William Stott (artist)
After studying in Oldham and Manchester School of Art he went to Paris and studied under the French painter, Jean-Léon Gérôme  and achieved rapid success, exhibiting regularly at the Paris Salon. He was an influential member of the artists' colony at Grez-sur-Loing which was full of English, Irish, Scottish and American artists. In 1889 he held a one-man show at the Durand-Ruel Gallery, famous for its showing of the French Impressionists. On his return to England he became a follower and close friend of the painter Whistler, until his painting of Whistler's mistress depicted naked as 'Venus Born of the Sea Foam' caused a rift between them.
For much of his career, Stott painted landscapes, but during the late 1880s began to move towards pictures involving classical figures and allegorical themes, such as ‘The Nymph’ of 1886, and ‘The Birth of Venus’ of 1887. He worked in oils, watercolours and pastels, a medium appropriate to his atmospheric post Impressionistic style.
From the year 1882, Stott always signed himself ‘of Oldham’ - both to distinguish himself from the then equally famous Edward Stott ARA (1859–1918) and to acknowledge his proud Oldham roots.
- Girl in a Meadow, Tate Gallery
- Awakening of the Spirit of the Rose, Manchester Art Gallery
- A Summer's Day, Manchester Art Gallery
- Portrait of Mrs William Stott, Manchester Art Gallery
- The Alps at Night, Walker Art Gallery in Liverpool
- An October Morning, National Gallery of Ireland in Dublin
- Portrait of T. Millie Dow, National Gallery of Scotland in Edinburgh
- William Stott of Oldham RBA (1857-1900), The website of Bob Speel.