Will Crutchfield

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Will Crutchfield is a noted American conductor, musicologist, and vocal coach. He is the Director of Opera at the Caramoor International Music Festival and a frequent guest conductor at the Polish National Opera. From 1999 through 2005, he served as Music Director of the Opera de Colombia in Bogotá. A specialist in the bel canto repertoire, he prepared the first performing edition of Donizetti's Élisabeth ou la fille de l'exilé and conducted its world premiere at the Caramoor Festival on July 17, 2003.

In addition to his scholarly work on vocal style, Crutchfield was the youngest music critic in the history of The New York Times, where he was a regular contributor from 1983 to 1989.[1] He has also authored numerous reviews and articles for Opera News, including his "Crutchfield at large" series.[2]

In 2014 Crutchfield was named a fellow of the John Simon Guggenheim Memorial Foundation.[3]

Selected bibliography[edit]

  • Will Crutchfield (1983), 'Vocal Ornamentation in Verdi: The Phonographic Evidence', 19th-Century Music, Vol. 7, No. 1 (Summer, 1983), pp. 3–54.
  • Will Crutchfield (1989), 'The Prosodic Appoggiatura in the Music of Mozart and His Contemporaries', Journal of the American Musicological Society, Vol. 42, No. 2 (Summer, 1989), pp. 229–274.
  • Will Crutchfield (1988) 'Fashion, Conviction and Performance Style in an Age of Revivals' in N. Kenyon (ed.), Authenticity and Early Music: A Symposium, Oxford University Press. ISBN 0198161530

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