Water Music (Handel)
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The Water Music is a collection of orchestral movements, often published as three suites, composed by George Frideric Handel. It premiered on 17 July 1717 after King George I had requested a concert on the River Thames.
The Water Music is scored for a relatively large orchestra, making it suitable for outdoor performance. Some of the music is also preserved in arrangement for a smaller orchestra: this version is not suitable for outdoor performance, as the sound of stringed instruments does not carry well in the open air.
Suite in F major (HWV 348) 
- Overture (Largo – Allegro)
- Adagio e staccato
- Allegro – Andante – Allegro da capo
- Allegro (no actual tempo marking)
- Allegro (variant)
- Alla Hornpipe (variant)
Suite in D major (HWV 349) 
- Overture (Allegro)
- Alla Hornpipe
Suite in G major (HWV 350) 
There is evidence for the different arrangement found in Chrysander's Gesellschaft edition of Handel's works (in volume 47, published in 1886), where the movements from the "suites" in D and G were mingled and published as one work with HWV 348. This sequence derives from Samuel Arnold's first edition of the complete score in 1788 and the manuscript copies dating from Handel's lifetime. Chrysander's edition also contains an earlier version of the first two movements of HWV 349 in the key of F major composed in 1715 (originally scored for two natural horns, two oboes, bassoon, strings and continuo), where in addition to the horn fanfares and orchestral responses, the original version contained an elaborate concerto-like first violin part.
The music in each of the suites has no set order today.
First performance 
The first performance of the Water Music suites is recorded in the Daily Courant, a London newspaper. At about 8 p.m. on Wednesday, 17 July, 1717, King George I and several aristocrats boarded a royal barge at Whitehall Palace for an excursion up the Thames toward Chelsea. The rising tide propelled the barge upstream without rowing. Another barge provided by the City of London contained about fifty musicians who performed Handel's music. Many other Londoners also took to the river to hear the conert. According to the Courant, "the whole River in a manner was couver'd" with boats and barges. On arriving at Chelsea, the king left his barge, then returned to it at about 11 p.m. for the return trip. The king was so pleased with the Water Music that he ordered it to be repeated at least twice, both on the trip upstream to Chelsea and on the return, until he landed again at Whitehall.
King George's companions in the royal barge included Anne V, the Duchess of Bolton, the Duchess of Newcastle, Countess of Darlington, the Countess of Godolphin, Madam Kilmarnock, and the Earl of Orkney. Handel's orchestra is believed to have performed from about 8 p.m. until well after midnight, with only one break while the king went ashore at Chelsea.
Legend has it that Handel composed Water Music to regain the favour of King George I. Handel had been employed by the future king before he succeeded to the British throne when he was Elector of Hanover. The composer supposedly fell out of favour for moving to London in the reign of Queen Anne. This story was first related by Handel's early biographer John Mainwaring; although it may have some foundation in fact, the tale as told by Mainwaring has been doubted by some Handel scholars.
Another legend has it that the Elector of Hanover approved of Handel's permanent move to London, knowing the separation between them would be temporary. Both were allegedly aware the Elector of Hanover would eventually succeed to the British throne after Queen Anne's death.
Popular culture and the media 
Many portions of Water Music have become familiar. Between 1959 and 1988 a Water Music movement was used for the ident of Anglia Television. The D major movement in 3/2 meter subtitled "Alla Hornpipe" is particularly notable and has been used frequently for television and radio commercials, including commercials for the privatisation of the UK water companies in the late 1980s. The "Air" and "Bourrée" from the F major "suite" have also become popular with audiences, with the latter being the theme music to the popular PBS cooking show The Frugal Gourmet.
There are many recordings. The Music for the Royal Fireworks, composed more than thirty years later for another outdoor performance, has often been paired with the Water Music on recordings. Together, these works constitute Handel's most famous music for orchestra. Older recordings tended to use arrangements of Handel's score for the modern orchestra, for example the arrangements by Hamilton Harty and Leopold Stokowski. More recent recordings tend to use authentic instruments and historically informed performance methods appropriate for baroque music.
- The version for smaller orchestra is known as the "Oxford" Water Music. It was possibly played by the orchestra employed at Cannons where Handel is known to have worked in 1717 in the employ of the 1st Duke of Chandos.
- Score (E-book) of Water Music (the piece is given its German title "Wassermusik" in this edition by Friedrich Chrysander, Leipzig 1886)
- The Daily Courant (17. Juli 1717), S. 76-77, cited by Donald Burrows, Handel, 2. ed., Oxford 2012, p.101.
- Hogwood, Christopher (2005). Handel: Water Music and Music for the Royal Fireworks. Cambridge: Cambridge University Press. p. 10. ISBN 978-0-521-83636-4.
- Ellen T Harris has assembled evidence that it suited the interests of the Elector for Handel to work at the court of Queen Anne. There was apparently a rupture between the Elector and his former kapellmeister, but this was caused by a specific commission from the British, a Te Deum celebrating the Peace of Utrecht, which caused difficulty because the Elector opposed the treaties in question.
- Andrew Wilkinson, in the liner notes to the Union Square Music CD series Simply Handel, cites this version of the legend.
- "Fodors: Electrical Water Pageant Review"
- Water Music: Free scores at the International Music Score Library Project
- Media related to Georg Friedrich Händel at Wikimedia Commons