real Comet Press. pp. 261–270.
- Hubbard, William (Winter 1984). "A Meaning for Monuments". The Public Interest 74: 17–30.
- Katakis, Michael (1988). The Vietnam Veterans Memorial. New York: Crown.
- Lopes, Sal (1987). The Wall: Images and Offerings from the Vietnam Veterans Memorial. New York: Collins.
- McLeod, Mary (1989). "The Battle for the Monument: The Vietnam Veterans Memorial". In Lipstadt, Helene. The Experimental Tradition. New York: Rizzoli. pp. 115–137.
- Morrissey, Thomas F. (2000). Between the Lines: Photographs from the National Vietnam Veterans Memorial. Syracuse, NY: Syracuse University Press.
- Ochsner, Jeffrey Karl (February 1997). "A Space of Loss: The Vietnam Veterans Memorial". JAE: Journal of Architectural Education 50: 156–171. doi:10.1080/10464883.1997.10734719.
- Palmer, Laura (1987). Shrapnel in the Heart: Letters and Remembrances from the Vietnam Veterans Memorial. New York: Random House.
- Resnicoff, Arnold E. (2009). "Dedication Prayer for the Vietnam Veterans Memorial". In Moore, James P., Jr. The Treasury of American Prayer. Doubleday. p. 317.
- Scott, Grant F. (Fall 1990). "Meditations in Black: The Vietnam Veterans Memorial". Journal of American Culture 13: 37–40. doi:10.1111/j.1542-734x.1990.1303_37.x.
- Scruggs, Jan C. & Swerdlow, Joel L. (1985). To Heal a Nation: The Vietnam Veterans Memorial. New York: Harper & Row.
- Sturken, Marita (Summer 1991). "The Wall, the Screen, and the Image: The Vietnam Veterans Memorial". Representations 35: 118–142. doi:10.1525/rep.19126.96.36.199p00683.
- Wagner-Pacific, Robin & Schwartz, Barry (1991). "The Vietnam Veterans Memorial: Commemorating a Difficult Past". The American Journal of Sociology 97: 376–420. doi:10.1086/229783.