Waiting for Guffman

From Wikipedia, the free encyclopedia
Jump to: navigation, search
Waiting for Guffman
Waiting for Guffman.jpg
Directed by Christopher Guest
Produced by Karen Murphy
Written by Christopher Guest
Eugene Levy
Starring Christopher Guest
Eugene Levy
Catherine O'Hara
Parker Posey
Fred Willard
Bob Balaban
Cinematography Roberto Schaefer
Editing by Andy Blumenthal
Studio Castle Rock Entertainment
Distributed by Sony Pictures Classics
Release dates
  • January 31, 1997 (1997-01-31)
Running time 84 minutes
Country United States
Language English
Budget $4 million
Box office $2,892,582 (USA)

Waiting for Guffman is a comedy in the documentary style starring, co-written and directed by Christopher Guest that was released in 1997. Its cast included Catherine O'Hara, Eugene Levy, Fred Willard, and Parker Posey.

The title of the film is a reference to the Samuel Beckett play, Waiting for Godot. As in the other mockumentaries created by Guest, the majority of the dialogue is improvised. Because the film is about the production of a stage musical, it contains several original musical numbers.

Plot[edit]

In the fictional small town of Blaine, Missouri, a handful of utterly delusional residents prepare to put on a community theater production led by eccentric director Corky St. Clair (Christopher Guest). The show, a musical chronicling the town's history titled Red, White and Blaine, is to be performed as part of the town's 150th anniversary celebration.

Cast in the leads are Ron and Sheila Albertson (Catherine O'Hara and Fred Willard), a pair of married travel agents who are also regular amateur performers; Libby Mae Brown (Parker Posey), a perky Dairy Queen employee; Clifford Wooley (Lewis Arquette), a "long time Blaineian" and retired taxidermist who is Red, White and Blaine's narrator; Johnny Savage (Matt Keeslar), a handsome and oblivious mechanic, who Corky goes out of his way to get into the play, and Dr. Alan Pearl (Eugene Levy), a tragically square dentist determined to discover his inner entertainer. High school teacher Lloyd Miller (Bob Balaban) is the show's increasingly frustrated musical director.

Corky has used connections from his "off-off-off-off" Broadway past to invite Mort Guffman, a Broadway producer, to critique Red, White and Blaine. Corky leads the cast to believe that a positive review from Guffman could mean their show might go all the way to Broadway.

The program itself is designed to musically retell the history of Blaine, whose founding father was a buffoon incapable of distinguishing the geography of middle Missouri from the Pacific coastline. We also learn why the town obtusely refers to itself as "the stool capital of the United States." The music is a series of poorly performed songs such as "Nothing Ever Happens on Mars" a reference to the town's supposed visit by a UFO, and "Stool Boom". (The DVD contains "This Bulging River" and "Nothing Ever Happens in Blaine", which were edited from the cinema release.)

Central to the film are Corky's stereotypically gay mannerisms. He supposedly has a wife called Bonnie, whom no one in Blaine has ever met or seen. He uses her to explain his habit of shopping for women's clothing and shoes.

When Johnny is forced by his suspicious father (Brian Doyle Murray) to quit the show, Corky takes over his roles, which were clearly intended for a young, masculine actor, playing a lusty young frontiersman, a heartbroken soldier, and a little boy wearing a beanie and shorts. Corky never sheds his dainty demeanor, bowl haircut, lisp, or earring in spite of his historical roles, and his face is pasted with an overkill of stage rouge and eyeliner.

Corky is also faced with creating his magic on a shoestring budget, at one point quitting the show after storming out of a meeting with the City Council, which turns down his request for $100,000 to finance the production. But the distraught cast and persuasive city fathers convince Corky to return. At the show's performance, Guffman's seat is seen to be empty, much to the dismay of the cast. Corky reassures them that Broadway producers always arrive a bit late for the show, and sure enough a man (Paul Benedict) soon takes Guffman's reserved seat. The show is well received by the audience, whereupon Corky invites the assumed Guffman backstage to talk to the actors.

The man is actually Roy Loomis, who came to Blaine to witness the birth of his niece's baby, but he did enjoy the show. Corky then reads a telegram stating that Guffman's plane was grounded by snowstorms in New York City, meaning that, like the "Godot" being spoofed, the real Guffman himself is destined never to arrive.

An epilogue shows the fates of the cast: Libby Mae has returned to Dairy Queen. Alan and the Albertsons have pursued their dreams of being entertainers, Ron and Sheila traveling to Los Angeles, California to work as extras, Alan now performing for elderly Jews in Miami, Florida retirement communities. Corky has returned to New York City, where he has opened a Hollywood-themed novelty shop, which includes such items as Brat Pack bobblehead dolls, My Dinner with Andre action figures, and The Remains of the Day lunch boxes.

Cast[edit]

Reception[edit]

Waiting for Guffman received acclaim from critics. Based on 54 reviews collected by Rotten Tomatoes, the film received a 91% approval rating from critics, with an average score of 7.8/10.[1] By comparison, Metacritic, which assigns a normalized rating in the 0–100 range based on reviews from top mainstream critics, calculated an average score of 71, based on 19 reviews.[2] During opening weekend in 1997, the film made $37,990.[3] With a budget of $4 million, the film earned less than $3 million worldwide.[3]

American Film Institute recognition:

References[edit]

  1. ^ Waiting for Guffman, Rotten Tomatoes, retrieved 27 December 2011 
  2. ^ Waiting for Guffman, Metacritic, retrieved 27 December 2011 
  3. ^ a b "IMDb". Amazon.com. Retrieved 27 April 2012. 
  4. ^ "AFI's 100 Years...100 Laughs Nominees" (PDF). Retrieved 2012-08-30. 

External links[edit]