You Really Got Me
|"You Really Got Me"|
Dutch single sleeve
|Single by The Kinks|
|from the album Kinks|
|B-side||"It's All Right"|
|Released||4 August 1964|
|Recorded||July 1964, IBC Studios, London, England|
|Genre||Hard rock, garage rock|
|Label||Pye 7N 15673
|The Kinks singles chronology|
|"You Really Got Me (live)"|
|Single by The Kinks|
|from the album One for the Road|
|Released||29 October 1980|
|Recorded||Lowell Memorial Auditorium, Lowell, MA, 6 March 1979|
|Label||Arista AS 0577 (US)|
|The Kinks US singles chronology|
"You Really Got Me" is a song written by Ray Davies and performed by The Kinks. It was released on 4 August 1964 as the group's third single, and reached No. 1 on the UK singles chart the next month, remaining for two weeks. It was the group's breakthrough hit; it established them as one of the top British Invasion acts in the United States, reaching No. 7 there later in the year. It was later included on the Kinks' debut album, Kinks.
"You Really Got Me" was an early hit song built around power chords (perfect fifths and octaves), and heavily influenced later rock musicians, particularly in the genres of heavy metal and punk rock. American musicologist Robert Walser wrote that it is "the first hit song built around power chords" while critic Denise Sullivan of Allmusic writes, "'You Really Got Me' remains a blueprint song in the hard rock and heavy metal arsenal."
In 1999, "You Really Got Me" was inducted into the Grammy Hall of Fame. Rolling Stone magazine placed the song at No. 82 on their list of the 500 greatest songs of all time and at No. 4 on their list of the 100 Greatest Guitar Songs of All Time. In early 2005, the song was voted the best British song of the 1955–1965 decade in a BBC radio poll. In March 2005, Q magazine placed it at No. 9 in its list of the 100 Greatest Guitar Tracks. In 2009, it was named the 57th Greatest Hard Rock Song by VH1.
"You Really Got Me" was first written by Ray Davies sometime between 9 and 12 March 1964. Created on the piano in the front room of the Davies' home, the song was stylistically very different from the finished product, being much lighter and somewhat jazz-oriented. Ray said of the song's writing, "When I came up with ['You Really Got Me'] I hadn't been writing songs very long at all. It was one of the first five I ever came up with."
During the spring of 1964, Ray Davies played an early version of "You Really Got Me" on piano to rock photographer Allan Ballard during a photo shoot. Ballard later remembered, "It was quite a small, pokey, Victorian Terrace, a bit scruffy, and in the hallway they had an upright piano. Ray sat down and plonked out, 'Der-der, der, Der-der!' He said, 'What do you reckon to this?' It meant nothing to me at the time, but it ended up as 'You Really Got Me'."
Ray, initially planning for the song to be a "more laid-back number", later played the chords of the song to brother Dave. However, upon hearing the track, Dave decided that the riff would be much more powerful on a guitar. Ray said of the track's change to a guitar-centered track, "I wanted it to be a jazz-type tune, because that's what I liked at the time. It's written originally around a sax line. ... Dave ended up playing the sax line in fuzz guitar and it took the song a step further."
According to the band's manager, Larry Page, the song's characteristic riff came about while working out the chords of The Kingsmen's "Louie Louie". In 1998, Ray said: "I'd written 'You Really Got Me' as tribute to all those great blues people I love: Lead Belly and Big Bill Broonzy." His brother, Dave Davies, cited Gerry Mulligan as an inspiration, saying, "Ray was a great fan of Gerry Mulligan, who was in [the Jazz on a Summer's Day movie], and as he sat at the piano at home, he sort of messed around in a vein similar to Mulligan and came up with this figure based on a 12-bar blues". Dave has also said that song had been inspired by Jimmy Giuffre's song "The Train and the River".
|This section needs additional citations for verification. (February 2008)|
The song was recorded by the Kinks at least twice in the summer of 1964. The band's demo was in a "bluesy" style, while a full studio version recorded in June was slower and less emphatic than the final single. The group was under tremendous pressure for a hit from their record company, Pye, after their first two single releases had failed to chart. But Ray Davies in particular was stubbornly persistent in forcing the Kinks' management and record company to take the time and money needed to develop the record's landmark sound and style, threatening that he would refuse to perform or promote the single unless it was re-recorded. The then-unfamiliar song had been getting good audience reaction during the Kinks' live shows, and Davies wanted to capture that feel. When Pye stood its ground, the band's own management broke the stalemate by funding the session themselves. Ray Davies' adamant attitude on behalf of the career-making song effectively established him as the leader and chief songwriter of the Kinks. Davies later said, "I was floundering around trying to find an identity. It was in 1964 that I managed to do that, to be able to justify myself and say, 'I exist, I'm here.' I was literally born when that song hit."
The influential distortion sound of the guitar track was created after guitarist Dave Davies sliced the speaker cone of his guitar amplifier with a razor blade and poked it with a pin. The amplifier was affectionately called "little green", after the name of the amplifier made by the Elpico company, and purchased in Davies' neighbourhood music shop, slaved into a Vox AC-30.
Recent Kinks' releases have given full official credits for the musicians on the track. Group members Ray Davies (vocals and rhythm guitar), Dave Davies (lead guitar), Pete Quaife (bass) are joined by session men Bobby Graham (drums), and Arthur Greenslade (piano). Regular Kinks drummer Mick Avory plays the tambourine.
The guitar solo on the recording is the source of one of the most controversial and persistent myths in all of rock and roll: that it was not played by the Kinks' lead guitarist Dave Davies, but by then-session player Jimmy Page, who later joined The Yardbirds and Led Zeppelin. Among those claiming Page played lead guitar was Jon Lord of Deep Purple who also claimed to play piano on the track. Page has always denied playing the song's guitar solo, going so far as to state in a 1970s interview cited in Sound on Sound magazine that "I didn't play on 'You Really Got Me' and that's what pisses him (Ray Davies) off." Rock historian and author Doug Hinman makes a case that the rumour was begun and fostered by the established UK rhythm and blues community, many of whose members were resentful that an upstart band of teenagers such as the Kinks could produce such a powerful and influential blues-based recording, seemingly out of nowhere.
Shel Talmy, the producer on the track, has gone on record and put the controversy to rest in an interview with the blog Finding Zoso: "I mean, Jimmy Page did not play the solo on “You Really Got Me” which I’ve said about 5,000 times to people who insist that he did. The reason I used Jimmy on The Kinks stuff is because Ray didn’t really want to play guitar and sing at the same time. In fact, Jimmy was playing rhythm guitar." Talmy later re-emphasised the point in an interview with The Guardian saying "contrary to myth, Jimmy didn't play on 'You Really Got Me'."
In a 7 November 2014 interview with SiriusXM's 'Town Hall', Jimmy Page corrected the infamous rumor once and for all by stating "Oh, Crikey! I wasn't on 'You Really Got Me,' but I did play on the Kinks' records. That's all I'm going to say about it. But every time I do an interview, people ask me about 'You Really Got Me.' So maybe somebody can correct Wikipedia so people won't keep asking me." 
Ray Davies, in his autobiographical release Storyteller (Capitol, ASIN: B00000635E, released 21 April 1998), also addresses the guitar solo on track 28 ("The Third Single"), in which he tells the story of how the Kinks needed to have a hit within their first three singles to maintain their record contract. "You Really Got Me" was their third chance. According to Davies, not only did his brother Dave play the solo, but he also yells "fuck off" to Ray Davies right before the solo starts. Per Ray Davies' recounting of the story:
Halfway through the song it was time for Dave's guitar solo. This moment had to be right. So I shouted across the studio to Dave, give him encouragement. But I seemed to spoil his concentration. He looked at me with a dazed expression. 'Fuck off.' If you doubt me, if you doubt what I'm saying, I challenge you to listen to the original Kinks recording of 'You Really Got Me'. Halfway through the song, after the second chorus, before the guitar solo, there's a drum break. Boo ka, boo boo ka, boo ka, boo boo. And in the background you can hear 'fuck off'. You can, you can. When I did the vocal I tried to cover it up by going 'Oh no', but in the background you still hear it 'fuck off'. And it's even clearer on CD, it's really embarrassing.
"You Really Got Me" was released as the band's third single on 4 August 1964, backed with "It's Alright". Within three days of the single's release, "You Really Got Me" began to appear on local charts. Eventually, the song climbed to the top of the British charts, the band's first single to do so. Ray Davies later claimed that, due to the single's high demand, Pye Records put all their other records on hold to solely produce copies of "You Really Got Me". Due to the high level of success the single achieved in the UK, a rush-release of "You Really Got Me" was put out in America on 2 September 1964, despite being delayed from its initial release date of 26 August. Although it did not enter the charts until 26 September, the record rose to #7 on the Billboard Hot 100.
The Kinks' use of distorted guitar riffs continued with songs like "All Day and All of the Night", "Tired of Waiting for You", and "Set Me Free", among others. Pete Townshend of The Who has stated that their first single, "I Can't Explain", was an intentional soundalike of The Kinks' work at the time (The Who were also produced by Talmy at that time).
The Kinks would go on to perform successfully together as a band for over 30 years, through many musical styles, and they would always play "You Really Got Me" in concert. Both Ray and Dave Davies still perform the song in solo shows, generally as a closing number.
Weekly singles charts
"Have I the Right?" by The Honeycombs
|UK number- one single
"You Really Got Me"
10 September 1964 (2 weeks)
"I'm into Something Good" by Herman's Hermits
Van Halen version
|This section needs additional citations for verification. (July 2010)|
|"You Really Got Me"|
|Single by Van Halen|
|from the album Van Halen|
|Released||28 January 1978|
|Format||7" 45 RPM|
|Genre||Hard rock, heavy metal|
|Van Halen singles chronology|
US hard rock band Van Halen recorded the song for their 1978 debut album, Van Halen. As the band's first single, it was a popular radio hit which helped jump-start the band's career, as it had done for The Kinks 14 years earlier. The song was later used on the soundtrack for the early Ron Howard film Night Shift. In addition, "Really Got Me" along with "Dance the Night Away" appeared in the 1997 comedy Private Parts. On the radio, it has been frequently played together with "Eruption", the instrumental that precedes it on the album. The Van Halen version was the soundtrack of the celebrated, award-winning 1996 Nissan commercial Toys in which "Nick", driving a toy Nissan 300ZX, entices "Roxanne" out on a date, to "Tad"'s dismay. Mattel sued, but settled. It was also used by Nissan for its Japanese commercials. This version later appeared in the 2003 video game Karaoke Revolution and the 2006 video game Guitar Hero II. The Guitar Hero II version is itself a cover; however, the song was later revisited as a master recording in the Van Halen-themed Guitar Hero game, Guitar Hero: Van Halen.
The Kinks' Dave Davies has gone on record as having a personal dislike of Van Halen's cover of the song and believes "They (Van Halen) would be penniless without The Kinks". He also told of how Kinks fans have approached him and congratulated him on performing a "great cover of the Van Halen song", and how Van Halen fans have approached him to accuse him of "ripping off Van Halen". Ray Davies, on the other hand, claimed to like the track because it made him laugh.
|US Billboard Hot 100||36|
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