October 26, 1971 |
Fairport, New York, USA
|Occupations||Musician, composer, producer|
Vijay Iyer (born October 26, 1971) is a jazz pianist, composer, bandleader, producer, electronic musician, and writer based in New York City, USA. He became a professor of music at Harvard University in early 2014.
Born in Albany, New York and raised in Fairport, New York, Vijay Iyer is the son of Indian Tamil immigrants to the US. He received 15 years of Western classical training on violin beginning at the age of 3. He began playing the piano by ear in his childhood, and is mostly self-taught on that instrument. After completing an undergraduate degree in mathematics and physics at Yale University, Iyer went to the University of California, Berkeley, initially to pursue a doctorate in physics. Iyer continued to pursue his musical interests, playing in ensembles led by drummers E. W. Wainwright and Donald Bailey. In 1994 he started working with Steve Coleman and George E. Lewis. In 1995, concurrent to his composing, recording and touring activities, he left the Berkeley physics department and assembled an interdisciplinary Ph.D. program in Technology and the Arts, focusing on music cognition. His 1998 dissertation, titled Microstructures of Feel, Macrostructures of Sound: Embodied Cognition in West African and African-American Musics, applied the dual frameworks of embodied cognition and situated cognition to music. His graduate advisor was music perception and computer music researcher David Wessel, with further guidance from Olly Wilson, George E. Lewis, Donald Glaser, and Erv Hafter.
Iyer performs around the world with ensembles, most frequently in his trio with Stephan Crump and Marcus Gilmore, featured on two albums, Accelerando (2012) and Historicity (2009). The former was voted No. 1 Jazz Album of the Year for 2012 in three critics' polls surveying hundreds of critics worldwide, hosted by Down Beat, Jazz Times, and Rhapsody, and also was chosen as jazz album of the year by NPR, the Los Angeles Times, PopMatters, and Amazon.com. Historicity was a 2010 Grammy Nominee for Best Instrumental Jazz Album, and was named No. 1 Jazz Album of 2009 in The New York Times, The Los Angeles Times, the Chicago Tribune, the Detroit Metro Times, National Public Radio, PopMatters.com, the Village Voice Jazz Critics Poll, and the Down Beat International Critics Poll. The trio won the 2010 Jazz Echo Award for best international ensemble and the 2012 Down Beat Critics Poll for jazz group of the year. On the strength of these recordings, Iyer was named the 2010 Musician of the Year and 2012 Pianist of the Year by the Jazz Journalists Association.
Iyer is also known for sustained multi-year collaborations. In 2003, Iyer premiered his first collaboration with poet-producer-performer Mike Ladd, titled In What Language?, a song cycle about airports, fear and surveillance before and after 9/11, commissioned by Asia Society. Iyer's next project with Ladd, Still Life with Commentator, a satirical oratorio about 24-hour news culture in a time of war, was co-commissioned by UNC-Chapel Hill and by Brooklyn Academy of Music for its 2006 Next Wave Festival, and was released on cd by Savoy Jazz. Their third major collaboration, Holding it Down, focuses on the dreams of young American veterans from the 21st century wars in Iraq and Afghanistan, and was commissioned by Harlem Stage to premiere in 2012. It was released on cd by Pi Recordings in 2013.
Iyer began collaborating with saxophonist Rudresh Mahanthappa in 1996, resulting in five albums under Iyer's name (Architextures (1998), Panoptic Modes (2001), Blood Sutra (2003), Reimagining (2005), and Tragicomic (2008)), three under Mahanthappa's name (Black Water, Mother Tongue, Code Book), and their duo album Raw Materials (2004).
Iyer has also been active as a composer of chamber music. His composition Mutations I-X was commissioned and premiered by the string quartet Ethel in 2005, and released on cd by ECM Records in 2014. His orchestral work Interventions was commissioned and premiered in 2007 by the American Composers Orchestra conducted by Dennis Russell Davies. Iyer co-created the award-winning score for Teza (2009), by the celebrated filmmaker Haile Gerima, and also collaborated with filmmaker Bill Morrison on the award-winning short film and audiovisual installation Release, commissioned by Eastern State Penitentiary (2009). In 2011 he created Mozart Effects, commissioned by Brentano String Quartet as a response to an unfinished fragment by Mozart, and he also created and performed the score to UnEasy, a ballet choreographed by Karole Armitage and commissioned by Central Park Summerstage. In 2012 the Silk Road Ensemble debuted his commissioned piece, Playlist for an Extreme Occasion. In 2013 International Contemporary Ensemble premiered his composition Radhe Radhe: Rites of Holi, a large-scale collaboration with filmmaker Prashant Bhargava commissioned by Carolina Performing Arts in commemoration of the centenary of Igor Stravinsky's work The Rite of Spring. In 2013 Brooklyn Rider premiered and recorded his string quartet "Dig the Say". In 2014 Iyer premiered "Time, Place, Action", a piano quintet which he performed with Brentano Quartet, and "Bruits", a sextet for Imani Winds and pianist Cory Smythe.
Iyer received the 2003 Alpert Award in the Arts, a 2006 Fellowship from New York Foundation for the Arts, and commissioning grants from the Rockefeller Foundation, the New York State Council on the Arts, Creative Capital, the Mary Flagler Cary Charitable Trust, American Composers Forum, Chamber Music America, and Meet The Composer. He was named one of the "50 most influential global Indians" by GQ India, and he received the 2010 India Abroad Publisher's Award for Special Excellence. He was awarded a 2012 Doris Duke Performing Artist Award, the 2012 Greenfield Prize for Music, and an unprecedented "triple crown" in the 2012 Down Beat International Jazz Critics Poll, in which he was voted Artist of the Year, Pianist of the Year, Small Group of the Year (for the Vijay Iyer Trio), Album of the Year (for Accelerando), and Rising Star Composer of the Year. He received a 2013 MacArthur fellowship, a 2013 Trailblazer Award by the Association of South Asians in Media, Marketing and Entertainment (SAMMA), and a 2013 ECHO Award for Best Jazz Pianist (International). He was voted 2014 Pianist of the Year in the Down Beat International Jazz Critics Poll.
Iyer has also worked with Amiri Baraka, Steve Coleman, Roscoe Mitchell, Wadada Leo Smith, dead prez, Amina Claudine Myers, Butch Morris, George E. Lewis, Steve Lehman, Miya Masaoka, Trichy Sankaran, Pamela Z, Burnt Sugar, Karsh Kale, Tyshawn Sorey, Oliver Lake, DJ Spooky, Das Racist, Imani Winds, and many others. In 2014 he joined the senior faculty in the Department of Music at Harvard University as the Franklin D. and Florence Rosenblatt Professor of the Arts. Previously Iyer was a faculty member at Manhattan School of Music, New York University, The New School, and the School for Improvisational Music. His writings appear in Music Perception, Current Musicology, Journal of Consciousness Studies, Critical Studies in Improvisation, Journal of the Society for American Music, JazzTimes, and the anthologies Uptown Conversation: The New Jazz Studies, Sound Unbound: Sampling Digital Music and Culture, Arcana IV, The Best Writing on Mathematics 2010, and The Oxford Handbook on Critical Improvisation Studies. He is a Steinway artist and uses Ableton Live software.
- Memorophilia (1995, Asian Improv Records)
- Architextures (1998, Asian Improv / Red Giant Records)
- Panoptic Modes (2001, Red Giant Records)
- Your Life Flashes (2002, Pi Recordings) (as the trio Fieldwork, with Aaron Stewart & Elliot Humberto Kavee)
- In What Language? (2003, Pi Recordings) (in collaboration with Mike Ladd)
- Blood Sutra (2003, Artist House)
- Reimagining (2005, Savoy Jazz)
- Simulated Progress (2005, Pi Recordings) (as the trio Fieldwork, with Steve Lehman & Elliot Humberto Kavee)
- Raw Materials (2006, Savoy Jazz) (in duo with Rudresh Mahanthappa)
- Still Life with Commentator (2007, Savoy) (in collaboration with Mike Ladd)
- Door (2008, Pi Recordings) (as the trio Fieldwork, with Steve Lehman & Tyshawn Sorey)
- Tragicomic (2008, Sunnyside)
- Historicity (2009, ACT Music + Vision)
- Solo (2010, ACT Music + Vision)
- Tirtha (2011, ACT Music + Vision) (in collaboration with Prasanna and Nitin Mitta)
- Accelerando (2012, ACT Music + Vision)
- Holding It Down: The Veterans' Dreams Project (2013, Pi Recordings) (in collaboration with Mike Ladd)
- Mutations (2014, ECM Records) (solo and with string quartet & electronics)
- MONK MIX: Remixes & interpretations of music by Meredith Monk (2012, The House Foundation)
- Talvin Singh, OK (deluxe edition) (2010, Island Records)
- Mendi + Keith Obadike present Crosstalk: American Speech Music (various artists), (2008, Bridge Records)
- Juncture (2004, Pi Recordings)
With Rez Abbasi
- Suno Suno (Enja, 2011)
- Things to Come (Sunnyside, 2009)
With Amiri Baraka
- The Shani Project (Brown Sound International, 2004)
With Burnt Sugar
- Blood on the Leaf: Opus No. 1 (2000)
- That Depends on What You Know (2001)
- The Rites: Conductions Inspired by Stravinsky's Le Sacre du Printemps (2003)
- Black Sex Yall Liberation & Bloody Random Violets (2003)
- Not April in Paris: Live from Banlieus Bleues (2004)
- If You Can't Dazzle Them With Your Brilliance, Then Baffle Them With Your Blisluth (2005)
- More Than Posthuman: Rise of the Mojosexual Cotillion (2006)
- All Ya Needs That Negrocity (2011)
With Steve Coleman
- The Ascension to Light (BMG France, 1999)
- The Sonic Language of Myth (BMG France, 1998)
- Genesis (BMG France, 1997)
- Myths, Modes and Means: Live at Hot Brass, Paris (BMG France, 1995)
With Das Racist
With Mike Ladd
- Mike Ladd Presents Father Divine (ROIR, 2005)
- Negrophilia: The Album (Thirsty Ear, 2005)
- The Nostalgialator (!K7, 2004)
With Steve Lehman
- Demian as Posthuman (Pi, 2005)
With Rudresh Mahanthappa
- Code Book (Pi Recordings, 2006)
- Mother Tongue (Pi Recordings, 2004)
- Black Water (Red Giant, 2002)
With Roscoe Mitchell
- Far Side (ECM, 2007)
- Song for my Sister (Pi Recordings, 2002)
With Arturo O'Farrill
- The Offense of the Drum (Motema, 2014)
With Wadada Leo Smith
- Spiritual Dimensions (Cuneiform, 2009)
- Tabligh (Cuneiform, 2008)
- Eclipse (concert film, 2005)
- Wiring (Intakt, 2014)
- "We are so very pleased to announce that Vijay Iyer has accepted our offer to join the Department of Music in January 2014. Vijay will be the Franklin D. and Florence Rosenblatt Professor of the Arts." Harvard Music Department Facebook page, 12 July 2013.
- Arindam Mukherjee (6 February 2010). "The Wizard of Jazz". Open magazine. Retrieved 10 February 2010.
- "Biografie - Vijay Iyer". ACT Music.
- Official site
- Faculty page at Harvard University
- Vijay Iyer at ECM Records
- Vijay Iyer at ACT Music
- Vijay Iyer at Pi Recordings
- Radio interview, 2010, on Fresh Air
- "The Sound of Discovery: Conversation with Vijay Iyer" State of Mind - January 2011 (StateofMindMusic.com)
- Radio interview, 2012, on "All Things Considered"
- Radio interview, 2013, on "All Things Considered"
- Article on Iyer's Harvard appointment in the Harvard Gazette
- Feature article on the New Yorker blog
- "DNA of a Polymath, Restlessly Mutating: Vijay Iyer’s New Release Bridges String Quartet and Improvisation" - feature article in the New York Times by Nate Chinen, March 9, 2014.
- "Vijay Iyer takes career moment to moment" - feature article in the Boston Globe by Siddhartha Mitter, March 13, 2014.
- "'Genius' Vijay Iyer Takes His Music Ideas to Harvard" - feature article in the Wall Street Journal by Larry Blumenfeld, March 3, 2014.
- article on the Harvard Arts Blog
- Radio interview, 2014 on Radio Open Source with Christopher Lydon