|Born||Javier Timoteo Martinez y Orozco
February 7, 1869
Guadalajara, Jalisco, Mexico
|Died||January 13, 1943
|Education||California School of Design, Paris École des Beaux Arts|
|Known for||Fine art painting|
|Spouse(s)||Elsie Whitaker Martinez|
|Patron(s)||Rosalia LaBastida de Coney, Alexander K. Coney|
Xavier Martínez (February 7, 1869 – January 13, 1943) was a California artist active in the late 19th and early 20th century. He was a well-known bohemian figure in San Francisco, the East Bay, and the Monterey Peninsula and one of the co-founders of two California artists' organizations and an art gallery. He painted in a tonalist style and also produced monotypes and etchings.
Childhood in Guadalajara
He was originally christened Javier Timoteo Martinez y Orozco, but later called himself Xavier Tizoc Martinez, the middle name acknowledging his Tarascan heritage. He was known to his friends as "Marty." Martinez was born in Guadalajara in 1869 to a Mexican father and a Spanish mother. Martinez began drawing his classmates and teachers at a young age while attending public school. After school he worked in his father's bookstore bookbinding and helping with printing chores. He learned French and wrote poetry, admiring the poems of Goethe, Schiller and various French poets. In his later autobiographical writings he recalled how at age ten his mother would teach him about the movements of celestial bodies.
Martinez reflected that at this age he had his first awareness that there was a rhythm in the order of things. At age 13 he began attending the Liceo de Varones (Grammar School for Men), where he studied pre-Columbian archaeology and his Tarascan heritage. He excelled in Indian designs and arts, and painted an oil copy of Entombment by Titian.
When his biological mother died at age 17, he was fostered and taken in by an aristocratic woman named Rosalia LaBastida de Coney (1844-1997), she was married to an American, Alexander K. Coney (1847-1930) who worked for Mexico’s foreign office. When Alexander Coney was appointed Consul-General of Mexico and posted to in San Francisco in 1886, Martinez followed them, sailing through the Golden Gate in 1893.
Upon arrival in San Francisco, in 1893 Martinez enrolled in the California School of Design, also known as the Mark Hopkins Institute of the Art or San Francisco Art Institute (SFAI). In 1895 he received the school's Avery Golden Medal in painting and an honorable mention in drawing. He graduated in 1897, worked briefly as assistant to the head of the Institute, Arthur Frank Mathews, and became a member of the Bohemian Club.
Martinez entered the Paris École des Beaux Arts, Atelier Gérome in 1897. In 1898 he sent a number of paintings of Paris scenes back to the Bohemian Club for an exhibition in San Francisco. In 1900 he entered the Academy of Eugène Carrière and won an honorable mention at the Paris International Exposition.
Return to San Francisco, Mexico trips
In 1901 he moved back to San Francisco, he shared an art studio with Gottardo Piazzoni and that year became a naturalized citizen of the United States. He advertised as a portrait painter, but also continued to paint tonalist landscapes. In the subsequent year he helped found the California Society of Artists with Piazzoni, Maynard Dixon, Charles Peter Neilson and other artists who were disaffected with the San Francisco Art Association. Their first and only exhibition included seventeen works by Martinez, mostly French scenes. In 1904 he began sharing a studio with Maynard Dixon, and the two travelled to Tepic, Mexico; upon his return he held an exhibition at the Bohemian Club.
In 1905 he spent two months in Guadalajara with Maynard Dixon. Upon his return to San Francisco he held a number of exhibitions, and also gave one show in New York, emphasizing the recent Mexican genre paintings. That year he produced a painting a critic called a "masterpiece," given the title The Prayer of the Earth by his poet friend George Sterling.
After the earthquake of 1906 he moved across the bay to Piedmont, California, and met Elsie Whitaker, 20 years his junior, the daughter of the writer Herman Whitaker. On October 17, 1907, he married Elsie Whitaker in Oakland. After their honeymoon in Carmel-by-the-Sea they commenced building a studio in Piedmont. During the summers of 1909 to 1914, they rented a house in Carmel so that Martínez could teach art classes at the Hotel Del Monte.
The Martínezes had a daughter on August 13, 1913: Micaela Martinez. She became a fine artist, studying painting with Victor Arnautoff and sculpture with Ralph Stackpole; she later studied stone cutting with Ruth Cravath. In 1944 she married artist Ralph DuCasse and changed her name to Micaela Martinez DuCasse. In 1923, Elsie and Xavier Martinez separated.
Art and teaching career
|This section needs additional citations for verification. (April 2014)|
Martinez was one of a group of artists invited to create an art gallery in the Hotel Del Monte in 1907. Martinez was an instructor at the College of Arts and Crafts in Oakland from 1908 to 1942, the predecessor of today's California College of Arts (CCA). He taught summer classes in the Monterey area from 1909 to 1914. In 1912 he helped found the California Society of Etchers; then, the following year he was elected to the National Geographic Society and given a key to the Capitol Club in Monterey. Also in 1913 he made a painting trip to the Arizona desert with Francis McComas.
In 1914, Impressionists Childe Hassam and Edward Simmons came to Piedmont to view Martinez' desert paintings. The following year he exhibited at the Panama Pacific International Exhibition (where he won honorable mention) and at the Golden Gate Park Museum in San Francisco. Throughout this period he had shows in New York, Philadelphia and San Francisco. Noted paintings of this period are Head of a Girl, The Storm, Piedmont Hills and Lake Merritt. He taught at the California School of Fine Arts in San Francisco from 1916 to 1917. Between 1916 to 1920 he had numerous exhibitions including at the Palace of Fine Arts, The San Francisco Art Association and the Hotel Oakland. Martinez became a member of the American Federation of Arts in 1921. In subsequent years he continued to exhibit, but was increasingly called upon to be a juror of other artists' works. In 1935 he showed The Green Moon at the San Francisco Museum of Art.
In 1939 he exhibited Portrait of Elsie at the 1939-1940 Golden Gate International Exposition (GGIE), on Treasure Island. Martinez was selected in 1940 to represent California in the Hall of Fame at the World's Fair of 1940 in New York as one of three (along with Father Junipero Serra and William Keith).
During the last two decades of his life, Martinez became increasingly interested in his indigenous Mexican heritage. He published poetry and philosophic writings in a column entitled "Notas de un Chichimeca" in the Hispano-Americano, San Francisco's Spanish-language newspaper.
Xavier Martinez' paintings are held in the following museums:
- Crocker Art Museum, Sacramento, California
- Fine Arts Museums of San Francisco
- Guadalajara Art Museum
- Mills College Art Museum
- Oakland Museum of California
- Shields, Scott A. (2006). Artists at Continent's End: the Monterey Peninsula Art Colony, 1875-1907. Crocker Art Museum and University of California Press. ISBN 9780520247390.
- Morseburg, Jeffrey (August 6, 2011). "The Dark Beauty of Xavier Martinez". Xavier Martinez. Wordpress. Retrieved September 28, 2014.
- Hagerty, Donald L. (2010). The Life of Maynard Dixon. Gibbs Smith. pp. 62–63. ISBN 9781423603795.
- San Francisco Call, 30 July 1905, p. 19
- Dramov, Alissandra (2013). Carmel-by-the-Sea, The Early Years (1903–1913): An Overview of the History of the Carmel Mission, the Monterey Peninsula, and the First Decade of the Bohemian Artists’ and Writers’ Colony. AuthorHouse. p. 146. ISBN 9781491824139.
- "Micaela Martinez DuCasse (1913 - 1989)". AskART. AskART. Retrieved September 28, 2014.
- "Martinez House". ParkNet, National Parks Service. US National Parks Service. November 17, 2004. Retrieved September 29, 2014.
- A History of Mexican Americans in California: Historic Sites/Martinez House, Oakland In 1935 his article Aztecas—Naluatlecas or Mexicas appeared in California Arts and Architecture.
- Online Archive of California: "Self-portrait of Xavier Martinez"; oil sketch on academy board, presented to Haig Patigian in 1912.
- Elsie Martinez oral history