We Were Strangers

From Wikipedia, the free encyclopedia
Jump to: navigation, search
We Were Strangers
We Were Strangers poster.jpg
Theatrical poster
Directed by John Huston
Produced by Sam Spiegel
Written by John Huston
Peter Viertel
Robert Sylvester (novel)
Starring Jennifer Jones
John Garfield
Pedro Armendáriz
Gilbert Roland
Music by George Antheil
Cinematography Russell Metty
Editing by Al Clark
Distributed by Columbia Pictures
Horizon Pictures
Release dates April 27, 1949
Running time 106 minutes
Country United States
Language English

We Were Strangers is a 1949 adventuredrama film directed by John Huston and starring Jennifer Jones and John Garfield.

The film, set in 1933, concerns a group of revolutionaries attempting to overthrow the Cuban regime. The story is based loosely on Robert Sylvester's novel Rough Sketch.[1]

In between making the classics Treasure of the Sierra Madre (1948) and The Asphalt Jungle (1950), John Huston made "We Were Strangers." The film was released in April 1949 at the beginning of the HUAC Committee hearings on communist infiltration in the U.S.A. It predictably received mixed reviews, and soon vanished from theaters. American audiences were perplexed by it, its largely Hispanic cast did not resonate with white Americans, and its shocking presidential assassination theme may have offended some sensibilities.

Based on the overthrow of Cuban dictator Gerardo Machado y Morales in 1933, the story is about a group of revolutionaries who plot to bring down their corrupt government. China (pronounced Cheena) Valdez witnesses her brother's murder after he distributes leftist pamphlets and vows that she will kill his assassin. At his funeral, however, she is persuaded to join an underground group whose moves are more carefully orchestrated. China's house is next door to a cemetery and the leader of the group (John Garfield) devises a scheme to assassinate an official whose family plot is in the cemetery and detonate a bomb at the man's funeral thereby killing as many officials as possible. To do this, they must dig a tunnel from China's house to the cemetery. Much of the movie focuses on the digging of the tunnel while Garfield and Jones develop a romantic interest in each other. However, the film never lets the romantic issues overpower its basic theme of the desperation of the Cuban terrorists. It ends with a violent shoot-out sequence.

The film suffers in a few places from sluggish pacing, but the performances are all first-rate. Jennifer Jones, doing a convincing Cuban accent, is radiant but intense as China and has good chemistry with Garfield. The supporting players are very fine. Pedro Armendariz, as the corrupt police chief, is deliciously menacing. Look for silent greats Gilbert Roland and Ramon Novarro in strong supporting parts as members of the resistance. Look for a cameo appearance by director John Huston who appears as a bank teller.

Many of the film's outdoor scenes are shot against rear projections, which are quite noticeable. The film, however, achieves an almost documentary-like feel with its stark black-and-white photography.

We Were Strangers, for whatever reasons, was virtually unavailable for viewing for decades. One indication of its long shelved status is that it was only first made available on VHS/DVD in 2005, two decades after almost all of John Huston's other films were made available.


Huston originally wanted to cast then-unknown Marilyn Monroe for a part.

Copycat Effect on Oswald[edit]

Two weeks after the assassination of President Kennedy in November 1963, investigators learned that Lee Harvey Oswald had watched We Were Strangers on television in October. However, this fact was kept quiet and was long unknown by all but a few people. Priscilla Johnson McMillan's 1977 book, Marina and Lee, a dual-biography of the fated young couple, informed the public and authoritatively added that Oswald had been "greatly excited" while watching the film. John Loken's 2000 book, Oswald's Trigger Films, further established that Oswald watched We Were Strangers not once but twice in October 1963. The book also details several specific elements of the film that would have greatly appealed to Oswald.[2]


  1. ^ We Were Strangers at Allmovie
  2. ^ John Loken. Oswald's Trigger Films: The Manchurian Candidate, We Were Strangers, Suddenly? Falcon Books, 2000.

External links[edit]