Zbigniew Karkowski
| Zbigniew Karkowski | |
|---|---|
| Birth name | Zbigniew Karkowski |
| Born | 1958 |
| Origin | Krakow, Poland |
| Genres | Noise, Experimental |
| Occupations | Musician, Producer |
| Associated acts | Cosmic Trigger, Le Dépeupleur, MAZK, Pop (Product Of Power), Sensorband, Senssurround Orchestra, UBSB |
Zbigniew Karkowski was born in 1958 in Krakow, Poland. He studied composition at the State College of Music in Gothenburg, Sweden, aesthetics of modern music at the University of Gothenburg’s Department of Musicology, and computer music at the Chalmers University of Technology. After completing his studies in Sweden, he studied sonology for a year at the Royal Conservatory of Music in Den Haag, Netherlands. During his education, he also attended many summer composition master courses arranged by Centre Acanthes in Avignon and Aix-en-Provence, France, studying with Iannis Xenakis, Olivier Messiaen, Pierre Boulez and Georges Aperghis, among others.
He works actively as a composer of both acoustic and electroacoustic music. He has written pieces for large orchestra (commissioned and performed by the Gothenburg Symphony Orchestra), plus an opera and several chamber music pieces that were performed by professional ensembles in Sweden, Poland and Germany.
Along with Edwin van der Heide and Atau Tanaka, he is a founding member of “Sensorband.” In performances by this electroacoustic music performance trio, Zbigniew “activated his instrument by the movement of his arms in the space around him; this cut through invisible infrared beams mounted on a scaffolding structure” (Tanaka 2012).
Zbigniew has lived and worked in Tokyo, Japan for the past eight years and is active in the underground noise scene there. Karkowski is currently on a residency at UC Santa Barbara in California.
Discography [edit]
- Bad Bye Engine (Radium 226.05 1984)
- Uexkull (Anckarström 1991)
- Phauss / Karkowski / Bilting (Silent 1992)
- Disruptor (OR 1998)
- World as Will (Staalplaat 1998)
- Mutation (ERS 1999)
- Choice of Points for the Application of Force (Ytterbium 2000)
- It (Mego 2000)
- Reverse Direction and Let the Sound Reach out to You (Firework Edition Records 2000)
- Whint (.Absolute. 2000), with Francisco López
- Function Generator (Sirr 2001)
- Consciously Unconscious Unconsciously Conscious (Metamkine 2002)
- World as Will II (23five 2002)
- ElectroStatics (Post Concrete 2003)
- Turnoff (Noise Asia 2003)
- Attuning / Attending (Musica Genera 2004)
- Intensifier (walnut + locust 2004)
- KHZ (Auscultare Research 2005)
- One and Many (Sub Rosa 2005)
- Live at Waterland Kwanyin (Kwan Yin Records 2006)
- Continuity (Asphodel 2007)
- Divide by Zero (Antifrost 2007)
Bibliography [edit]
- Karkowski, Zbigniew. Physiques sonores. Paris: Van Dieren, 2008.
- Tanaka, Atau. “[Gallery] Atau Tanaka.” eContact! 14.2 — Biotechnological Performance Practice / Pratiques de performance biotechnologique (July 2012). Montréal: CEC.
External links [edit]
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