William Carleton

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This is about the Irish novelist. For other uses, see William Carleton
William Carleton

William Carleton (20 February 1794, Prolusk (often spelt as Prillisk as on his gravestone), Clogher, County Tyrone – 30 January 1869, Sandford Road, Ranelagh, Dublin) was an Irish writer and novelist.[1][2] He is best known for his Traits and Stories of the Irish Peasantry a collection of ethnic sketches of the stereotypical Irishman.[2]

Childhood[edit]

Carleton's father was a Roman Catholic tenant farmer, who supported fourteen children on as many acres, and young Carleton passed his early life among scenes similar to those he later described in his books.[1] Carleton was steeped in folklore from an early age, his father had an extraordinary memory (he knew the bible by heart) and as a native Irish speaker, a thorough acquaintance with Irish folklore; his mother was a noted singer.[1][2] The character of Honor, the miser's wife, in Fardorougha, is said to be based on her.[1]

Carleton received a basic education.[1] As his father moved from one small farm to another, he attended various hedge schools, which used to be a notable feature of Irish life.[1] A picture of one of these schools occurs in the sketch called "The Hedge School" included in Traits and Stories of Irish Peasantry.[1] Most of his learning was gained from a curate, Father Keenan, who taught a classical school at Donagh (County Monaghan) which Carleton attended from 1814 to 1816.[1] Before this Carleton had hoped to obtain an education as a poor scholar at Munster, with a view to entering the church; but he was shaken by an ominous dream, the story of which is told in the Poor Scholar, and he returned home.[1][2] An amusing account of this period is given in the sketch, "Denis O'Shaughnessy".[1]

Aged about nineteen, he undertook one of the religious pilgrimages then common in Ireland.[1] His experiences as a pilgrim, narrated in "The Lough Derg Pilgrim," made him give up the thought of entering the church, and he eventually became a Protestant.[1]

Career[edit]

Grave of William Carleton

His vacillating ideas as to a mode of life were determined by reading the picaresque novel Gil Blas (by Alain-René Lesage, 1668–1747).[1] He decided to try what fortune had in store for him. He went to Killanny, County Louth. For six months he served as tutor to the family of a farmer named Piers Murphy.[1] After some other experiments he set out for Dublin, arriving with two shillings and sixpence in his pocket.[1]

He first sought occupation as a bird-stuffer, but a proposal to use potatoes and meal as stuffing failed to recommend him.[1] He then tried to become a soldier, but the colonel of the regiment dissuaded him—Carleton had applied in Latin.[1] He obtained some teaching and a clerkship in a Sunday School office, began to contribute to journals, and "The Pilgrimage to Lough Derg," which was published in the Christian Examiner, attracted great attention.[1]

In 1830 he published his first full-length book, Traits and Stories of the Irish Peasantry (2 vols.), which made his name and is considered his best achievement.[1][2] In it he stereotyped the Irish "Paddy" in sketches such as "Phil Purcel The Pig Driver".[2] A second series (3 vols.), containing, among other stories, "Tubber Derg, or the Red Well", appeared in 1833, and Tales of Ireland in 1834.[1] From that time till within a few years of his death he wrote constantly. "Fardorougha the Miser, or the Convicts of Lisnamona" appeared in 1837–1838 in the Dublin University Magazine.[1]

Carleton remained active publishing in Dublin magazines through the 1830s and 40s writing many ethnic stories often drawn from the south Tyrone locality.[2] He also wrote a lot of fiction but, as John Sutherland (1989) says, it was inferior to his ethnic sketches of the Irish type.[2] During the last months of his life Carleton began an autobiography which he brought down to the beginning of his literary career.[1] This forms the first part of The Life of William Carleton ... (2 vols., 1896), by David James O'Donoghue, which contains full information about his life, and a list of his scattered writings.[1] A selection from his stories (1889), in the "Camelot Series", has an introduction by William Butler Yeats.[1]

The author's later years were characterised by drunkenness and poverty, as one commentator said: "he succeeded in offending everybody during the course of his life.[2] In spite of his considerable literary production, Carleton remained poor, but received a pension in 1848 of £200 a year granted by Lord John Russell in response to a memorial on Carleton's behalf signed by numbers of distinguished persons in Ireland.[1]

He died at his home (now demolished) at Woodville, Sandford Road, in (Cullenswood) Ranelagh, Dublin, and is interred at Mount Jerome Cemetery, Harold's Cross, Dublin.[1] The house was close to the entrance to the Jesuit residence at Milltown Park. Despite his conversion to Protestantism, Carleton remained on friendly terms with one of the priests there, Reverend Robert Carbery SJ, who offered to give him the Last Rites of the Catholic Church. Carleton, in the final weeks before his death in January 1869, politely declined the offer, stating he had not been a Roman Catholic "for half a century & more".

Controversial reputation[edit]

Carleton alienated the sympathies of many Catholic Irishmen by his accusations of gang violence, sectarian violence, and alcoholism among the Irish tenant class.[1] He was in his own words the "historian of their habits and manners, their feelings, their prejudices, their superstitions and their crimes" (Preface to Tales of Ireland).[1] Some of his later stories, The Squanders of Castle Squander (1852) for instance, are spoiled by the mass of political matter in them.[1]

Anti-Catholicism[edit]

Another factor that alienated Carleton from his countrymen was his hatred of the Roman Catholic Church to which the majority of his Irish countrymen belonged. It has been argued (for example by Brian Donnelly[3]) that Carleton's conversion to Anglicanism may have been a pragmatic move, as it would have been difficult for an aspiring young Catholic author to receive the patronage necessary to achieve success in early 19th-century Ireland.

However, Donnelly's arguments fail when compared to Carleton's own statements in an 1826 letter to the Home Secretary, Sir Robert Peel. Carleton urged Peel to violently suppress Daniel O'Connell's activism for Catholic Emancipation, and claimed to have proof of O'Connell's involvement in fomenting anti-Protestant and anti-Landlord violence, while also accusing every Roman Catholic priest and schoolmaster of the same crimes.[4]

Shortly afterwards, Carleton befriended a Church of Ireland minister named Caesar Otway. According to W. B. Yeats, Reverend Otway was an, "anti-papal controversialist," who encouraged Carleton to write stories to "highlight...the corrupt practices of an ignorant clergy."[4]

Frank O'Connor expressed a belief that Carleton debased his talents by taking sides in Ireland's religious divide. O'Connor admits, however, that Carleton could not win either way. In Victorian Ireland, Protestant readers were demanding stories which unconditionally demonised Catholicism and its adherents, while Catholic readers were willing to tolerate nothing about themselves which, "wasn't treacle."

Influence[edit]

Carleton figures as a precursor of the Celtic revival.[2]

Carleton is featured in the long poem Station Island by Séamus Heaney.[citation needed] In 2005, a play based on several of Carleton's short stories premiered in the United States. Tales of a Public House: An Evening of Ghosts, Murder, & Wild Imaginings was written by John Dandola.[citation needed]

Bibliography[edit]

  • Fardorougha the Miser, or The Convicts of Lisnamona (1839)
  • The Fawn of Springvale (1841)
  • Valentine McClutchy, the Irish Agent, or Chronicles of the Castle Cumber Property (3 vols., 1845)
  • The Black Prophet, a Tale of Irish Famine, in the Dublin University Magazine (1846), printed separately in the next year
  • The Emigrants of Ahadarra (1847)
  • Willy Reilly and his dear Cooleen Bawn (in The Independent, London, 1850)
  • The Tithe Proctor (1849), the violence of which did his reputation harm among his own countrymen
  • The Squanders of Castle Squander (1852)
  • Red Hall, or The Baronet's Daughter (1852)
  • The Black Baronet, or The Chronicles of Ballytrain (1857)
  • The Evil Eye, or The Black Spectre (1860)
  • The Pudding Bewitched see http://www.sacred-texts.com/neu/yeats/fip/fip51.htm
  • Buckram-Back:The Country Dancing Master see http://www.setdance.com/archive/buckram.htm.
  • Art Maguire; or; The Broken Pledge

References[edit]

  1. ^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac Chisholm, 1911
  2. ^ a b c d e f g h i j Sutherland, John (1989). "Carleton, William (1794–1869)". The Stanford Companion to Victorian Fiction. Stanford University Press. pp. 106–107. ISBN 0-8047-1842-3. 
  3. ^ Dillon (2000), pp. 567–86
  4. ^ a b Dooley (2007), p. 30

Sources[edit]

External links[edit]