Wife vs. Secretary

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Wife vs. Secretary
Poster - Wife vs. Secretary 02.jpg
Lobby card
Directed by Clarence Brown
Produced by Clarence Brown
Hunt Stromberg
Screenplay by Norman Krasna
John Lee Mahin
Alice Duer Miller
Based on Wife Versus Secretary
(Cosmopolitan May 1935) 
by Faith Baldwin[1]
Starring Clark Gable
Jean Harlow
Myrna Loy
May Robson
James Stewart
Music by Herbert Stothart
Edward Ward
Cinematography Ray June
Edited by Frank E. Hull
Distributed by Metro-Goldwyn-Mayer
Release date(s)
  • February 28, 1936 (1936-02-28)
Running time 88 min.
Country United States
Language English
Budget $519,000[2]
Box office $2,067,000[2]

Wife vs. Secretary is a 1936 comedy film directed and co-produced by Clarence Brown, and starring Clark Gable as a successful businessman, Jean Harlow as his secretary, and Myrna Loy as his wife, supported by James Stewart, in one of his first memorable roles, as the secretary's suitor. The film was the fifth of six collaborations between Gable and Harlow and the fourth of seven between Gable and Loy. May Robson portrays Gable's character's meddling mother. The story was based on the short story of the same name by Faith Baldwin published in Cosmopolitan Magazine in May 1935.

Plot[edit]

Magazine publisher Van Stanhope (Clark Gable) and his wife, Linda, (Myrna Loy) are celebrating their third wedding anniversary. They are very much in love and Van gives Linda a diamond bracelet. However, Van's secretary, the beautiful Helen "Whitey" Wilson (Jean Harlow), is thought by Van's mother (May Robson) to be a temptation to Van. Linda refuses to listen to all of her friends and Van's mother as she trusts Van. In truth, she has all the reason in the world to trust him, as his relationship with Whitey is strictly business.

Meanwhile, Whitey's beau, Dave (James Stewart), is very uncomfortable about her relationship with Van as he calls one night while they're having dinner to ask that Whitey help him finish work at a party. When Dave asks Whitey to marry him, Whitey refuses, and buries herself further in her work.

When Van has to be very secretive to buy J. D. Underwood's weekly, for fear that his rival will buy it instead, only Whitey is permitted to know, providing still more conflict between Van and his wife.

When Van returns from his business meeting with Underwood, and tells Linda that he has been at the club all day, Linda discovers that he has not been at the club but rather has been out with Whitey, who was merely helping him prepare for his discussion with Underwood. At a skating party, Linda is too sick to skate, but hears from one of the wives there that Van and Whitey are most likely having an affair as Van and Whitey skate. When Linda and Van get into the car, they fight when Linda requests that Van have Whitey moved to another employer. Van refuses and Linda ignores him for the rest of the evening until she calls him back to make up.

Van plans a trip for himself and Linda, but when he learns that Underwood is at a conference in Havana, changes his plans and won't permit Linda to accompany him while he works. Whitey learns of important information regarding the rival paper, which results in Van bringing her to Havana to close the deal. While celebrating the successful closing of the deal, they develop a drunken attraction to each other but do not consummate this attraction. When Linda calls, Whitey answers the phone, and she assumes they are having an affair.

Van returns to New York only to have Linda ignoring him entirely and asking for a divorce. Lonely, he asks Whitey to accompany him to Bermuda as a friend, which she, having fallen in love with Van, agrees to. But realizing that Van will never love her as much as he loves Linda, she visits her on the boat that Linda has planned to take her to Europe. Whitey tells her to go back to Van, telling her that she would be a fool to let him go. After resistance, Linda meets him in his office and they make up. Whitey is then met by Dave where they make up as well.

Cast[edit]

Notes[edit]

This was the fifth collaboration of Gable and Harlow and the fourth of Gable and Loy. The picture was the second time that year that Harlow and Loy worked together, also both appearing during 1936 in Libeled Lady also starring William Powell and Spencer Tracy, with Harlow billed first.

On Harlow during the making of Wife Vs. Secretary, Loy said, "Jean was beautiful, but far from the raucous sexpot of her films. As a matter of fact, she began to shake that image in Wife vs. Secretary....She'd begged for a role that didn't require spouting slang and modeling lingerie. She even convinced them to darken her hair a shade, in hopes of toning down that brash image. It worked. She's really wonderful in the picture and her popularity wasn't diminished one bit. Actually we did kind of a reversal in that picture. Jean, supposedly the other woman, stayed very proper, while I had one foot in bed throughout. That's the sexiest wife I've ever played. In one scene, Clark stands outside my bedroom door and we banter, nothing more, but there's just no question about what they've done the night before. Clarence Brown, our director, made it all so subtle, yet, oh, so wonderfully suggestive. (In fact, the only vulgarity in the picture is in the breakfast scene, where I discover a diamond bracelet that Clark has hidden in the brook trout I'm about to eat. It didn't seem chic or funny to me—merely messy, typical of Hollywood's misguided notion of upper-class sophistication. I tried to get them to take it out, but they wouldn't. Needless to say, it's the scene everyone remembers, so what do I know?). Where sex is concerned, the double entendre, the ambiguity, it seems to me, is much more effective than being too explicit. This is something the moviemakers don't seem to understand today."

James Stewart, meanwhile, spoke of his scene in the car with Harlow, saying, "Clarence Brown, the director, wasn't too pleased by the way I did the smooching. He made us repeat the scene about half a dozen times...I botched it up on purpose. That Jean Harlow sure was a good kisser. I realized that until then I had never been really kissed." Despite being billed sixth in the cast, Stewart enjoys the most screen time aside from the three leads, mainly romantic sequences with Harlow, including the final scene and dialogue in the movie.

Box Office[edit]

According to MGM records the film earned $1,350,000 in the US and Canada and $717,000 elsewhere resulting in a profit of $876,000.[2]

References[edit]

External links[edit]