||This article needs additional citations for verification. (December 2012)|
|Newark, New Jersey -
New York, New York
|Channels||Digital: 13 (VHF)
Virtual: 13 (PSIP)
|First air date||May 15, 1948|
|Call letters' meaning||National Educational Television
(forerunner of PBS)
|Sister station(s)||WLIW, NJTV|
|Former callsigns||WATV (1948-1958)
|Former affiliations||Independent (1948-1962)
|Transmitter power||9.3 kW|
|Public license information:||Profile
WNET, channel 13 (also referred to as Thirteen), is a non-commercial educational public television station licensed to Newark, New Jersey. With its signal covering the New York metropolitan area, WNET is a primary station of, and program provider to, the Public Broadcasting Service (PBS). WNET's main studios and offices are located in Midtown Manhattan with an auxiliary street-level studio in the Lincoln Center complex on the Upper West Side. The station's transmitter is on the Empire State Building.
The license-holder is WNET.ORG, formerly known as the Educational Broadcasting Corporation. WNET is also the parent of Long Island-based PBS station WLIW (channel 21) and operator of the New Jersey PBS network NJTV. The current president and chief executive officer of WNET.ORG is Neal Shapiro, the former president of NBC News. WNET is the United States' most-watched PBS station; its sister station WLIW is the third most-watched.
Independent station 
WNET commenced broadcasting on May 15, 1948, as WATV, a commercial television station owned by Atlantic Television, a subsidiary of Bremer Broadcasting Corporation. Bremer also owned two northern New Jersey radio stations, WAAT (970 AM, now WNYM) and WAAT-FM (94.7 MHz., now WNSH). The three stations were based in the Mosque Theatre on Broad Street in Newark. WATV was the first of three new stations in the New York area market to start up during 1948, and was also the first independent station. One unusual daytime program, Daywatch, consisted of a camera focused on a teletypewriter printing wire service news stories, interspersed with cut-aways to mechanical toys against a light music soundtrack.
On October 6, 1957, Bremer Broadcasting announced it had sold its stations for $4.5 million to National Telefilm Associates (NTA), an early distributor of motion pictures for television. On May 7, 1958, channel 13's callsign was changed to WNTA-TV to reflect the new ownership; the radio stations adopted these call letters as well. NTA's cash resources enabled WNTA-TV to produce a schedule of programming with greater emphasis on the people and events of New Jersey, in comparison to the other commercial television stations. NTA also sought to make channel 13 a center of nationally syndicated programming and produced several such entries, notably the anthology drama series Play of the Week; the talk show Open End, hosted by David Susskind; children's show The Magic Clown; and a popular dance program emceed by Clay Cole. But WNTA-TV continued to lag behind New York's other independent stations—WNEW-TV (now WNYW), WOR-TV (now WWOR-TV), and WPIX—in terms of audience size, and NTA incurred a large debtload. National Telefilm Associates put the WNTA stations up for sale in February 1961.
At least three prospective purchasers expressed interest in WNTA-TV. The most prominent was the New York City-based group Educational Television for the Metropolitan Area (ETMA). Composed of local businesspeople, cultural leaders, and educators, ETMA was focused on creating an educational television outlet for New York, and believed that the non-commercial frequency the Federal Communications Commission (FCC) allocated to the city, UHF channel 25, would not be nearly adequate enough to cover the entire market. Prior to 1964, most viewers could not view UHF stations except with an expensive converter; only a few manufacturers made sets with built-in UHF tuning. For those who could access UHF, quality reception was a challenge. With assistance from the University of the State of New York, ETMA had attempted to purchase channel 13 and convert it into a non-commercial station in 1957, when Bremer Broadcasting first put the station on the block; this bid was later withdrawn. This time ETMA was competing with NTA founding president Ely Landau, who had resigned from the company in order to head his own venture for this; and by David Susskind, who received financial backing from Paramount Pictures.
ETMA's initial bid of $4 million was rejected by NTA, but the citizens' group remained persistent. With the support and guidance of National Educational Television (NET) already in their pocket, ETMA later received an endorsement from newly appointed FCC chairman Newton Minow, who established public hearings to discuss the fate of channel 13. The pendulum quickly shifted in favor of channel 13 going non-commercial, and the private firms withdrew their interest.
On June 29, 1961, ETMA agreed to purchase WNTA-TV for $6.2 million. About $2 million of that amount came from five of the six remaining commercial VHF stations (WPIX was the lone holdout), all of whom were pleased to see a competitor eliminated. In addition, CBS later donated a facility in Manhattan to ETMA and NET for production uses. The FCC approved the transfer in October, and converted channel 13's commercial license to non-commercial.
Outgoing New Jersey governor Robert B. Meyner, addressing state lawmakers' concerns over continued programming specific to New Jersey, and fearing the FCC would move the channel 13 allocation to New York City, petitioned the United States Court of Appeals on September 6, 1961, to block the sale of WNTA-TV. The court ruled in the state's favor two months later.
The unsettled deal almost caused National Telefilm Associates to reconsider its decision to sell the station altogether, and NTA made plans to go forward: WNTA-TV made a play to acquire broadcast rights for the New York Mets baseball team for its inaugural 1962 season. But faced with either consummating the transaction or seeing it cancelled, ETMA settled their differences with New Jersey officials on December 4, 1961. After a few last-minute issues arose to cause further delays, the transfer became final on December 22. Later that evening, WNTA-TV signed off for the final time. ETMA and NET then went to work converting the station, which they said would return with its new format within three months.
Ten months later, channel 13 was ready to be reborn. With legendary CBS reporter Edward R. Murrow at the helm on the maiden broadcast, ETMA—now the non-profit Educational Broadcasting Corporation—flipped the switch to WNDT (for "New Dimensions in Television") on September 16, 1962. The return of channel 13 as WNDT gave the New York City market its first educational station, and with a dial position on the coveted VHF band. (In many other cities, including large ones, educational stations had to make do with UHF frequencies.) New York's non-commercial UHF channel, on the other hand, signed-on as WNYE-TV four-and-a-half years later in April 1967. Richard Heffner was appointed as WNDT's first general manager, serving in that position in its first year; in the present-day Heffner continues to appear on channel 13 as producer and host of the public affairs program The Open Mind.
Educational station 
During the transition, and after the inaugural broadcast, WNDT faced an immediate crisis. The American Federation of Television and Radio Artists (AFTRA) was concerned about the use of teachers—some of whom were union-certified performers—on non-commercial television, and how they would be compensated should their work be distributed nationally.
AFTRA called a strike the morning of WNDT's debut. Engineers and technicians who were members of the International Brotherhood of Electrical Workers refused to cross the AFTRA picket line, leaving the station's management and other non-union employees to produce the three-hour inaugural broadcast. Immediately afterwards channel 13 went off the air again, as the strike continued for nearly two weeks. The striking workers returned WNDT to the air after ten days, and on September 28 the labor dispute was settled. But the station's financial resources were drained, requiring an infusion of cash from Ford Foundation to help keep the station running.
NET originally wanted to merge its operations with WNDT, which would have given WNDT a direct line of funding as well as make channel 13 NET's flagship station. The Ford Foundation, which supported both groups, stopped the proposed mergers on at least two different occasions (in 1962, and again in 1965).
Events that began in 1967 led the Ford Foundation to change its stance and push for a WNDT-NET merger. The newly formed Corporation for Public Broadcasting (created by an act of the United States Congress) initially supported NET's network role, while providing government funding for programming. But that move was followed two years later with the establishment of the Public Broadcasting Service as the CPB's own distribution system—a direct threat to NET's turf. It has been intimated that CPB's creation was an attempt to curb NET's production of controversial documentaries and replace it with a less controversial, government-friendly broadcaster, less hostile in particular to the Johnson, and later the Nixon administrations. (NET ignored the demand and refused to stop the production of the critically acclaimed documentaries.) At one point, President Nixon, frustrated with NET's documentaries criticizing his administration, especially its handling of the Vietnam War, almost managed to cut NET's $20 million funding grant in half. As a result, this led both Ford and the CPB to threaten NET with funding withdrawal, unless it merged with the station. Not long after, Ford brokered the merger of WNDT and NET, which took effect on June 29, 1970. Channel 13's callsign was changed to the present WNET on October 1, 1970. NET ceased network operations, though WNET continued to produce some shows for the national PBS schedule with the NET branding until about 1972.
Following the merger, David Loxton established TV Lab in 1972 with support from the Rockefeller Foundation and New York State Council on the Arts. TV Lab provided artists with equipment to produce video pieces through an artist-in-residence program. The Independent Documentary Fund and Video Tape Review series were both produces of TV Lab. TV Lab ended in 1984 when the Corporation for Public Broadcasting withdrew funds.
Channel 13's studios and offices were originally located in the Mosque Theater at 1020 Broad Street in Newark, with transmitter on First Mountain in West Orange, New Jersey. For a short time studios were located at the Gateway Center office building in Newark. The station eventually moved its operations to Manhattan in 1982 and was based on West 58th Street in the Hudson Hotel, while retaining the Gateway Center studios for a few more years. In 1998 it moved to 450 West 33rd Street straddling the railroad tracks going into Pennsylvania Station. The Associated Press and numerous other media groups have headquarters in the same building.
Channel 13's transmitter facilities, including a newly installed digital transmission system, were destroyed on September 11, 2001, when airplanes hijacked by terrorists crashed into the World Trade Center towers. Gerald (Rod) Coppola, channel 13's head transmitter engineer, was among those who perished when the north tower collapsed. For the next ten months WNYE-TV, headquartered in Brooklyn, became WNET's surrogate transmitter and airwave: for those without cable, repeats of WNET prime-time schedules were screened on WNYE. Some time earlier, in February 2003, WNET completed its merger with Long Island PBS broadcaster WLIW (licensed to Garden City and based in Plainview), combining the two stations into one operation. While most of the two stations' operations have been merged, they still have separate studio facilities, separate governing boards, and conduct separate fundraising efforts.
During 2009, WNET's parent company, WNET.org, sustained financial difficulties, and in January, the company pared its workforce from 500 employees to 415, due to severe problems with its budget and fundraising. In October, WNET announced that its studios at 450 West 33rd Street would soon be up for sale, as it no longer needed the extra space. In November, WNET announced that all WNET.org employees would take an unpaid furlough for three to five days between Christmas and New Year's Day, with a skeleton crew of engineers remaining during that time to keep the stations on the air; however, they, too, would have to go on furloughs at the start of 2010. In 2011, WNET moved its operations to Worldwide Plaza).
On July 1, 2011, WNET took over the programming of the New Jersey Network, which was renamed NJTV. The network features increased coverage of news and issues pertinent to New Jersey, as well as programming from the WNET and PBS libraries. The transfer of programming to WNET was part of Governor Chris Christie's plan for New Jersey's exit from public broadcasting. As part of the deal, WNET airs NJTV's nightly statewide newscast, NJToday, to meet its local programming obligations since it still operates on a frequency allocated to Newark. Previously, it had aired NJN's newscast, NJN News, which it co-produced with NJN.
Out-of-market carriage 
WNET is carried in all of Mercer County, New Jersey (Comcast, Cablevision and FIOS) and portions of central Bucks County, Pennsylvania carrying Doylestown and New Hope programming. It is also carried in small parts of Connecticut.
Digital television 
|13.1||1080i||16:9||WNET-DT||Main WNET Programming / PBS|
Analog-to-digital conversion 
Original productions 
WNET has produced, created and/or presented a number of PBS shows. This includes, but is not limited to:
- Jakers! The Adventures of Piggley Winks (2003–Present)
- AFRICA (2001)
- The Africa American Journey (2002–2005)
- Aging Out (2005)
- Amato: A Love Affair with Opera (2001)
- American Masters (1983–present)
- The American President (2000)
- Angelina Ballerina (originally presented by Connecticut Public Television, with HIT Entertainment)
- Australia: Beyond the Fatal Shore (2000)
- Bill Moyers Reports: Earth On Edge (2001)
- Center of the Storm (2002)
- Changing Stages (2001)
- Colonial House (2004)
- Cucina Amore (1999–2002)
- Cyberchase (2002–2010, produced by Nelvana)
- Dickens (2003)
- DNA (2003)
- Echoes From the White House (2001)
- EGG, the Arts Show (2000–2003)
- Extreme Oil (2004)
- Freedom: A History of US (2003)
- Frontline (1983-present)
- Frontier House (2002)
- The Great American Dream Machine (1971–1972)
- Great Food (2001)
- Great Performances (1972–present)
- Heroes of Ground Zero (2002)
- Innovation: Life, Inspired (2004)
- In Search of Ancient Ireland (2002)
- Justice and the Generals (2002)
- Live from Lincoln Center (1976–present)
- Lord of the Universe
- Local News (2001)
- Masterpiece (1971-presents)
- MasterChef USA (1999–2001)
- The Mind
- Moyers on Addiction: Close to Home (1998)
- Nature (1982–present)
- New York: A Documentary Film (1999–2003); co-produced with WGBH-TV)
- Nova (1974-presents)
- NOVA ScienceNOW
- On Our Own Terms: Moyers on Dying (2000)
- The Open Mind
- Our Genes Our Choices (2003)
- Red Gold: The Epic Story of Blood (2002)
- Religion and Ethics Newsweekly (1997–present)
- Reel New York
- The Rise and Fall of Jim Crow (2002)
- Savage Earth (1998)
- Savage Seas (1999, co-produced with Granada Television
- The Secret Life of the Brain (2002)
- Secrets of the Dead (2000–present)
- Shining Time Station (1989–1993)
- Simon Schama's Power of Art
- The Six Wives of Henry VIII[disambiguation needed] (2003)
- Slavery and the Making of America (2004)
- Sound and Fury (2000)
- Soul! (1967–1973)
- Srebrenica: A Cry from the Grave (1999)
- Stage on Screen (2001)
- The Story of English
- Sunday Arts
- Tavis Smiley (2004–present)
- Taxi Dreams (2001)
- That Money Show (2000–2001)
- Thomas and Friends (Originally produced by Connecticut Public Television, with HIT Entertainment)
- Thomas Hampson: I Hear America Singing (1997)
- The A Walk Through... series of historical walking tours of New York City: A Walk Through Central Park, A Walk Through Greenwich Village, A Walk Through the Bronx, A Walk Through Brooklyn, A Walk Through Queens, and A Walk Through Staten Island
- Warrior Challenge (2003)
- Who Cares: Chronic Illness in America (2001)
- Who's Dancin' Now? (2001)
- Worldfocus A program that Looks At International News Hosted By Martin Savidge and Daljit Dhaliwal
- Wide Angle (2002–Present)
- Wild TV (2002) PBS
- Verna: U.S.O. Girl
WNET has also produced programming for public televisions stations distributed outside of the PBS system, including:
- Planet H2O
- In the Mix: The New Normal, a co-production with In the Mix
- What's Up in Factories
- What's Up in Technology
- What's Up in Finance
WNET is also the co-producing entity of PBS NewsHour, along with Washington, D.C. PBS station WETA-TV and MacNeil-Lehrer Productions. The show started in 1975 as a local news-analysis program, The Robert MacNeil Report. Jim Lehrer, a frequent guest on MacNeil's show, became co-host the following year, when the show was picked up by the other PBS outlets.
See also 
- BALET-20090609ABN Authorization (FCC)
- About WLIW21 - http://www.wliw.org/about/
- "WATV Newark begins regular telecasting." Broadcasting - Telecasting, May 24, 1948, pg. 50. 
- WATV advertisement. Broadcasting - Telecasting, May 10, 1948, pg. 17. 
- "WAAT, WATV (TV) sold to NTA for $3.5 million." Broadcasting, October 7, 1957, pg. 9. 
- "NTA Newark purchase gets FCC's approval." Broadcasting, April 7, 1958, pg. 64. 
- "NTA said planning overhaul of WAAT-WATV (TV) operations." Broadcasting, October 14, 1957, pg. 77. 
- "NTA to sell WNTA-AM-TV, Landau out." Broadcasting, February 20, 1961, pg. 42. 
- "N.Y. State seeks WATV(TV)'s ch. 13." Broadcasting, December 9, 1957, pg. 66. 
- "The dam breaks in station sales." Broadcasting, April 3, 1961, pp. 33-35. 
- "$4 million offer to buy WNTA-TV called too low." Broadcasting, February 27, 1961, pg. 36. 
- Jarvik, Laurence Ariel, PBS, behind the screen, Rocklin, CA : Forum, 1997. ISBN 0761506683
- "ETV group buys WNTA-TV." Broadcasting, July 3, 1961, pg. 62
- "Source of funds for acquisition of WNDT(TV)." (chart) Broadcasting, September 10, 1962, pg. 64. 
- "FCC okays WNTA-TV sale to ETV." Broadcasting, October 30, 1961, pp. 83-84. 
- The Vanishing Vision: The Inside Story of Public Television (p. 386) by James Day (University of California Press, 1995)
- "Meyner hits again at WNTA-TV sale." Broadcasting, September 11, 1961, pg. 88. 
- "WNTA-TV sale delayed." Broadcasting, November 13, 1961, pg. 76
- "WNTA-TV hopeful of commercial future." Broadcasting, November 20, 1961, pp. 88-89. 
- "WNTA-TV sale: more chaos." Broadcasting, December 4, 1961, pp. 74-75. 
- "It's final: WNTA-TV sale to ETMA closed." Broadcasting, December 25, 1961, pg. 9. 
- "For the record." Broadcasting, April 2, 1962, pg. 128
- "New York ETV goes on air next week." Broadcasting, September 10, 1962, pp. 62-64. 
- "Strike keeps New York's WNDT off." Broadcasting, September 24, 1962, pg. 125. 
- "WNDT (TV) back to air, but strike continues." Broadcasting, October 1, 1962, pp. 72-74. 
- "AFTRA strike ends; WNDT resumes." Broadcasting, October 1, 1962, pg. 10. 
- "Ford fund ETV grants: $16.3 million in 1962." Broadcasting, January 7, 1963, pp. 56-57. 
- Barnouw, Erik (1990). Tube of Plenty. US: Oxford University Press. p. 454. ISBN 978-0-19-506484-1.
- "Merger and expansion–ETV style." Broadcasting, July 6, 1970, pp. 22-23. 
- "Call letters changed in NET-WNDT merger." Broadcasting, October 5, 1970, pg. 30. 
- New York Observer: "Furloughs Hit WNET", November 4, 2009.
- NJN Press release (via WMGM-TV): "Gov. Christie Selects WNET For NJN Takeover", June 6, 2011.
- FCC DTV status report for WNET
- WWOR-DT FCC Form 387, Exhibit 4, September 15, 2008
- Official website
- Public Broadcasting Service
- WNET logos and screenshots from 1950s to the present day
- Query the FCC's TV station database for WNET