Zoraida di Granata
Zoraida di Granata (also Zoraide di Granata or Zoraïda di Granata) is a melodramma eroico (opera seria or 'heroic' opera), in two acts by Gaetano Donizetti. The Italian libretto was written by Bartolomeo Merelli, based on the French play, Gonzalve de Cordoue ou Grenade Reconquise by Jean-Pierre Claris de Florian (1791), and on a libretto by Luigi Romanelli to an opera by Nicolini called Abenamet e Zoraide.
Although it was Donizetti's first theatrical success "and the opera in which he began to adopt 'Rossinian' techniques"[1], the original 1822 version of this violent love story was never given a complete performance because Amerigo Sbigoli, the tenor originally cast in the role of Abenamet, died shortly before the first night, with no replacement available. Donizetti quickly adapted this role for contralto, though omitting three numbers in the process.
The first performance took place at the Teatro Argentina, Rome, on 28 January 1822 and it and its composer received great acclaim in the weekly Notizie del giorno:
- "A new and very happy hope is rising for the Italian musical theatre. The young Maestro Gaetano Donizetti...has launced himself strongly in his truly serious opera, Zoraida. Unanimous, sincere, universal was the applause he justly collected from the capacity audience..."[2].
The opera was presented in a revised edition at the same theatre on 7 January 1824, and given a revival in Lisbon in 1825[2].
Contents |
[edit] Roles
| Role | Voice type | Premiere cast, 28 January 1822 (Conductor: - ) |
|---|---|---|
| Almuzir, King of Granada | tenor | Domenico Donzelli |
| Almanzor, friend of Abenamet | bass | Gaetano Rambald |
| Zoraida, in love with, and loved by, Abenamet | soprano | Maria Ester Mombelli |
| Abenamet, General of the Moors | tenor (then contralto) | Amerigo Sbigoli |
| Ines, a Spanish slave and friend of Zoraida | mezzo-soprano | Gaetana Corini |
| Aw Zegri | bass | Alberto Torri |
[edit] Synopsis
The murderous and duplicitous Almuzir wishes to marry Zoraida, the daughter of the late king, who in turn loves Abenamet, the victorious General of the Moors. To save Abenamet from the sentence of death passed on him consequent to the machinations of Almuzir, Zoraida agrees to the marriage. She survives Abenamet’s doubts as to her fidelity and somewhat implausibly is allowed to marry him.
[edit] Recordings
[edit] 1822 version
| Year | Cast (Almuzir, Zoraida, Abenamet, Almanzor) |
Conductor, Opera House and Orchestra |
Label[3] |
|---|---|---|---|
| 1998 | Bruce Ford, Majella Cullagh, Paul Austin Kelly, Matthew Hargreaves |
David Parry, Orchestra of the Academy of Saint Martin in the Fields |
Audio CD: Opera Rara Cat: ORC 17 On CDs 1, 2, and 3 (part). |
[edit] 1824 version
The Opera Rara recording contains an additional six pieces on CDs 3 (part) and 4.
[edit] References
- Notes
- ^ Holden, p.226
- ^ a b Osborne, p. 146
- ^ Recordings of the opera on operadis-opera-discography.org.uk
- Cited sources
- Holden, Amanda (Ed.), The New Penguin Opera Guide, New York: Penguin Putnam, 2001. ISBN 0-140-29312-4
- Osborne, Charles, The Bel Canto Operas of Rossini, Donizetti, and Bellini, Portland, Oregon: Amadeus Press, 1994 ISBN 0931340713
- Other sources
- Ashbrook, William, Donizetti and His Operas, Cambridge University Press, 1982, ISBN 052123526X ISBN 0-521-23526-X
- Weinstock, Herbert, Donizetti and the World of Opera in Italy, Paris, and Vienna in the First Half of the Nineteenth Century, New York: Pantheon Books, 1963. ISBN 63-13703
