|This article does not cite any references or sources. (August 2008)|
|Directed by||Barbara Loden|
|Produced by||Harry Shuster|
|Written by||Barbara Loden|
|Edited by||Nicholas Proferes|
Wanda, after a string of abusive relationships, abandons her family and seeks solace in the company of a petty criminal (Michael Higgins).
The film is improvisational in style and meditative in nature, similar to the works of European directors like Robert Bresson. It is seldom seen, but strongly admired. Loden, the wife of director Elia Kazan, died from cancer before she had an opportunity to make another film. But the legacy of Wanda, one of the very few American feature films directed by a woman at that time, endures.
- Melton, Ruby, "Barbara Loden on Wanda—'An Environment that Is Overwhelmingly Ugly and Destructive'", Film Journal v. 1, no. 2 (summer 1971), pp. 11–15.
- Reynaud, Bérénice, “For Wanda”, in The Last Great American Picture Show, Thomas Elsaesser, Alexander Horwath and Noel King, eds, Amsterdam: Amsterdam University Press, 2004, 223-247 <also published in Senses of Cinema>
- Wanda at the Internet Movie Database
- Wanda at Rotten Tomatoes
- Wanda at AllMovie
- Wanda at the TCM Movie Database
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