Promotional film poster
|Directed by||Anthony Hickox|
|Produced by||Staffan Ahrenberg|
|Written by||Anthony Hickox|
|Music by||Roger Bellon|
|Edited by||Christopher Cibelli|
|Distributed by||Vestron Pictures|
|95 min. (R-rated)
100 min. (unrated)
In a small suburban town, a group of university students, Mark Loftmore (Zach Galligan), China Webster (Michelle Johnson), Sarah Brightman (Deborah Foreman), Gemma (Clare Carey), James (Eric Brown) and Tony (Dana Ashbrook), visit a mysterious wax museum, where they encounter several morbid displays, all of which contain stock characters from the horror genre. Tony and China unintentionally enter two separate pocket worlds, as depicted by the waxwork displays, by crossing the exhibition barrier rope. Tony is at a cabin where a werewolf (John Rhys-Davies) attacks him. A hunter and his son arrive and try to kill the werewolf. The son fails and is torn in two, while the hunter shoots the werewolf, and Tony as he begins to transform into a werewolf. China is sent to a Gothic castle, where vampires attack her and Count Dracula (Miles O'Keeffe) turns her into a vampire. Two of the other students, Mark and Sarah, leave the waxwork unscathed. Later, Johnathan (Micah Grant), "a college jock", arrives at the wax museum, looking for China, but The Phantom of the Opera display gets his attention as David Lincoln (David Warner) walks him into the display. Mark goes to a pair of investigating police detectives, Inspector Roberts (Charles McCaughan), and meets Lincoln as he lets Roberts investigate the waxworks. As Mark and Roberts leave the Museum, Mark recognizes Lincoln.
Later, Roberts realizes that some of the displays look like some of the other missing people, and then comes back to the Wax Museum, cuts off a piece of China's face, puts it in a bag, and walks into the mummy display; the mummy throws him in the tomb with another undead mummy and a snake. Later, Roberts' partner sneaks in to the museum, and gets his neck broken by Junior (Jack David Walker), "a tall butler" Lincoln scolds for killing the partner.
Mark takes Sarah to the attic of his house, where he shows her an old newspaper detailing the murder of his grandfather (which was seen in the prologue); the only suspect was David Lincoln, his chief assistant, whose photograph closely resembles the waxwork owner. The two then consult the wheelchair-bound Sir Wilfred (Patrick Macnee), a friend of Mark's grandfather, who explains how he and Mark's grandfather collected trinkets from "eighteen of the most evil people who ever lived" and that Lincoln stole the artifacts; Lincoln, having sold his soul to the devil, wants to bring their previous owners to life by creating some wax effigies and feeding them the souls of victims, a concept taken from Haitian Vodou. Providing all eighteen with a victim would bring about the "voodoo end of the world, when the dead shall rise, and consume all things".
On the advice of Sir Wilfred, Mark and Sarah enter the waxwork museum at night and douse it with gasoline. However, Sarah is lured into the display of the Marquis de Sade (J. Kenneth Campbell), and Mark is pushed into a zombie display by the waxwork's two butlers. Mark is approached by a horde of zombies, but finds that if he does not believe in the monsters, then they do not exist and cannot harm him. Mark finds his way out of the display and into the Marquis de Sade exhibit, where he rescues Sarah, while the marquis vows revenge.
Despite Mark and Sarah's attempts to escape, Junior and Lincoln grab Mark and Sarah pull them out of sight as Gemma and James return. Gemma gets lured into the Marquis de Sade display and James attempts to steal something from the zombie display; moments later, the bodies of James and Gemma reappear as wax figures, the displays are completed with the figures and their victims reanimating as evil entities. Suddenly, Sir Wilfred and a huge group of armed men "along with Mark's butler Jenkins" arrive and in the ensuing battle, several waxworks and slayers die, including Lincoln's butlers and Mark and Sarah's former friends, now evil. Mark duels with the Marquis de Sade, who is finally killed by Sarah with an axe.
The reunited couple is confronted by Lincoln, who dies getting shot by Sir Wilfred and falls in a vat of boiling wax. Sir Wilfred is killed by a werewolf as Sarah and Mark manage to escape the burning waxwork with their lives and begin to walk home, not noticing that the hand from the zombie display is scuttling away from the rubble.
The Eighteen most evil beings used in the film are; the Marquis de Sade, the werewolf, Count Dracula and his son and brides, the Phantom of the Opera, The Mummy, Romero-style Zombies, Frankenstein's monster, Jack the Ripper, the Invisible Man, a voodoo priest, a witch, a snakeman, pods from Invasion of the Body Snatchers, a mutant baby, an axe murderer, a multi-eyed alien, giant talking venus fly trap, Dr. Jekyll and Mr. Hyde.
- Zach Galligan as Mark Loftmore
- Deborah Foreman as Sarah Brightman
- Michelle Johnson as China Webster
- Dana Ashbrook as Tony
- Micah Grant as Jonathan
- Eric Brown as James
- Clare Carey as Gemma
- David Warner as David Lincoln
- Patrick Macnee as Sir Wilfred
- Mihaly 'Michu' Meszaros as Hans
- Jack David Walker (as Jack David Warner) as Junior
- Charles McCaughan as Inspector Roberts
- J. Kenneth Campbell as Marquis de Sade
- Miles O'Keeffe as Count Dracula
- John Rhys-Davies as Werewolf
- Jennifer Bassey as Mrs Loftmore
- Edward Ashley as Professor Sutherland
- Joe Baker as Jenkins
- Buckley Norris as Lecturer
- Tom McGreevey (as Tom MacGreevey) as Charles
Several crew members appear in small roles:
- Anthony Hickox, director, as English prince
- James Hickox, assistant editor, as werewolf hunter's assistant
- Gerry Lively, director of photography, as Sir Wilfred's butler
Often cited as the first self-referential horror well before Scream and such, the film was given a limited release in the United States by Vestron Pictures in June 1988. It grossed $808,114 at the box office. It was released by Vestron Video the same year on VHS in both R-rated and Unrated editions and went on to sell over 150,000 units (an estimated gross of $2 million). The film's budget was $1.5 million.
A comic adaption of the film was published by Blackthorne Publishing in November 1988, one as a black and white one-shot, and one as Waxwork 3-D Special # 1 (# 55 of Blackthorne′s Blackthorne 3-D Series).
In 1992, Anthony Hickox filmed the sequel Waxwork II: Lost in Time.
- The Essential Monster Movie Guide: A Century of Creatures in Film by Stephen Jones and Forrest J. Ackerman.
- "Waxwork". boxofficemojo.com. Retrieved 2011-03-31.
- Waxwork at atomicavenue Retrieved 14.August 2013