Zari

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For the Tibetan village, see Zari, Tibet. For the village in Iran, see Zari, Iran.
'Banarasi sari' from Varanasi (Banaras), silk and gold-wrapped silk yarn with supplementary weft brocade (zari)

Zari (or Jari) is an even thread traditionally made of fine gold or silver used in traditional Indian, Pakistani and Persian garments, especially as brocade in saris etc.[1] This thread is woven into fabrics, primarily made of silk to create intricate patterns. Traditional textile weaving in Iran (Persia) have long tradition of Zari, especially in Zardozi embroidery.[2] It is believed this tradition started during the Mughal era. Today, in most fabrics, zari is not made of real gold and silver, but has cotton or polyester yarn at its core, wrapped by golden/silver metallic yarn.

Zari is the main material in most silk sarees and gharara. It is also used in other garments made of silk, like skirts, tops and vettis.

Manufacture[edit]

Sari from India (probably Benares), late 19th or early 20th century, silk with metallic thread (Zari)

Zari is basically a brocade of tinsel thread meant for weaving and embroidery. It is manufactured by winding or wrapping (covering) a flattened metallic strip made from pure gold, silver or slitted metallised polyester film, on a core yarn, usually of pure silk, viscose, cotton, nylon, polyester, P.P., mono/multi filament, wire, etc. Nowadays, it can broadly be divided into three types. Genuine zari is made of pure gold & silver, imitation zari is made of silver electroplated copper wire, and metallic zari which is made of slitted polyester metallised film. In ancient times, when precious metals were cheaply and easily available, only real zari threads were produced. Due to industrial revolution and invention of electroplating process, imitation techniques came into existence to cut the cost of precious metals. As copper is the most malleable and ductile metal after gold and silver, silver electroplated copper wire replaced pure silver. Various modern colours and chemicals are used to create/impart a golden hue instead of pure gold. The precious metals and copper too became dearer due to huge demand in various modern industries. Thus, a cheap and durable alternative was invented with non-tarnishing properties. Metallic zari came into vogue replacing traditional metals like gold, silver & copper. This non-genuine modern zari is light in weight & more durable than earlier editions. Also, it has the sought after properties of resistance to tarnishing and knotting.

Surat in the state of Gujarat on the west coast of India is the world's largest producer of all types of ZARI & ZARI MADE-UPS namely threads, cantile, laces, ribbons, borders, trims, fringes, edges, cordonettes, cords, etc. The art of zari making has been inherited from father to son since many centuries. It is recognised as one of the ancient handicrafts by the government of India. Women from different communities & artisans produce zari and made-ups for weaving, embroidery, crocheting, braiding, etc.

See also[edit]

Further reading[edit]

  • Banaras brocades, by Anand Krishna, Vijay Krishna, All India Handicrafts Board. Ed. Ajit Mookerjee. Crafts Museum, 1966.

References[edit]

  1. ^ Linda Lynton (1995). The sari: styles, patterns, history, techniques. H.N. Abrams. ISBN 0-8109-4461-8. 
  2. ^ Jay Gluck, Sumi Hiramoto Gluck, Carl J. Penton (Bānk-i Millī-i Īrān), ed. (1977). "The Golden Yarns Of Zari— Brocade". A Survey of Persian handicraft: a pictorial introduction to the contemporary folk arts and art crafts of modern Iran. Survey of Persian Art. p. 212.