Will Elder self-portrait
|Born||Wolf William Eisenberg
September 22, 1921
Bronx, New York, USA
|Died||May 14, 2008
Rockleigh, New Jersey, USA
Little Annie Fanny
William Elder (September 22, 1921 – May 14, 2008) was an American illustrator and comic book artist who worked in numerous areas of commercial art but is best known for a zany cartoon style that helped launch Harvey Kurtzman's Mad comic book in 1952.
Elder's signature style, with extra humorous detail added upon humorous detail, is routinely described as "chicken fat," a reference to soup preparation. As Elder told an interviewer, "The term just came out of what we both [Kurtzman and Elder] knew were the parts of the strip that gave it more flavor but did very little to advance the storyline. That's what Chicken Fat does... it advances the flavor of the soup and, as we all know now, too much chicken fat will kill you!"
Elder's rampant insertion of background gags set the tone for the comic book, quickly spreading into the panels of his fellow artists and Mad's imitators. Kurtzman described their collaborative process: "I would write a story, and as if by magic, all the empty spaces would get filled in by sub-jokes... he was an inexhaustible source." Monty Python's Terry Gilliam said of Elder, "I don't know if anybody's really worked at that level as intensely as Willy did. And it never seemed to distract from the center." 21st-century Mad cartoonist Evan Dorkin put it more simply: "If God is in the details, Will Elder channeled God."
Elder also drew for EC's other humor comic, Panic. His illustrated version of Clement Clarke Moore's "T'was the Night Before Christmas" included several irreverent images, including a "Just Divorced!" sign hanging on the back of Santa Claus' sleigh. As a result, sales of Panic were banned in the state of Massachusetts. Elder included a self-caricature as he is spun around on Santa Claus' hip when Santa "filled all the stockings; then turned with a jerk."
Sense of humor
Elder was known as an inveterate prankster. As a child, he once cut out paper silhouettes of a man carrying a knife and a woman. Attaching them to a rotating record turntable, he projected their image onto the windowshade, and began screaming. People on the outside of the building saw what they thought was an assailant chasing his victim around the room. EC colorist Marie Severin recalled, "Will used to have this painting of a deer... I guess it was one of those 5-and-10-cent store things. It had a deer, a mountain, some trees, a path, flowers and the like, and he'd change it with the seasons! If it was winter he'd paint snow on the deer, and then he would paint over that and put the sun out for the springtime with flowers coming up." Kurtzman recounted the time Elder and his playmates found a stock of fresh meat as a child: "These kids collected a bunch of clothes and they dressed the meat in clothes and spread the combination of meat and clothes along the right-of-way for about half a mile on the railroad tracks. Then Willy started shrieking at the top of his voice that Mikey had fallen down onto the railroad tracks. Naturally every woman for miles around who had a son named Mike went out of their mind, seeing this mess of clothes and meat along the tracks... This is the kind of kid that Willy was." Years later, Elder still had a gruesome side to his humor, sending his wife a heart from a slaughterhouse as a Valentine's Day gift.
By all accounts, Elder's humor was compulsive. Al Jaffee described a portrait Elder once painted of his son: "It was a beautiful painting. It was all in very somber blues and black tones, very dark and brooding. After he finished it, he couldn't resist putting two little red dots on the kid's neck, as if a vampire had been there. He was always driven by the notion that something should be funny."
Elder collaborated frequently throughout his career with Kurtzman. After leaving Mad in 1957, the two worked together on a string of short-lived humor magazines: Trump, Humbug and Help!. For Help!, Elder and Kurtzman created Goodman Beaver, a well-meaning naif whose trust in human nature and goodness were forever being undercut. One installment depicted the characters of Archie Comics as thoughtless hedonists, and was titled "Goodman Beaver Goes Playboy!". This parody resulted in a lawsuit from Archie Comics. Kurtzman and Elder had previously irritated the Archie publisher with a parody in Mad ("Starchie!"). Archie Comics ended up with possession of the story's copyright. When the full Goodman Beaver series was reprinted by Kitchen Sink Press, the story could not legally be included. However, after Archie Comics failed to renew its copyright, the original "Goodman Beaver Goes Playboy!" went into public domain and was published in Fantagraphics' Comics Journal.
Publisher and critic Gary Groth wrote that Elder's artwork in the Goodman Beaver stories "clinched his reputation as the cartoon Brueghel [sic] with his intricate portraits of a world cheerfully going mad". Elder later talked to The Comics Journal about the Goodman Beaver series, saying, "It was the best thing I ever did."
While the owners of Archie had taken offense, the owner of Playboy did not. Hugh Hefner, a fan of Kurtzman and "Goodman Beaver", commissioned Kurtzman and Elder to create a similar but more lavish strip for Playboy. The result was Little Annie Fanny. Like Goodman Beaver, Little Annie Fanny was a pure-of-heart innocent; unlike him, she was regularly divested of her clothing. The Annie Fanny series (107 stories in all) was irregularly published in the back of Playboy for more than a quarter of a century from October 1962 through September 1988. In 2001, Dark Horse Comics published the trade paperback collections Playboy's Little Annie Fanny, Volume 1" (ISBN 1-56971-519-X) and Playboy's Little Annie Fanny, Volume 2: 1970–1988 (ISBN 1-56971-520-3).
Elder's advertising art, caricatures, cartoons, illustrations and stories were collected in the 392-page career retrospective, Will Elder: The Mad Playboy of Art (Fantagraphics, 2003; ISBN 1-56097-603-9). The follow-up book, Chicken Fat (also by Fantagraphics), was published in 2006 and compiles drawings, sketches, cartoons and doodles by Elder, most of which had never been published. In 2009, Fantagraphics published a complete boxed collection of Humbug.
- Haber, Matt (2008-05-15). "Illustrator and Prankster Will Elder Dies at 86". The New York Observer (Observer Media). Retrieved 2008-05-15.
- Will Elder Interview - Conversation with Willy
- evandorkin: Will Elder R.I.P
- Will Elder Oral Biography: Page 2 of 2
- Groth 1988, p. 318.
- William Grimes (May 18, 2008). "Will Elder, Cartoonist of Satiric Gifts and Overpopulated Scenes, Dies at 86". The New York Times. p. A31. Retrieved 19 September 2013.
- Complete list of Elder's work for MAD Magazine
- Chicken Fat: A Documentary (official page). WebCitation archive.
- Archive of Tubbs, Keith E. "Part II - A Conversation With Willy" (Will Elder interview), MadMublings.com, January 16, 2005. Original page.
- Groth, Gary. "The Will Elder Interview", The Comics Journal #243, May 2002. WebCitation archive.
- Benson, John (2006). "A Talk with Harvey Kurtzman". In Groth, Gary; Sadowski, Greg. Harvey Kurtzman. The Comics Journal Library 7. Fantagraphics Books. pp. 21–37. ISBN 978-1-56097-755-1.