The following provides a chronological list of the stage and film performances given by the British actress Vivien Leigh.
Although successful as a film star, she preferred the theatre, and worked more extensively in this medium, therefore her theatre performances are listed first.
Theatre roles
| Opening date |
Title |
Role |
Location |
Playwright |
Director |
Other main cast members |
| 25 February 1935 |
The Green Sash |
Giusta |
"Q" Theatre, London |
Debonnaire Sylvester and T. P. Wood |
Matthew Forsyth |
Kathleen Boutall and David Horne |
| 15 May 1935 |
The Mask of Virtue |
Henriette Duquesnoy |
Ambassadors Theatre, London |
Carl Sternheim and Ashley Dukes |
Maxwell Wray |
Jeanne de Casalis, Maud Tree and Frank Cellier |
| 17 February 1936 |
Richard II |
Queen Anne |
Oxford (OUDS) |
William Shakespeare |
John Gielgud and Glen Byam Shaw |
David King-Wood and Florence Kahn |
| 8 April 1936 |
The Happy Hypocrite |
Jenny Mere |
His Majesty's Theatre, London |
Clemence Dane, Richard Addinsell and Max Beerbohm |
Maurice Colbourne |
Ivor Novello and Viola Tree |
| 22 June 1936 |
Henry VIII |
Anne Boleyn |
Open Air Theatre, Regent's Park |
William Shakespeare |
Robert Atkins |
Gyles Isham and C. N. Anson |
| 5 February 1937 |
Because We Must |
Pamela Golding-Ffrench |
Wyndham's Theatre |
Ingaret Giffard |
Norman Marshell |
Margaret Emden and Enid Lindsey |
| 11 March 1937 |
Bats in the Belfry |
Jessica Morton |
Ambassador's Theatre, London |
Diana Morgan and Robert MacDermot |
A. R. Whatmore |
Evelyn Ankers Ivor Barnard and Charles Hawtrey |
| June 1937 |
Hamlet |
Ophelia |
Kronborg Castle, Elsinore |
William Shakespeare |
Tyrone Guthrie |
Laurence Olivier, John Abbott, and Anthony Quayle |
| 27 December 1937 |
A Midsummer Night's Dream |
Titania |
Open Air Theatre, Regent's Park |
William Shakespeare Jeanne de Casalis |
Tyrone Guthrie |
Robert Helpmann and Ralph Richardson |
| 13 September 1938 |
Serena Blandish |
Serena Blandish |
Gate Theatre |
S. N. Behrman and Enid Bagnold |
Esme Percy |
David Tree and John Teed |
| 9 May 1940 |
Romeo and Juliet |
Juliet |
51st Street Theatre, New York City, also San Francisco, Chicago and Washington, D.C. |
William Shakespeare |
Laurence Olivier |
Laurence Olivier, Dame May Whitty, Edmond O'Brien and Cornel Wilde |
| 4 March 1942 |
The Doctor's Dilemma |
Jennifer Dubedat |
Haymarket Theatre |
George Bernard Shaw |
Irene Hentschell |
Cyril Cusack (later John Gielgud) and Austin Trevor |
| 24 April 1942 |
The School for Scandal
(two scenes — one charity performance) |
Lady Teazle |
Haymarket Theatre |
Richard Brinsley Sheridan |
|
Cyril Maude |
| Spring, 1943 for 3 months |
Spring Party — A Revue |
Herself and Scarlett O'Hara |
Tour of North Africa entertaining troops |
works by Lewis Carroll and Clemence Dane |
John Gielgud |
Beatrice Lillie, Dorothy Dickson and Leslie Henson |
| 15 May 1945 |
The Skin of Our Teeth |
Sabina |
Phoenix Theatre |
Thornton Wilder |
Laurence Olivier |
Cecil Parker and Joan Young |
| 11 September 1946 |
The Skin of Our Teeth (revival) |
Sabina |
Picadilly Theatre |
Thornton Wilder |
Laurence Olivier |
George Devine and Esther Somers |
| 14 February 1948 to 1 November 1948 |
(1) Richard III
(2) The School for Scandal
(3) The Skin of Our Teeth |
(1) Lady Anne
(2) Lady Teazle
(3) Sabina |
Tour of Australia and New Zealand : Perth, Adelaide, Hobart, Melbourne, Canberra, Sydney, Brisbane, Auckland, Wellington, Dunedin, Christchurch |
(1) William Shakespeare
(2) Richard Brinsley Sheridan
(3) Thornton Wilder |
Laurence Olivier |
Old Vic Theatre Company including Laurence Olivier and Peter Cushing |
| 26 January 1949 |
(1) Richard III
(2) Antigone |
(1) Lady Anne
(2) Antigone |
opened at the New Theatre |
(1) William Shakespeare
(2) Jean Anouilh |
Laurence Olivier |
Old Vic Theatre Company including Laurence Olivier and Peter Cushing |
| 11 October 1949 |
A Streetcar Named Desire |
Blanche DuBois |
Aldwych Theatre |
Tennessee Williams |
Laurence Olivier |
Bonar Colleano, Renée Asherson, Bernard Braden and Theodore Bikel |
10 May 1951
- the two plays alternated nightly
|
Caesar and Cleopatra |
Cleopatra |
St James' Theatre |
George Bernard Shaw |
Michael Benthall |
Laurence Olivier |
11 May 1951
- the two plays alternated nightly
|
Antony and Cleopatra |
Cleopatra |
St James' Theatre |
William Shakespeare |
Michael Benthall |
Laurence Olivier |
19 December 1951
- the two plays alternated nightly
|
Caesar and Cleopatra |
Cleopatra |
Ziegfeld Theatre, New York City |
George Bernard Shaw |
Michael Benthall |
Laurence Olivier, Robert Helpmann, Wilfrid Hyde-White and Harry Andrews |
20 December 1951
- the two plays alternated nightly
|
Antony and Cleopatra |
Cleopatra |
Ziegfeld Theatre, New York City |
William Shakespeare |
Michael Benthall |
Laurence Olivier, Donald Pleasence, Harry Andrews, Robert Helpmann and Wilfrid Hyde-White |
| 5 November 1953 |
The Sleeping Prince |
Mary Morgan |
Phoenix Theatre |
Terence Rattigan |
Laurence Olivier |
Laurence Olivier and Martita Hunt |
| 12 April 1955 |
Twelfth Night |
Viola |
Stratford-upon-Avon |
William Shakespeare |
John Gielgud |
Laurence Olivier, Keith Michell, Mervyn Blake and Angela Baddeley |
| 7 June 1955 |
Macbeth |
Lady Macbeth |
Stratford-upon-Avon |
William Shakespeare |
Glen Byam Shaw |
Laurence Olivier, Maxine Audley, Keith Michell and Geoffrey Bayldon |
| 16 August 1955 |
Titus Andronicus |
Lavinia |
Stratford-upon-Avon |
attributed to William Shakespeare |
Peter Brook |
Laurence Olivier, Maxine Audley, Frank Thring and Anthony Quayle |
| 25 April 1956 |
South Sea Bubble |
Lady Alexandra Shotter |
Lyric Theatre |
Noël Coward |
William Chappell[disambiguation needed ] |
Ian Hunter, Arthur Macrae, John Moore and Joyce Carey |
| 6 May 1957 |
Titus Andronicus |
Lavinia |
Tour of Paris, Vienna, Belgrade, Zagreb, Warsaw, followed by Stoll Theatre, London |
attributed to William Shakespeare |
Peter Brook |
Laurence Olivier, Anthony Quayle and Maxine Audley |
| 24 April 1958 |
Duel of Angels |
Paola |
Apollo Theatre |
Jean Giraudoux and Christopher Fry |
Jean-Louis Barrault |
Claire Bloom (later replaced by Ann Todd and Mary Ure), Derek Nimmo and Peter Wyngarde |
| 9 July 1959 |
Look After Lulu |
Lulu d'Arville |
Royal Court Theatre, then New Theatre |
Georges Feydeau translated by Noël Coward |
Noël Coward |
Anthony Quayle, Richard Goolden and Michael Bates |
| 19 April 1960 |
Duel of Angels |
Paola |
Helen Hayes Theatre, New York City |
Jean Giraudoux and Christopher Fry |
Robert Helpmann |
Peter Wyngarde, Jack Merivale and Mary Ure |
Old Vic Overseas Tour
- Australia and New Zealand 12 July 1961 to 17 March 1962 |
(1) Twelfth Night
(2) Duel of Angels
(3) The Lady of the Camellias |
(1) Viola
(2) Paola
(3) Marguerite Gautier |
Her Majesty's Theatre, Melbourne
Her Majesty's Theatre, Brisbane
Theatre Royal, Sydney
Theatre Royal, Adelaide
Her Majesty's Theatre, Perth
Opera House, Wellington
Theatre Royal, Christchurch
Her Majesty's Theatre, Auckland |
(1) William Shakespeare
(2) Jean Giraudoux
(3) Alexandre Dumas, fils |
all directed by Robert Helpmann |
repertory company including Jack Merivale |
Old Vic Overseas Tour
- Latin America 29 March 1962 to 16 May 1962 |
(1) Twelfth Night
(2) The Lady of the Camellias |
(1) Viola
(2) Marguerite Gautier |
Mexico City, Mexico
Caracas, Venezuela
Lima, Peru
Santiago, Chile
Buenos Aires, Argentina
Montevideo, Uruguay
São Paulo, Brazil
Rio de Janeiro, Brazil |
(1) William Shakespeare
(2) Alexandre Dumas, fils |
both directed by Robert Helpmann |
repertory company including Jack Merivale |
| 18 March 1963 |
Tovarich |
Tatiana |
Broadway Theatre, New York City |
Jacques Deval, Robert E. Sherwood, David Shaw, Anne Crosswell and Lee Pockriss |
Peter Glenville |
Jean-Pierre Aumont |
| 6 April 1965 |
The Contessa |
Contessa Sanziani |
closed after previews in Newcastle, Liverpool and Manchester |
Paul Osborn and Maurice Druon |
Robert Helpmann |
David Knight and Joseph Furst |
| 3 May 1966 |
Ivanov |
Anna Petrova |
Tour of United States and Canada, followed by season at Shubert Theatre, New York City |
Anton Chekhov, adapted John Gielgud |
John Gielgud |
John Gielgud, Ronald Radd and Jack Merivale |