WFHM-FM

WFHM-FM

City of license	Cleveland, Ohio
Broadcast area	Greater Cleveland Northeast Ohio
Branding	95.5 The Fish
Slogan	Positive Music You Can Believe In
Frequency	95.5 (MHz)
First air date	August 16, 2001 (as WFHM-FM) April 7, 1961 (as WDGO-FM)
Format	Christian contemporary
ERP	31,000 watts
HAAT	189 meters
Class	B
Facility ID	54778
Transmitter coordinates	41°26′32.00″N 81°29′28.00″W
Callsign meaning	W-"For HiM" W-"FisH"-M
Former callsigns	2001: WHK-FM (44 days only) 1962-2001: WCLV 1961-1962: WDGO-FM
Owner	Salem Communications (Salem Media Group, LLC.)
Sister stations	WHK, WHKW
Website	955TheFish.com

WFHM-FM (95.5 FM) — branded 95.5 The Fish — is a commercial Christian contemporary radio station licensed to Cleveland, Ohio, serving Greater Cleveland and much of surrounding Northeast Ohio. The station is owned by Salem Communications, and its transmitter resides in the Cleveland suburb of Warrensville Heights.

History

WDGO-FM

WFHM-FM began in 1961 as WDGO-FM, deriving its call letters from its principal owner: Douglas G. Oviatt. The correct call sign for the station caused confusion among some listeners since the station used a Scotty dog as a logo, causing the letters sometimes to be transposed as WDOG.

The station was purchased in 1962 by C.K. "Pat" Patrick and Robert Conrad as an outlet for classical music. At the time, most large American cities had at least one commercial radio station that devoted either a large part or all of its broadcast day to classical programming; most non-commercial classical stations were operated by colleges and universities, established years before the advent of the National Public Radio network.

WCLV (95.5 FM)

For the Cleveland area radio station which has carried the WCLV callsign since 2003, see WCLV.

For the Cleveland radio station which carried the WCLV callsign from 2001–2003, see WHK.

Patrick and Conrad formed Radio Seaway, Inc., taking its name from the St. Lawrence Seaway, which had opened in 1959 and had made Cleveland an ocean port. The new owners wanted to shed the "WDOG" image and wanted a new callsign that would reflect their orientation toward community service to the greater Cleveland area. The initial choice was WCLE, as "CLE" was the International Air Transport Association airport code for Cleveland Hopkins International Airport. Those call signs also had a previous history in the market, as they were used on a daytime-only station owned by United Broadcasting, a company organized by the The Plain Dealer's parent company, Forest City Publishing, in the 1930s. At the same time, United Broadcasting also owned WHK, which now broadcasted on a full-time basis. Due to new regulations enacted that prohibited duopolies in a single market, WCLE was relocated to Akron, Ohio as station WHKK, which today broadcasts as WHLO.

However, the WCLE calls had already been taken by a station in Cleveland, Tennessee, and the WCLD calls were in use by a station in Cleveland, Mississippi. As a result, Patrick and Conrad opted for the call letters WCLV, and christened the station WCLV 95/5 on November 1, 1962. (During WCLV's years on 95.5 FM, the forward slash was always used in print instead of a point on the frequency number in station promotions and identification.)

The station immediately launched an impressive, for its day, line-up of classical music programming. FM stereo broadcasts were begun on February 4, 1963, just three months after the debut. Two hour-long evening programming blocks also were unveiled within months of each other: first, the Symphony at Seven sponsored by Cleveland Trust on October 5, 1964, and the Heinen's Concert Hall on February 1, 1965. Concert Hall ended its run in 2003, while Symphony at Seven continues to this very day, its sponsorship carried over by Cleveland Trust's successors (Ameritrust, Society Bank and KeyBank).

One of WCLV's booth announcers, Martin Perlich, debuted the Perlich Project in late 1966 - a mixture of classical music with the early selections of progressive rock along with Perlich's own personal comments and editorials on events of the day. His show would gain renown as one of the earliest such shows on commercial radio, and as a model for the progressive rock medium itself.

In 1965, the station began broadcasting concerts of the Cleveland Orchestra on Sunday afternoons at 4:00 p.m. That time slot has remained virtually unchanged since. WCLV eventually started national distribution of the Orchestras' broadcasts to stations throughout the country, through its subsidiary syndication arm Seaway Productions. WCLV and Seaway also started to syndicate other programs, including Karl Haas' Adventures in Good Music (which ran from 1970 until 2007), and concert broadcasts of the Detroit Symphony, the Royal Amsterdam Concertgebouw Orchestra, the Rotterdam Philharmonic, and the San Francisco Symphony.

Logo before July 2001.

Studios were moved from the original location in the Eastgate Shopping Center in Mayfield Heights to downtown Cleveland's Terminal Tower in 1968 , to Warrensville Heights in 1986, and finally to the current location in the Idea Center at Playhouse Square in Downtown Cleveland (as of December 2010).

The station did continue one traditional program from the old WDGO days. On Saturday night, WCLV broke away from its usual classical music programming to present an eclectic program of folk and novelty music and comedy called WCLV Saturday Night; the program was rebroadcast on Wednesday afternoon under the title WCLV Saturday Night on Wednesday Afternoon. The program also initiated some friendly feuding with rival classical music station WCRB in Boston. Hosted by WCLV President and longtime Cleveland Orchestra commentator Robert Conrad, WCLV Saturday Night spawned an hourlong syndicated version in 1982 titled Weekend Radio; it is still heard on numerous NPR-affiliated stations elsewhere in the U.S. By 1990, Conrad decided to retire the full three or so live hours on WCLV in favor of the hourlong version. At about the same time, he reformatted the show, substituting light classical pieces for the folk and novelty songs of past years.

Beginning in 1970, the station pre-empted regular programming for a week in September to broadcast requested concert recordings of the Cleveland Orchestra as a fund-raiser for the Orchestra, and event known as the "Cleveland Orchestra Marathon."

2001 "frequency swap"

On July 3, 2001, WCLV was one of seven Northeast Ohio radio stations involved in a complex exchange between three radio companies. Although generally reported as a "frequency swap," in reality these seven area radio stations mostly traded callsigns along with their respective formats and staffs — all to facilitate the transfers of ownership of four of the seven stations. As part of this multilayered exchange, Radio Seaway, Inc. sold the broadcast license for classical radio station WCLV to Salem Communications. Salem then changed the WCLV call letters to WHK-FM, and the WCLV format to Christian contemporary. Then on August 16, 2001, the WHK-FM callsign was changed to WFHM-FM. The station branded itself 95.5 The Fish.

For more information on the July 3, 2001 exchange involving seven Northeast Ohio radio stations, see 2001 in radio.

WFHM-FM

WFHM-FM is the Cleveland's affiliate for John Tesh's nationally syndicated evening radio show, The John Tesh Radio Show. The rest of the lineup features local DJs Len Howser & Brooke Taylor (mornings), Josh Booth (middays), and Mark Rein (afternoons). Since 2005, WFHM switches to an all Christmas music format from Thanksgiving week until right after Christmas.

External links

• Official website
• Query the FCC's FM station database for WFHM
• Query Arbitron's FM station database for WFHM
• Radio-Locator information on WFHM
• Aerial photo of WFHM transmitter from Google Maps
• The Encyclopedia of Cleveland History: WCLV (95.5 FM)
• Cleveland Broadcast Radio Archives: WCLV (95.5 FM) timeline
• Cleveland Broadcast Radio Archives: WFHM-FM timeline
• The John Tesh Radio Show