Violence and the Sacred
|Violence and the Sacred|
The 1979 Johns Hopkins University Press edition
|Original title||La Violence et le sacré|
|Publisher||Editions Bernard Grasset|
|Published in English||1977|
Written while Girard was distinguished professor at the State University of New York at Buffalo, Violence and the Sacred was the product of a decade's research, and represents the first substantial stage of Girard's exploration of the ramifications of his theory of mimetic desire in relation to anthropology, Greek tragedy, and mythology.
Girard offers a series of hypotheses about the generation and stabilization of cultural order in primitive societies and human communities in general. He argues that mimetic desire often leads inexorably to rivalry and conflict, and that the origins of cultural order and stability reside in repeated acts of collective violence against a lone victim or group of victims, the scapegoat. Girard postulates a hypothetical morphogenetic mechanism accounting for the generation of cultural and social order: the surrogate victim mechanism.
Religion is seen by Girard a way of regulating social violence and creating social cohesion. He argues that through sacrifice, the violence that threatens the community is ritually cast out, turned outwards rather than inwards on to the members of the community. Girard, who sees society as an affair of men and says this explicitly, relates sacrifice to religion: he sees the religion's function as keeping violence out of the community by means of the mechanism of the scapegoat, or the ritual which substitutes for it.
Violence and the Sacred was greeted by a fanfare in Le Monde. G. H. de Radkowski gave it a laudatory review, asserting that it represented an enormous intellectual achievement, and a highly unique one: for Radkowski, it was "the first authentically atheistic theory of violence and the sacred". Violence and the Sacred was translated into English in 1977, and of Girard's works, it is the one which Anglophone theorists are most familiar with. Girard was awarded the Prix de l'Académie Française for the book. Norman O. Brown writes that Violence and the Sacred is influenced by, yet better known than, the work of Georges Bataille. He sees its purpose as being frightening people into returning to orthodox religion. According to Brown, Pope John Paul II liked Violence and the Sacred.
Nevertheless, the book has been seen as hostile to religion.
For Luce Irigaray, Girard's account of sacrifice and its function corresponds to the model of male sexuality described by Sigmund Freud: the model of tension, discharge, and homeostasis. Irigaray believes that there is a more fundamental sacrifice that Girard does not mention: mothers, who are a "totem prior to any designated totem". Relations between men and women are paralyzed because society does not recognize this initial sacrifice. Irigaray suggests that violence could be mediated in ways different from the mechanism characteristic of male violence described by Girard, and insists on the need for rites and for paroles, words or symbolizations.
- Fleming, Chris (2004). René Girard: Violence and Mimesis. Cambridge: Polity Press. pp. 1, 7, 8, 111. ISBN 0-7456-2948-2.
- Whitford, Margaret (1991). Luce Irigaray: Philosophy in the Feminine. London and New York: Routledge. p. 145. ISBN 0-415-05969-0.
- Brown, Norman O. (1991). Apocalypse and/or Metamorphosis. Berekley and Los Angeles, California: University of California Press. p. 192. ISBN 0-520-07298-7.
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