|An old tree in Vancouver|
Donn ex D.Don
|Range of T. plicata in the Pacific Northwest|
Thuja plicata, commonly called western or Pacific redcedar, giant or western arborvitae, giant cedar, or shinglewood, is a species of Thuja, an evergreen coniferous tree in the cypress family Cupressaceae native to western North America. Despite its common names, it does not belong with the true cedars within the genus Cedrus. It is the Provincial tree of British Columbia, and has extensive applications for the indigenous First Nations of the Pacific Northwest.
Western redcedar is among the most widespread trees in the Pacific Northwest, and is associated with Douglas-fir and western hemlock in most places where it grows. It is found at the elevation range of sea level to a maximum of 2,290 metres (7,510 ft) above sea level at Crater Lake in Oregon. In addition to growing in lush forests and mountainsides, western redcedar is also a riparian tree, and grows in many forested swamps and streambanks in its range. The tree is shade-tolerant and able to reproduce under dense shade.
It has been introduced to other temperate zones, including western Europe, Australia (at least as far north as Sydney), New Zealand, the eastern United States (at least as far north as Central New York), and higher elevations of Hawaii.
It is a large to very large tree, ranging up to 65–70 metres (213–230 ft) tall and 3–4 metres (9.8–13 ft) in trunk diameter, exceptionally even larger. Trees growing in the open may have a crown that reaches the ground, whereas trees densely spaced together will only exhibit a crown at the top, where light can reach the leaves. It is long-lived; some individuals can live well over a thousand years, with the oldest verified being 1460 years.
The foliage forms flat sprays with scale-like leaves in opposite pairs, with successive pairs at 90 degrees to each other. The foliage sprays are green above, and green marked with whitish stomatal bands below; they are strongly aromatic, with a scent reminiscent of pineapple when crushed. The individual leaves are 1 to 4 millimetres (0.039 to 0.16 in) long and 1 to 2 millimetres (0.039 to 0.079 in) broad on most foliage sprays, but up to 12 millimetres (0.47 in) long on strong-growing lead shoots.
The cones are slender, 10 to 18 millimetres (0.39 to 0.71 in) long and 4 to 5 millimetres (0.16 to 0.20 in) broad, with 8 to 12 (rarely 14) thin, overlapping scales; they are green to yellow-green, ripening brown in fall about six months after pollination, and open at maturity to shed the seeds. The seeds are 4 to 5 mm long and 1 millimetre (0.039 in) broad, with a narrow papery wing down each side. The pollen cones are 3 to 4 millimetres (0.12 to 0.16 in) long, red or purple at first, shedding yellow pollen in spring.
Taxonomy and name
Thuja plicata is one of two Thuja species native to North America, the other being Thuja occidentalis. The species name plicata derives from a Greek word meaning "folded in plaits", a reference to the pattern of its small leaves.
Most authorities, both in Canada and the United States cite the English name in two words as western redcedar, or occasionally hyphenated as western red-cedar, to indicate is not a cedar (Cedrus), but it is also confusingly cited as western red cedar in some popular works. In the American horticultural trade, it is also known as the giant arborvitae, by comparison with arborvitae for its close relative Thuja occidentalis. Other names include giant redcedar, Pacific redcedar, shinglewood, British Columbia cedar, canoe cedar, and red cedar. Arborvitae comes from the Latin for "tree of life"; coincidentally, native Americans of the West coast also address the species as "long life maker".
The "Quinault Lake Redcedar" is the largest known western redcedar in the world with a wood volume of 500 cubic metres (18,000 cu ft). Located near the northwest shore of Lake Quinault north of Aberdeen, Washington, about 34 kilometres (21 mi) from the Pacific Ocean, it is one-third the volume of the largest known tree, a giant sequoia named "General Sherman". The Quinalt Lake Redcedar is 55 metres (180 ft) tall with a diameter of 6.04 metres (19.8 ft).
The second largest is the Cheewhat Lake Cedar, in Pacific Rim National Park Reserve on Vancouver Island, at 449 cubic metres (15,900 cu ft). The third largest is the Kalaloch Cedar in the Olympic National Park, at 350 cubic metres (12,000 cu ft).
A redcedar over 71 metres (233 ft) tall, 4.5 metres (15 ft) in diameter and over 700 years old stood in Cathedral Grove on Vancouver Island, British Columbia, before it was set on fire and destroyed by vandals in 1972. That tree now lies in "Giant's Grave", a self dug grave created by the force of its own impact.
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The soft red-brown timber has a tight, straight grain and few knots. It is valued for its distinct appearance, aroma, and its high natural resistance to decay, being extensively used for outdoor construction in the form of posts, decking, shingles and siding. It is commonly used for the framing and longwood in lightweight sail boats and kayaks. In larger boats it is often used in sandwich construction between two layers of epoxy resin and/or fibreglass or similar products. Due to its light weight—390 to 400 kg/m3 (24 to 25 lb/cu ft) dried—it is about 30% lighter than common boat building woods, such as mahogony. For its weight it is quite strong but can be brittle. It glues well with epoxy resin or resorcinol adhesive.
It is also used to line closets and chests, for its pungent aromatic oils are believed to discourage moth and carpet beetle larvae, which can damage cloth by eating wool and similar fibres. This is more effective in a properly constructed redcedar chest (sometimes made entirely of redcedar), since the oils are confined by shellac and leather seals. A well-sealed redcedar chest will retain its pungent odour for many decades, sometimes for over a century. Its light weight, strength and dark warm sound make it a popular choice for guitar soundboards.
Like its relative Thuja occidentalis and many other conifer species, Thuja plicata is grown as an ornamental tree, and for screens and hedges, throughout the world in gardens and parks. A wide variety of forms, sizes and colours is available.
- Other uses
Thujaplicin, a chemical substance, is found in mature trees and serves as a natural fungicide, thereby preventing the wood from rotting. This effect lasts around a century even after the tree is felled. However, thujaplicin is only found in older trees, and saplings that do not produce the chemical often rot at an early stage, causing some trees to grow with a somewhat hollow, rotten trunk.
It is also widely used throughout Europe and America for making beehive frames.
Role in indigenous societies
Western redcedar has an extensive history of use by the indigenous peoples of the Pacific Northwest Coast, from Oregon to southeast Alaska. Some northwest coast tribes refer to themselves as "people of the redcedar" because of their extensive dependence on the tree for basic materials. The wood has been used for constructing housing, totem poles, and crafted into many objects, including masks, utensils, boxes, boards, instruments, canoes, vessels, and ceremonial objects. Roots and bark were used for baskets, ropes, clothing, blankets and rings.
A huge number of archeological finds point to the continuous use of redcedar wood in native societies. Woodworking tools dating between 8000 and 5000 years ago, such as carved antlers, were discovered in shell middens at the Glenrose site, near Vancouver, British Columbia. In Yuquot, on the west coast of Vancouver Island, tools dating 4000 to 3000 years old have been found. The Musqueam site, also near Vancouver, yielded bark baskets woven in five different styles, along with ropes and ships dated to 3000 years ago. At Pitt River, adzes and baskets were dated around 2900 years ago. Wooden artifacts 1000 years old were unearthed on the east coast of Vancouver Island.
A legend amongst the Coast Salish peoples describes the origins of the western redcedar. In this legend, there was a generous man who gave the people whatever they needed. When the Great Spirit saw this, he declared that when the generous man died, a great redcedar tree will grow where he is buried, and that the cedar will be useful to all the people; providing its roots for baskets, bark for clothing, and wood for shelter.
The wood was worked primarily with the adze, which was preferred over all other tools, even ones introduced by European settlers. Alexander Walker, an ensign on the fur trade ship Captain Cook reported that the indigenous peoples used an elbow adze, which they valued over new tools brought by the Europeans, such as the saw or the axe, going so far as to modify traded tools back into an adze. Tools were generally made from stone, bone, obsidian, or a harder wood such as hemlock. A variety of hand mauls, wedges, chisels and knives were used. Excavations done at Ozette, Washington, turned up iron tools nearly 800 years old, far before European contact. When James Cook passed the area, he observed that almost all tools were made of iron. There has been speculation on the origin of these iron tools, some theories include shipwrecks from East Asia, or possible contact with iron-using cultures from Siberia, as hinted in the more advanced woodworking found in northern tribes such as the Tlingit.
Harvesting redcedars required some ceremony, and included propitiation of the tree's spirits as well as those of the surrounding trees. In particular, many people specifically requested the tree and its brethren not to fall or drop heavy branches on the harvester, a situation which is mentioned in a number of different stories of people who were not sufficiently careful. Some professional loggers of Native American descent have mentioned that they offer quiet or silent propitiations to trees which they fell, following in this tradition.
Felling of large trees such as redcedar before the introduction of steel tools was a complex and time-consuming art. Typically the bark was removed around the base of the tree above the buttresses, and then some amount of cutting and splitting with stone adzes and mauls would be done, creating a wide triangular cut. The area above and below the cut would be covered with a mixture of wet moss and clay as a firebreak, and then the cut would be packed with tinder and small kindling and slowly burned. The process of cutting and burning would alternate until the tree was mostly penetrated through, and then careful tending of the fire would fell the tree in the best direction for handling. This process could take many days, and constant rotation of workers was involved to keep the fires burning through night and day, often in a remote and forbidding location.
Once the tree was felled the work had only just begun, as it then had to be stripped and dragged down to shore. If the tree was to become canoes then it would often be divided into sections and worked into rough canoe shapes before transport, but if it were to be used for a totem pole or building materials it would be towed in the round to the village. Many trees are still felled in this traditional manner for use as totem poles and canoes, particularly by artists who feel that using modern tools is detrimental to the traditional spirit of the art. Non-traditionalists simply buy redcedar logs or lumber at mills or lumber yards, a practice that is commonly followed by most working in smaller sizes such as for masks and staves.
Because felling required such an extraordinary amount of work, if only planks for housing were needed, these would be split from the living tree. The bark was stripped and saved, and two cuts were made at the ends of the planking. Then wedges would be pounded in along the sides and the planks slowly split off the side of the tree. Trees which have been so harvested are still visible in some places in the rainforest, with obvious chunks taken off of their sides. Such trees usually continue to grow perfectly well, since redcedar wood is resistant to decay. Planks are straightened by a variety of methods, including weighing them down with stones, lashing them together with rope, or forcing them between a line of stakes.
Redcedar wood is used to make huge monoxyla canoes in which the men went out to high sea to harpoon whales and conduct trade. One of those canoes, a 38-foot (12 m) craft dug out about a century ago, was bought in 1901 by Captain John Voss, an adventurer. He gave her the name of Tilikum ("Friend" in Chinook jargon), rigged her, and led her in a hectic three-year voyage from British Columbia to London.
Redcedar branches are very flexible and have good tensile strength. They were stripped and used as strong cords for fishing line, rope cores, twine, and other purposes where bark cord was not strong enough or might fray. Both the branches and bark rope have been replaced by modern fiber and nylon cordage among the aboriginal northwest coast peoples, though the bark is still in use for the other purposes mentioned above.
The bark is easily removed from live trees in long strips, and is harvested for use in making mats, rope and cordage, basketry, rain hats, clothing, and other soft goods. The harvesting of bark must be done with care because if the tree is completely stripped it will die. To prevent this, the harvester usually only harvests from trees which have not been stripped before. After harvesting the tree is not used for bark again, although it may later be felled for wood. Stripping bark is usually started with a series of cuts at the base of the tree above any buttresses, and the bark is peeled upwards. To remove bark high up, a pair of platforms strung on rope around the tree are used, and the harvester climbs by alternating between them for support. Since redcedars lose their lower branches as all tall trees do in the rainforest, the harvester may climb 10 metres (33 ft) or more into the tree by this method. The harvested bark is folded and carried in backpacks. It can be stored for quite some time as mold does not grow on it, and is moistened before unfolding and working. It is then split lengthwise into the required width and woven or twisted into shape. Bark harvesting was mostly done by women, despite the danger of climbing 10 metres (33 ft) in the air, because they were the primary makers of bark goods. Today bark rope making is a lost art in many communities, although it is still practiced for decoration or art in a few places. Other uses of bark are still common for artistic or practical purposes.
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- Media related to Thuja plicata at Wikimedia Commons