A Wendigo (also known as windigo, weendigo, windago, windiga, witiko, wihtikow, and numerous other variants including manaha) is a demonic half-beast creature appearing in the legends of the Algonquian peoples along the Atlantic Coast and Great Lakes Region of both the United States and Canada. The creature or spirit could either possess characteristics of a human or a monster that had physically transformed from a person. It is particularly associated with cannibalism. The Algonquian believed those who indulged in eating human flesh were at particular risk; the legend appears to have reinforced the taboo of the practice of cannibalism. It is often described in Algonquian mythology as a balance of nature.
The legend lends its name to the disputed modern medical term Wendigo psychosis. This is supposed to be a culture-bound disorder that features symptoms such as an intense craving for human flesh and a fear the sufferer is a cannibal. This condition was alleged to have occurred among Algonquian native cultures, but remains disputed.
The Wendigo legend has inspired a number of derived characters commonly found in modern horror fiction.
The Wendigo is part of the traditional belief systems of various Buffalo people in the northern United States and Canada, most notably the Ojibwe and Saulteaux, the Cree, the Naskapi, and the Innu people. Although descriptions varied somewhat, common to all these cultures was the conception of Wendigos as malevolent, cannibalistic, supernatural beings (manitous) of great spiritual power. They were strongly associated with the winter, the north, and coldness, as well as with famine and starvation. Basil Johnston, an Ojibwe teacher and scholar from Ontario, gives one description of how wendigos were viewed:
The Wendigo was gaunt to the point of emaciation, its desiccated skin pulled tautly over its bones. With its bones pushing out against its skin, its complexion the ash gray of death, and its eyes pushed back deep into their sockets, the Wendigo looked like a gaunt skeleton recently disinterred from the grave. What lips it had were tattered and bloody [....] Unclean and suffering from suppurations of the flesh, the Wendigo gave off a strange and eerie odor of decay and decomposition, of death and corruption.
At the same time, Wendigos were embodiments of gluttony, greed, and excess: never satisfied after killing and consuming one person, they were constantly searching for new victims. In some traditions, humans who became overpowered by greed could turn into Wendigos; the Wendigo myth thus served as a method of encouraging cooperation and moderation.
Among the Ojibwe, Eastern Cree, Westmain Swampy Cree, Naskapi, and Innu, Wendigos were said to be giants, many times larger than human beings (a characteristic absent from the Wendigo myth in the other Algonquian cultures). Whenever a Wendigo ate another person, it would grow in proportion to the meal it had just eaten, so that it could never be full. Therefore, Wendigos were portrayed as simultaneously gluttonous and emaciated from starvation.
All cultures in which the Wendigo myth appeared shared the belief that human beings could turn into Wendigos if they ever resorted to cannibalism, or, alternatively, become possessed by the demonic spirit of a Wendigo, often in a dream. Once transformed, a person would become violent and obsessed with eating human flesh. The most frequent cause of transformation into a Wendigo was if a person had resorted to cannibalism, consuming the body of another human in order to keep from starving to death during a time of extreme hardship, for example in hard winters, or famine.
Among northern Algonquian cultures, cannibalism, even to save one's own life, was viewed as a serious taboo; the proper response to famine was suicide or resignation to death. On one level, the Wendigo myth thus worked as a deterrent and a warning against resorting to cannibalism; those who did would become wendigo monsters themselves.
Taboo reinforcement ceremony
Among the Assiniboine, the Cree and the Ojibwe, a satirical ceremonial dance originally was performed during times of famine to reinforce the seriousness of the Wendigo taboo. The ceremonial dance, known as a wiindigookaanzhimowin in Ojibwe and today performed as part of the last day activities of the Sun Dance, involves wearing a mask and dancing about the drum backward. The last known wendigo ceremony conducted in the United States was at Lake Windigo of Star Island of Cass Lake, located within the Leech Lake Indian Reservation in northern Minnesota.[when?]
Modern applications of the term
"Wendigo psychosis" (also spelled many other ways, including "Windigo psychosis" and "Witiko psychosis") refers to a condition in which sufferers developed an insatiable desire to eat human flesh even when other food sources were readily available, often as a result of prior famine cannibalism. Wendigo psychosis traditionally has been identified by Western psychologists as a culture-bound syndrome, although there is a debate over the existence of the phenomenon as a genuine disorder. The theory was popular primarily among psychologists in the early 1900s, and may have resulted from a misinterpretation of northern Algonquian myths and culture.
In accounts of Wendigo psychosis, it was reported that members of the aboriginal communities in which it existed believed that cases literally involved individuals turning into Wendigos. Such individuals generally recognized these symptoms as meaning that they were turning into Wendigos, and often requested to be executed before they could harm others. Reportedly, the most common response when someone began suffering from Wendigo psychosis was the practice of curing attempts by traditional native healers or Western doctors. In the unusual cases where these attempts failed, reports indicate that the Wendigo began either to threaten those around them or to act violently or anti-socially, generally they were then executed. Cases of Wendigo psychosis, though evidently real, were relatively rare, and it was even rarer for them to culminate in the execution of the sufferer.
One of the more famous cases of Wendigo psychosis reported involved a Plains Cree trapper from Alberta, named Swift Runner. During the winter of 1878, Swift Runner and his family were starving, and his eldest son died. Twenty-five miles away from emergency food supplies at a Hudson's Bay Company post, Swift Runner butchered and ate his wife and five remaining children. Given that he resorted to cannibalism so near to food supplies, and that he killed and consumed the remains of all those present, it was revealed that Swift Runner's was not a case of pure cannibalism as a last resort to avoid starvation, but rather of a man suffering from Wendigo psychosis. He eventually confessed and was executed by authorities at Fort Saskatchewan.
Another well-known case involving Wendigo psychosis was that of Jack Fiddler, an Oji-Cree chief and shaman known for his powers at defeating Wendigos. In some cases this entailed euthanizing people suffering from Wendigo psychosis; as a result, in 1907, Fiddler and his brother Joseph were arrested by the Canadian authorities for murder. Jack committed suicide, but Joseph was tried and sentenced to life in prison. He ultimately was granted a pardon, but died three days later in jail before receiving the news of this pardon.
Fascination with Wendigo psychosis among Western ethnographers, psychologists, and anthropologists led to a hotly debated controversy in the 1980s over the historicity of this phenomenon. Some researchers argued that essentially, wendigo psychosis was a fabrication, the result of naïve anthropologists taking stories related to them at face value without observation. Others have pointed to a number of credible eyewitness accounts, both by Algonquians and others, as evidence that wendigo psychosis was a factual historical phenomenon.
The frequency of Wendigo psychosis cases decreased sharply in the twentieth century as Boreal Algonquian people came into greater and greater contact with Western ideologies and more sedentary, less rural, lifestyles. While there is some substantive evidence to suggest that Wendigo psychosis might have existed, a number of questions concerning the condition remain unanswered, and there is continuing debate over its existence, nature, significance, and prevalence.
In popular culture
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- Creatures based upon the Wendigo appear in the movies Wendigo and Ravenous, and in episodes of the television series Supernatural, The X-Files,, Charmed  Blood Ties, Hannibal, Sleepy Hollow, Teen Wolf, and The Blacklist.
- Early references to Wendigos in literature include Henry Wadsworth Longfellow's 1855 The Song of Hiawatha ("Slay all monsters and magicians,/All the Wendigoes, the giants...").
- Wendigos have been referred to in literature for many decades, most notably in Algernon Blackwood's 1910 story "The Wendigo," which introduced the legend to horror fiction, and in Stephen King's novel Pet Sematary.
- Characters bearing the name appear in a number of computer and video games, including Tearaway, Final Fantasy, The Legend of Dragoon, The Secret World, Dementium II and the Warcraft universe, as well as role-playing games such as Dungeons & Dragons.
- Marvel and DC comics both have characters known as Wendigo.
- Ithaqua, (the Wind-Walker) a fictional character in the Cthulhu Mythos of H. P. Lovecraft.
- Jikininki, Japanese spirits of cursed individuals who in death must seek out and eat human corpses.
- Ogre, European monsters which traditionally ate babies.
- Rakshasa, a human-flesh eating creature according to Hinduism.
- Skin-walker, a person, who according to a Native American belief, has the supernatural ability to turn themselves into an animal.
- Wechuge, is a similar creature that appears in the legends of the Athabaskan people of the North West Pacific Coast.
- Zombie, a mythical undead creature from Caribbean folklore, frequently depicted in fiction hungering for human brains or flesh.
- Jack Fiddler, last known wendigo hunter.
- The name is wiindigoo in the Ojibwe language (the source of the English word [Brightman 1988:344]), wìdjigò in the Algonquin language, and wīhtikōw in the Cree language; the Proto-Algonquian term was *wi·nteko·wa, which probably meant "owl" in their original language (Goddard 1969, cited in Brightman 1988:340).
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