Wemyss Ware was a line of pottery first produced in 1882 by Czech decorator Karel Nekola and Fife pottery-owner Robert Heron. The pottery took its name from the Wemyss family, titled incumbents of Wemyss Castle on the east coast of Fife, who were early and enthusiastic patrons of Nekola and Heron's ceramic creations. After being desirable in its own day, the pottery subsequently became extremely popular with collectors. Since 1985, the name has been used by the Griselda Hill Pottery in Ceres, Fife.
The Wemyss Ware name has gone through four distinct phases of use. In the period 1882-1930, it was used by the Fife Pottery in Kirkcaldy, and then from 1930 to 1957, it was used by the Bovey Pottery in Devon. From 1985 to the present day, it is used by the Griselda Hill Pottery in Ceres, Fife.
One of several potteries in Kirkcaldy, the Fife Pottery or Gallatown Pottery was founded in 1817 by Archibald and Andrew Grey. It was bought ten years later by John Methven, and from there passed to Robert Heron. When his son, Robert Methven Heron (1833-1906) took over the pottery in around 1850, it became Robert Heron and Son.
By the 1880s, Robert Heron and Son were branding their products as "Wemyss ware" in honour of the Wemyss family who were avid and lucrative patrons. Karel Nekola, a native of Bohemia, was brought over to Kirkcaldy in about 1882 by Robert Heron to become head of the decorating shop there. Aged 25, he was the only one of a group of decorators to remain in Scotland, after Heron had returned from a Grand Tour of Europe with a group of Bohemian craftsmen. Nekola married Heron's cook, and the couple had six children.
Nekola's health began to deteriorate in 1910, and a pottery was built at his home in order to allow him to continue to work. He died in 1915, and was succeeded by Edwin Sandland, a painter from Staffordshire that descended from a long line of master-potters, who worked at the pottery until he died in 1928, aged 55.
The original Fife pottery closed in 1930, during the Great Depression, and the rights to Wemyss Ware were bought by the Bovey pottery in Devon. Karel Nekola's son Joseph, himself a designer, moved to Devon, where he carried on producing Wemyss Ware and training apprentices, including Esther Weeks (née Clark). Joseph taught her painting techniques he had learned from his father.
A number of pieces produced during this time are marked as "Plichta." Jan Plichta was a Czech immigrant that sold and exported wholesale glass and pottery, and items he ordered from the Bovey Pottery were marked with his name. Some confusion exists between the Plichta and Wemyss names, as sometimes Wemyss decorators produced items for Plichta, but in the most part Plichta items are inferior in quality.
When Joseph died in 1952, Esther became head decorator and continued to paint Wemyss Ware until the Bovey Pottery closed in 1957 after a protracted strike by the workforce. The rights to the Wemyss name were assumed to be acquired by Royal Doulton, but they produced one piece of Wemyss, a commemorative goblet for the Queen Mother's 80th birthday. This piece also commemorated the centenary of Wemyss Ware, but was two years early, celebrating the production of Wemyss from 1880, when it had commenced in 1882.
The Wemyss name was resurrected in the 1980s when Griselda Hill became interested in pottery while teaching art in London. She moved to Fife in 1984, and after seeing Wemyss Ware in the Kirkcaldy Museum and Art Gallery, she decided to create Wemyss Ware-inspired pottery. Since the first figure, a cat modelled on an original displayed in the museum, was produced, the line has grown. In 1994, the Wemyss Ware trademark was acquired by the Griselda Hill Pottery in Ceres, Fife. Esther Weeks taught the painters at Ceres techniques she learned from Joseph Nekola at Bovey.
Style and technique
After moulding, the pottery was first fired at a low temperature to produce a porous biscuit body onto which paint could be applied. The colours were then applied, followed by a lead glaze, a technique known as underglazing. The pottery was then fired again at a low temperature in order to preserve the colour, making the product soft and fragile and contributing to the scarcity of original Wemyss. Pottery produced by the Griselda Hill pottery uses a different technique, and is much more robust.
After being desirable in its own day, the pottery subsequently became extremely popular with collectors. The Queen Mother was a great fan of Wemyss, and is said to have amassed one of the largest private collections of the pottery.
The high value of Wemyss Ware has led to a proliferation of fakes, in particular of pigs. In 2004, a pair of sleeping piglets were sold for GB£34,800 each at the Sotheby's annual Scottish Sale.
- "Wemyss Ware – a brief history". wemysswarebook.com. Retrieved 18 May 2014.
- "About us". Wemyss Ware Studio. Retrieved 31 August 2014.
- John Weyers (28 November 1970). "Pottery with vitality". The Herald. Retrieved 17 May 2014.
- Gordon Campbell (2006). The Grove Encyclopedia of Decorative Arts, Volume 1. Oxford University Press. p. 549. ISBN 9780195189483.
- "Robert Methven Heron". The Gazetteer for Scotland. Retrieved 17 May 2014.
- "The Story of Wemyss". rogersderin.co.uk. Retrieved 17 June 2013.
- Judith Miller. "Wemyss Ware". millersantiquesguide.com. Retrieved 17 May 2014.
- Graeme Cruickshank (2005). Scottish Pottery: A Brief History. Osprey Publishing. pp. 32–33. ISBN 9780747806394.
- "Wemyss Ware". Wemyss Ware Studio. Retrieved 17 May 2014.
- Conal Gregory (18 August 2001). "Value is not just ornamental". The Scotsman. Retrieved 17 May 2014 – via HighBeam. (subscription required (. ))
- "Scottish Field". Scottish Field (Holmes McDougall) 126: 81. 1980.
- Christopher Proudlove. "Piggies can fly". WriteAntiques. Retrieved 29 May 2014.
- Susanna Johnston; Tim Beddow (1986). Collecting: the passionate pastime. Harper & Row. p. 60. ISBN 9780060156794.
- Arthur Wilfred Coysh (1976). British art pottery, 1870-1940. David and Charles. p. 63. ISBN 9780715372524.
- Michael Clarke (2010). The Concise Oxford Dictionary of Art Terms. Oxford University Press. p. 264. ISBN 9780199569922.
- "A Decorative Scottish Pottery". Country Life 139. 1966.
- Jeffery Muse (6 October 2007). "Wacky Wemyss Still in Demand". Western Mail. Retrieved 18 May 2014 – via HighBeam. (subscription required (. ))
- "Piggy Banks and Famous Potteries". piggybankpage.co.uk. Retrieved 18 December 2012.
- Don Rodgers (1 June 2013). "A Seasonal Treat for Dining Tables; Bargain Hunter". Western Mail. Retrieved 31 August 2014 – via HighBeam. (subscription required (. ))
- "The void years (1957-1985)". wemysswarebook.com. Retrieved 17 May 2014.
- "Devon & Dartmoor HER". Heritage Gateway. Retrieved 18 May 2014.
- Jennifer Harper (24 August 2002). "Simply potty about pottery". The Herald. Retrieved 17 May 2014 – via HighBeam. (subscription required (. ))
- "Lot 331: A Wemyss Victoria Goblet and a Limited Edition Centenary Goblet". Bonhams. Retrieved 31 August 2014.
- "The Wemyss Revival (1985 – present)". wemysswarebook.com. Retrieved 17 May 2014.
- "Meet the staff". Wemyss Ware Studio. Retrieved 1 September 2014.
- Sharon Ward (14 July 2002). "120-year-old Wemyss Ware pottery keeps improving with age". Scotland on Sunday. Retrieved 18 May 2014 – via HighBeam. (subscription required (. ))
- Kennedy Wilson (1 May 1993). "Out to hog tile market". The Herald. Retrieved 18 May 2014.
- "Judith Miller on Wemyss Ware". Period Living. Retrieved 19 May 2014.
- Martyn McLaughlin (17 June 2006). "How fake pigs are flying from the East to put Wemyss Ware at risk Fife pottery victim of copies from Thailand". The Herald. Retrieved 17 May 2014.
- "Wemyss umbrella stand". BBC. Retrieved 17 May 2014.
- William Lyons (1 September 2004). "Pottery piglets break record". The Scotsman. Retrieved 18 May 2014 – via HighBeam. (subscription required (. ))
|Wikimedia Commons has media related to Wemyss Ware.|