We Need to Talk About Kevin (film)
|We Need to Talk About Kevin|
UK theatrical release poster
|Directed by||Lynne Ramsay|
|Produced by||Jennifer Fox
|Screenplay by||Lynne Ramsay
Rory Stewart Kinnear
|Based on||We Need to Talk About Kevin
by Lionel Shriver
John C. Reilly
|Music by||Jonny Greenwood|
|Editing by||Joe Bini|
UK Film Council
|Distributed by||Artificial Eye|
|Running time||112 minutes|
We Need to Talk About Kevin is a 2011 British-American drama film that incorporates elements of the horror and thriller genres, directed by Lynne Ramsay and adapted from Lionel Shriver's novel of the same name. A long process of development and financing began in 2005, with filming commencing in April 2010.
Tilda Swinton stars as the mother of Kevin, struggling to come to terms with her son and the horrors he has committed. The film premiered at the 2011 Cannes Film Festival and was released in the United Kingdom on 21 October 2011.
The story is told out of order, in flashbacks and mostly short scenes. Kevin Katchadourian (Ezra Miller) is in prison after committing a massacre at his high school. His mother, Eva (Swinton), a once-successful travel writer, lives alone in a run-down house and works in a mall travel agency in a town near the prison where she visits Kevin. She looks back at her memories of him growing up as she tries to cope with the anger and hostility of her neighbors, who know her to be Kevin's mother. Her memories are shown in flashbacks.
Throughout his life Kevin has been detached and difficult. Eva had problems with identifying as a mother and has trouble bonding with Kevin, which affects his behavior; as a baby he cries incessantly, and as a child he resists toilet training, rebuffs Eva's clumsy attempts at affection, and shows no interest in anything. While he is still small, Eva's frustration with his intractability drives her to throw Kevin against the wall, breaking his arm. They return from the hospital with Kevin's arm in a cast, and when his father, Franklin (John C. Reilly), asks how he broke his arm, Kevin covers his mother with a lie, using this incident later to subtly blackmail her into giving in to demands like going to the store. When Eva tries to talk to her husband about her increasing concern about Kevin's problems, he dismisses her concerns, and makes excuses for Kevin's behavior. The only real affection and interest Kevin shows towards Eva occurs when she reads him a book about Robin Hood. When reading the part of the story where Robin competes in Prince John's archery contest Kevin snuggles with Eva and spurns Franklin when he interrupts the story. Franklin gives him a bow and arrow set and teaches him archery and Kevin soon becomes an excellent marksman.
Eva and Frank have a second child, Celia, who is lively and cheerful, but her birth does nothing to lessen the tension within the family as Kevin immediately shows disdain and jealousy towards her. A few years later when Celia's pet is killed and she is blinded in one eye by an incident with a caustic cleaning fluid, Eva is convinced Kevin is responsible, while Franklin insists these events were accidents and that their son is blameless. This pattern of suspicion on Eva's part, combined with Franklin's ruthless defense of Kevin, ruins their marriage and intensifies Eva's fear of her son, as she sees growing evidence of Kevin's pleasure in hurting others. This eventually leads up to the massacre, where Kevin locks the gymnasium doors with bike locks and then murders multiple students with his bow and arrow set. As Eva arrives at the school from work, along with the other concerned adults, the police break one of the bike locks on the gymnasium doors. Kevin voluntarily walks out, turning himself over, and revealing himself to be the killer. Eva finally arrives home, only to find the house empty and dark. To her horror, she discovers in the backyard the arrow-penetrated corpses of Franklin and Celia, whom Kevin had killed before the massacre.
The film concludes on the second anniversary of the massacre, when Eva visits Kevin in prison. Kevin is anxious because his transfer to an adult prison is imminent. Eva asks him why he committed the murders and he responds that he thought he used to know, but is no longer sure. Eva gives Kevin a hug and says her good-byes while he is taken away.
- Tilda Swinton as Eva Khatchadourian
- John C. Reilly as Franklin Plaskett
- Ezra Miller as Kevin Khatchadourian
- Jasper Newell as young Kevin
- Rocky Duer as infant Kevin
- Ashley Gerasimovich as Celia Khatchadourian
- Siobhan Fallon Hogan as Wanda
- Alex Manette as Colin
In 2005 BBC Films acquired the rights to adapt the book as a film. Executive producers Paula Jalfon and Christine Langan took it through the development stage, and were joined by executive producer Steven Soderbergh.
Lynne Ramsay, who became available after her involvement in the film adaptation of The Lovely Bones came to an end, signed on to direct, and was working on a script with In the Bedroom writer Robert Festinger by 2006. Shriver was offered a consultative role in the production process but declined, stating she had "had it up to [her] eyeballs with that book", though she did express concern for how the film would capture Eva's role as the unreliable narrator. Production had not begun by 2007, though BBC Films renewed the adaptation rights early in the year. In an interview with The Herald in September 2007, Shriver stated that she had not been in contact with Ramsay about the film for over two years. Ramsay's spokesman told the newspaper that a new script draft was being prepared and, at the time the interview was published, had not been submitted to the producers. Michael Clayton producer Jennifer Fox joined the production team in 2008; the film was expected to begin shooting that year. The script appeared on the 2008 Brit List, a film-industry-compiled list of the best unproduced screenplays in British film. Ramsay's partner Rory Stewart Kinnear also contributed to the final shooting script.
Christine Langan told the London Evening Standard in February 2010 that the long delay in production had been caused by BBC Films having difficulty funding the high budget; Ramsay rewrote the script so the film could be made for a lower cost. The UK Film Council awarded £18,510 to the production from its development fund in the same month. Financial backing was also provided by Footprint Investments LLP, Caemhan Partnership LLP and Lipsync Productions, and production is in association with Artina Films and Forward Films.
Filming commenced on 19 April 2010 on location in Stamford, Connecticut, and concluded on 28 May 2010. A key filming location was J.M. Wright Technical High School in Stamford. Jonny Greenwood of the band Radiohead composed the film's score.
In October 2009, IFC Films picked up the rights to international sales, and made pre-sales at the American Film Market. Artificial Eye distributed the film in the UK from 21 October 2011. Oscilloscope Laboratories distributed the film theatrically in North America in the winter of 2011.
As of 21 October 2012, We Need to Talk About Kevin has grossed $1,738,692 in the United States, along with $7,493,626 in other countries, for a worldwide total of $9,232,588.
|This section needs additional citations for verification. (March 2013)|
We Need to Talk About Kevin received positive reviews. The film currently has a 76% "Certified Fresh" on Rotten Tomatoes; its consensus says "We Need to Talk About Kevin is a masterful blend of drama and horror, with fantastic performances across the board (Tilda Swinton especially, delivering one of her very best)." On Metacritic, the film received a 68 out of 100 based on "generally favorable reviews."
Jake Martin, a Jesuit priest and movie critic, wrote in his review in Busted Halo that the film is not "yet another installment in the pantheon of post-modern films intent upon assaulting the human desire to give meaning to the world." Instead, he says, "We Need to Talk About Kevin in fact needs to be talked about, as what it is attempting to do by marrying the darkest, most nihilistic components of contemporary cinema with a redemptive message is groundbreaking."
Richard Brody, in The New Yorker, wrote that it "masquerades as a psychological puzzle but is essentially a horror film full of decorous sensationalism." He opined that the film exploited but did not explore the fascination that "bad seed" children exert.
Tilda Swinton was nominated for a number of acting awards, including a Golden Globe Award, Screen Actors Guild and BAFTA for Best Actress in a leading role. Her acting also received praise by film critic David Thomson in a review of the film for The New Republic.
Awards and nominations
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- "We Need to Talk About Kevin". Box Office Mojo. 2012-04-19. Retrieved 2013-08-06.
- Miller, Phil (14 September 2007). "Why does this author need to talk about filming Kevin?". The Herald.
- McClintock, Paula (23 April 2010). "Ramsay rounds out 'Kevin' cast". Variety (Reed Business Information). Retrieved 23 April 2010.
- Arendt, Paul (6 June 2006). "Ramsay needs to shoot a film about Kevin". The Guardian (London: Guardian News & Media). p. 21 (G2 supplement).
- Kemp, Stuart (18 May 2008). "BBC Films has diverse slate". The Hollywood Reporter (Nielsen Business Media). Retrieved 18 May 2008.
- Thomas, Archie (3 October 2008). "Brit List brings scripts to light". Variety (Reed Business Information).
- Burgeson, John (30 March 2010). "In Stratford, sweet love drowns out sour weather". CT Post (Hearst Newspapers).
- Curtis, Nick (19 February 2010). "The women behind the British film industry". London Evening Standard (ES London). p. 27.
- "Awards Database: We Need to Talk About Kevin". UK Film Council. Retrieved 25 February 2010.
- Staff (23 April 2010). ""We Need to talk About Kevin" starts filming this week". HollywoodNews.com. Retrieved 24 April 2010.
- Dawtrey, Adam (22 April 2010). "The welcome return of Lynne Ramsay". London: guardian.co.uk (Guardian News & Media). Retrieved 22 April 2010.
- Dundas Wood, Mark (28 May 2010). "New York Production Listings". BackStage.com. Retrieved 30 May 2010.
- O'Connell, A.J. (1 August 2010). "Hollywood East: On location in Connecticut". The Hour. The Hour Publishing Co. Retrieved 3 August 2010.
- Kemp, Stuart (14 February 2011). "Radiohead's Johny Greenwood to Score 'We Need to Talk About Kevin' (Berlin)". The Hollywood Reporter. Retrieved 14 February 2011.
- Kay, Jeremy (22 October 2009). "Independent boards We Need To Talk About Kevin for AFM". ScreenDaily.com (Emap Media). Retrieved 22 October 2009.
- "We Need to Talk About Kevin: world exclusive trailer - video" (includes video clip). The Guardian (London). 12 August 2011. Retrieved 12 August 2011.
- "Cannes Showstopper ‘We Need to Talk About Kevin’ Picked up By Oscilloscope | /Film". Slashfilm.com. 2011-05-24. Retrieved 2011-12-23.
- "Festival de Cannes - From 16 to 27 may 2012". Festival-cannes.com. Retrieved 2011-12-23.
- "BBC News - Cannes gets talking about British Kevin drama". bbc.co.uk. 2011-05-12. Retrieved 2011-12-23.
- "We Need To Talk About Kevin Blu-Ray Gets A US Release Date". Retrieved 2012-05-29.
- Ebert, Roger (25 January 2012). "We Need to Talk About Kevin Movie Review (2012)". RogerEbert.com. Retrieved 25 May 2013.
- Kermode, Mark (6 January 2012). "Eleven from Eleven". BBC Online. Retrieved 25 May 2013.
- Martin, Jake. "We need to talk about We Need to Talk about Kevin". Busted Halo. Retrieved 2011-12-23.
- Brody, Richard (November 2011). "We Need to Talk About Kevin". The New Yorker. Retrieved 10 June 2012.
- Thomson, David (8 March 2012). "Thomson on Film: A Movie About a School Shooting That Ignores the Shooter". The New Republic. Retrieved 25 May 2013.
- Official website
- We Need to Talk About Kevin at the Internet Movie Database
- We Need to Talk About Kevin at allmovie
- We Need to Talk About Kevin at Box Office Mojo
- We Need to Talk About Kevin at Rotten Tomatoes
- We Need to Talk About Kevin at Metacritic