You, the Living

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You, the Living
Du levande movie Poster.jpg
Swedish cinema poster
Directed by Roy Andersson
Produced by Pernilla Sandström
Written by Roy Andersson
Starring Elisabet Helander
Björn Englund
Jessika Lundberg
Music by Benny Andersson
Cinematography Gustav Danielsson
Edited by Anna Märta Waern
Production
company
Distributed by SFI (Sweden)
Artificial Eye (UK)[1]
Palisades Tartan (US)[2]
Release dates
  • 24 May 2007 (2007-05-24) (Cannes)
  • 21 September 2007 (2007-09-21) (Sweden)
  • 28 March 2008 (2008-03-28) (UK)
  • 29 July 2009 (2009-07-29) (US)
Running time 95 minutes
Country Sweden
France
Germany
Denmark
Norway
Language Swedish
Budget 44 million SEK

You, the Living (Swedish: Du levande) is a 2007 Swedish film written and directed by Roy Andersson. The film is an exploration on the "grandeur of existence,"[3] centered around the lives of a group of individuals, such as an overweight woman, a disgruntled psychiatrist, a heartbroken groupie, a carpenter, a business consultant, and a school teacher with emotional issues and her rug-selling husband. The basis for the film is an Old Norse proverb, "Man is man's delight," taken from the Poetic Edda poem Hávamál.[4] The title comes from a stanza in Goethe's Roman Elegies, which also appears as a title card in the beginning of the film: "Therefore rejoice, you, the living, in your lovely warm bed, until Lethe's cold wave wets your fleeing foot."[5]

The film consists of a fluent succession of fifty short sketches, most with a tragicomic undertone. The cast is mostly non-professional, and alienating techniques are employed such as presenting the characters in grim make-up and having them talk directly to camera. The financing was difficult and the shooting took three years to complete. The film won the Silver Hugo Award for Best Direction at the 2007 Chicago International Film Festival and has received positive reviews. It is the second film of a trilogy, Songs from the Second Floor being the first and A Pigeon Sat on a Branch Reflecting on Existence being the third.

Plot summary[edit]

There is no central plot, but some of the vignettes connect loosely. All the stories show the essential humanity of the characters and address themes of life, existence and happiness.

The film makes repeated use of distinctive cinematic techniques. One of these is dreams and how they reflect the fears and desires of the characters. Another is the use of music, in conjunction with dialogues and editing, both as background music and as performed on camera. The film starts with a monologue which ends up being sung to Dixieland jazz music being played by lone musicians, each in a different room in a different part of the city.

Stories in the film include:

  • A middle-aged woman (Elisabeth Helander) laments her misfortunes while being completely self-absorbed. Her boyfriend (Jugge Nohall) tries to comfort her and invites her to dinner. The woman later rejects an admirer in a trenchcoat (Jan Wikbladh) who tries to give her a bouquet of flowers.
  • A carpenter (Leif Larsson) has a dream in which he is condemned and executed for breaking a 200-year-old china set while trying to perform the tablecloth trick.
  • A pickpocket (Waldemar Nowak) steals the wallet of a high roller (Gunnar Ivarsson) at an expensive restaurant before he has paid the bill.
  • A psychiatrist (Håkan Angser) has lost faith in people's ability to be happy because of their selfishness, and now only prescribes pills.
  • A business consultant (Olle Olson) gets his hair butchered by an angry barber (Kemal Sener) before attending a meeting where the CEO (Bengt C. W. Carlsson) dies of a stroke.
  • A sousaphone player (Björn Englund) earns money by playing in funerals, including the one of the CEO.
  • A girl (Jessika Lundberg) finds her musical idol, Micke Larsson (Eric Bäckman), in a tavern. He invites her and her friend for a drink, but ditches her by giving her wrong directions to a band rehearsal. Later, she tells a diner full of people a dream she had about marrying him. In the dream, their apartment building travels on a railway into a station where people cheer for the happy couple.
  • A husband and wife (Pär Fredriksson and Jessica Nilsson) have a fight and they both dwell on it, causing them to get into trouble at work.

The film ends with a montage of characters who stop in the middle of everyday chores to look up into the sky. Dixieland music is once again played as the camera is put on the wing of an airplane. A large formation of B-52 bombers appears in front of the camera as they fly menacingly in over a large city.

Production[edit]

From very early on there was trouble with the financing. Andersson had to make regular visits to a pawn shop[6] and several times the team paused production to make commercials, using the proceeds for the film. After being refused funding from the Swedish Film Institute, Roy Andersson accused the consultant of nepotism after he instead gave the money to a film directed by his father-in-law.[4] That film eventually ended up receiving poor reviews.[7] Eventually, with eighteen organizations from six different countries involved in financing the production, the total budget amounted to slightly over five million euros.[8]

For the casting, Andersson or an assistant approached people on the street and asked them to participate. Amateurs were preferred to professionals because of the greater selection and the problem of asking renowned actors to take small parts.[9] The exception was Bengt C.W. Carlsson, a professional actor, in the role of the CEO.[10] Actors from Andersson's previous feature films and commercials were also reused.[9]

Crew posing on the large city model used in the film's final shot.

The film was shot in Roy Andersson's own studio in Östermalm, Stockholm. The filming of the scenes took three years to finish. "It is not the shooting itself that takes time, but the work on creating the environments. We built almost all the sets in the studio, even those that took place outdoors. Most of the time we started from Roy's sketches," said Johan Carlsson, production manager.[8] There is one single scene that wasn't shot in studio, featuring a bus shelter in heavy rain. It had to be shot outdoors because of the huge amount of running water.[4] Nothing in the film was made with computer-generated imagery. The city seen from above in the final shot was a large model built solely for that scene.[11]

The colour scape was designed to have a minimum of contrast, which the director believed would create more intensity. Lighting was arranged to leave no shadows: "I want light where people can’t hide in – light without mercy."[12] Andersson is famous for his many takes of each scene, although this time he claimed it went smoother than usual: "max. 40–50 takes and sometimes under ten!"[9]

Soundtrack[edit]

For the musical score, Roy Andersson originally approached former ABBA member Benny Andersson, who composed the theme for the director's previous film, Songs from the Second Floor. Benny Andersson was however occupied with the Mamma Mia! film adaption, and declined. Some of Benny Andersson's music from Songs from the Second Floor was rearranged and used.[10] Much of the music is played as march music and traditional jazz. "I have played this type of music myself and thought it was about time it got featured in a film. Moreover, I am fascinated by the unsuspecting music that existed in the 1930s when Nazism emerged," Andersson explained in an interview.[9]

A melody featured on several occasions is "En liten vit kanin," in English "A Little White Rabbit," a song that was recorded by Edvard Persson in the 1930s and became very popular in Sweden.[9] Another song used is the religious "Jag har hört om en stad ovan molnen," literally "I Have Heard of a City above the Clouds," originally based on a Russian folk melody and often played at funerals in Sweden. This song was originally planned to be used during the ending sequence, but eventually Andersson decided to use a more energizing jazz tune instead: "I want the audience to leave the theater with a little more lust for opposition."[10] Other songs include the German university song "O alte Burschenherrlichkeit" with Swedish lyrics by August Lindh, and the original song "Motorcykel," performed by Stockholm Classic Jazz Band and with lyrics by Roy Andersson.[13]

Release[edit]

You, the Living premiered at the 2007 Cannes Film Festival, as part of the Un Certain Regard selection.[14] It subsequently played at several other film festivals, including Toronto International Film Festival on 7 September 2007 and Chicago International Film Festival on 8 October 2007, where Roy Andersson was awarded the Silver Hugo for Direction "for his extraordinary, quirky vision and humor."[15][16]

On 21 September 2007, the film was released in Sweden. It was sold to fifty countries,[17] including the United Kingdom where it was released on 28 March 2008. On 29 July 2009 it premiered in the United States, limited to Film Forum in New York City.[18]

Critical reception[edit]

The film was well received by Swedish critics, with an aggregate rating of 4.1 out of 5 based on 22 reviews at Kritiker.se, which made it by far the highest rated Swedish film of 2007.[19] Carl-Johan Malmberg at Svenska Dagbladet called Andersson "the black diamond of comedy in Swedish film life." Further, he compared the casting to Vittorio De Sica's 1948 film Bicycle Thieves, and the usage of the cast to "a fastidious Samuel Beckett."[20]

The international response was also positive. As of 4 August 2009 it has a 100% "fresh" rating and an average score of 7.7/10 based on 28 reviews at Rotten Tomatoes.[21] Peter Bradshaw at The Guardian gave it 4 out of 5 and called it "the work of a real original – I might almost say a genius. He is radically different from anyone else, with a technical, compositional rigour that puts other movie-makers and visual artists to shame. And he really is funny."[22] US critic Justin Chang was mainly positive in an early Cannes review for Variety, although he still found that "a certain repetitiveness does eventually seep into the structure, and one could complain that the individual scenes don't ultimately build to anything (or that the arrangement of scenes is fairly arbitrary)."[23]

Awards and nominations[edit]

In addition to the awards and nominations, You, the Living was also Sweden's submission for the Academy Award for Best Foreign Language Film at the 80th Academy Awards, but wasn't selected as a nominee.[24]

Award Category Name Outcome
Chicago International Film Festival[16] Best Director Roy Andersson Won
European Film Awards Best Director Roy Andersson Nominated
Fantasporto[25] Directors' Week Award – Best Director Roy Andersson Won
Ghent Film Festival[26] Georges Delerue Prize Benny Andersson Won
Grand Prix Nominated
Gothenburg Film Festival[27] Audience Award Roy Andersson Won
Guldbagge Awards[28] Best Film Pernilla Sandström Won
Best Director Roy Andersson Won
Best Screenplay Roy Andersson Won
Best Cinematography Gustav Danielsson Nominated
Nordic Council[29] The Nordic Council Film Prize Roy Andersson, Pernilla Sandström Won

References[edit]

  1. ^ BBF: Du levande – You, the Living Retrieved 2012-10-25
  2. ^ Palisades Tartan: You, the Living Retrieved 2012-10-25
  3. ^ Andersson, Roy "You, the Living." Royandersson.com. Retrieved on 2009-08-04.
  4. ^ a b c Dükler, Hannes (2007-08-29) "Roy Andersson Interview" (in Swedish). Nöjesguiden. Retrieved on 2009-04-18.
  5. ^ Johann Wolfgang Goethe: Erotica Romana, elegy XII – Project Gutenberg, English translation. Linked 2012-10-25
  6. ^ Kothbauer, Jacqueline (2007-05-22) "Pantbanken räddade Roy Anderssons nya film" (in Swedish). Dagens Industri. Retrieved on 2009-04-18.
  7. ^ Små mirakel och stora (in Swedish). Kritiker.se. Retrieved 2009-04-18.
  8. ^ a b "The progress with 'You, the Living'." Royandersson.com. Retrieved on 2008-03-22
  9. ^ a b c d e Cederskog, Georg (2007-09-23) "De förtrycktas försvarare" (in Swedish). Dagens Nyheter. Retrieved on 2009-04-18.
  10. ^ a b c Gustafsson, Annika (2007-09-15) "Roy Andersson släpper loss det oväntade" (in Swedish). Sydsvenskan. Retrieved on 2009-07-31.
  11. ^ Sigroth-Lambe, Susanne (2008-08-30) "Filmmakare med nådelöst ljus" (in Swedish). Upsala Nya Tidning. Retrieved on 2009-07-31.
  12. ^ Bochenski, Matt "Roy Andersson interview." Little White Lies. Retrieved on 2009-04-18.
  13. ^ Du levande – Musikstycken (in Swedish). Swedish Film Institute. Retrieved on 2009-08-04.
  14. ^ Festival de Cannes: Du levande (You, the Living). Cannes Film Festival. Retrieved on 2009-04-15.
  15. ^ Seguin, Denis (2007-06-26) "TIFF announces 32 titles for September." Screen Daily. Retrieved on 2009-08-04.
  16. ^ a b 2007 Winners. Chicago International Film Festival. Retrieved on 2009-04-15.
  17. ^ Collin, Lars (2008-03-30) "Hans filmer slår an en ton av tidlöshet" (in Swedish). Svenska Dagbladet. Retrieved on 2009-08-04.
  18. ^ Scott, A. O. (2009-07-29) "Life: Perplexing, Painful, Precious." New York Times. Retrieved on 2009-08-04.
  19. ^ Du levande (in Swedish). Kritiker.se. Retrieved on 2009-04-15.
  20. ^ Malmberg, Carl-Johan (2007-09-21) "Komisk svart diamant" (in Swedish). Svenska Dagbladet. Retrieved on 2009-04-15.
  21. ^ You, the Living at Rotten Tomatoes
  22. ^ Bradshaw, Peter (2008-03-28) "You, the Living review." The Guardian. Retrieved on 2009-04-16.
  23. ^ Chang, Justin (2007-05-24) "You, The Living – Cannes Film Festival Review." Variety. Retrieved on 2009-04-16.
  24. ^ TT Spektra (2007-09-25) "'Du levande' svenskt Oscarsbidrag" (in Swedish). Svenska Dagbladet. Retrieved on 2009-05-19.
  25. ^ Prémios Fantastporto 2008 Fantasporto
  26. ^ History: Winners & jury Ghent Film Festival
  27. ^ Rehlin, Gunnar (2008-01-28). "Living nabs Gothenburg award". Variety. Retrieved 2008-02-05. 
  28. ^ Guldbaggen: 2007 års vinnare och nominerade Swedish Film Institute
  29. ^ Prize winner 2008. Nordic Council. Retrieved on 2009-06-12.

External links[edit]