Zorba the Greek (film)

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Zorba the Greek
Zorba the Greek poster.jpg
Original film poster
Directed by Michael Cacoyannis
Produced by Michael Cacoyannis
Screenplay by Michael Cacoyannis
Based on Zorba the Greek 
by Nikos Kazantzakis
Starring Anthony Quinn
Alan Bates
Irene Papas
Lila Kedrova
Sotiris Moustakas
Anna Kyriakou
Music by Mikis Theodorakis
Cinematography Walter Lassally
Edited by Michael Cacoyannis
Distributed by Twentieth Century-Fox
Release dates
  • December 17, 1964 (1964-12-17) (United States)
Running time 142 min.
Country United Kingdom
Greece
Language English
Greek
Budget $783,000[1]
Box office $23.5 million

Zorba the Greek (Greek title: Αλέξης Ζορμπάς, Alexis Zorba(s)) is a 1964 British-Greek drama film directed by Cypriot Michael Cacoyannis and starring Anthony Quinn as the title character. It is based on the novel Zorba the Greek by Nikos Kazantzakis. The supporting cast includes Alan Bates, Lila Kedrova, Irene Papas and Sotiris Moustakas.

Plot[edit]

Basil (Alan Bates) is a half-English, half-Greek writer raised in Britain who bears the hallmarks of an uptight, middle-class Englishman. He is waiting at a port in mainland Greece one day when he meets a gruff, yet enthusiastic peasant and musician named Zorba (Anthony Quinn). Basil explains to Zorba that he is traveling to a rural Cretan village where his father owns some land, with the intention of reopening a lignite mine and perhaps curing his writer's block. Zorba relates his experience with mining and convinces Basil to take him along.

When they arrive at Crete, they take a car to the village where they are greeted enthusiastically by the town's impoverished peasant community. They stay with an old French war widow named Madame Hortense (Lila Kedrova) in her self-styled "Hotel Ritz". The audacious Zorba tries to persuade Basil into making a move on Madame Hortense, but when he is reluctant, Zorba seizes the opportunity, and they form a relationship.

Over the next few days, Basil and Zorba attempt to work the old lignite mine, but find it unsafe and shut it down. Zorba then has an idea to use the forest opposite for logging (although his specific plan is left ambiguous), however the land is owned by the powerful monastery of the village, so Zorba visits and befriends the monks, getting them drunk. Afterwards, he comes home to Basil and begins to dance in a way that mesmerizes Basil.

Meanwhile, Basil and Zorba get their first introduction to "the Widow" (Irene Papas), a young, widowed woman, who is incessantly teased by the townspeople for not remarrying, especially to a young, local boy who is madly in love with her, but whom she has spurned repeatedly. One rainy afternoon, Basil offers her his umbrella, which she reluctantly takes. Zorba suggests that she is attracted to him, but Basil, ever shy, denies this and refuses to pursue the widow.

Basil hands Zorba some money, and sends him off to the town of Chania, where Zorba is to buy cable and other supplies for the implementation of his grand plan. Zorba says goodbye to Basil and Madame Hortense, who is by now madly in love with him. In Chania, Zorba entertains himself at a cabaret and strikes up a brief romance with a much younger dancer. In a letter to Basil, he details his exploits and indicates that he has found love. Angered by Zorba's apparent irresponsibility and the squandering of his money, Basil untruthfully tells Madame Hortense that Zorba has declared his love to her and intends to marry her upon his return – to which she is ecstatic to the point of tears. Meanwhile, the Widow returns Basil's umbrella by way of Mimithos (Sotiris Moustakas), the village idiot.

When Zorba eventually returns with supplies and gifts, he is surprised and angered to hear of Basil's lie to Madame Hortense. He also asks Basil about his whereabouts the night before. That night, Basil had gone to the Widow's house, made love to her and spent the night. The brief encounter comes at great cost. A villager catches sight of them, and word spreads, and the young, local boy who is in love with the Widow is taunted mercilessly about it. The next morning, the villagers find his body by the sea, where he has drowned himself out of shame.

The boy's father holds a funeral which the villagers attend. The widow attempts to come inconspicuously, but is blocked from entering the church. She is eventually trapped in the courtyard, then beaten and stoned by the villagers, who hold her responsible for the boy's suicide. Basil, meek and fearful of intervening, tells Mimithos to quickly fetch Zorba. Zorba arrives just as a villager, a friend of the boy, tries to pull a knife and kill the widow. Zorba overpowers the much younger man and disarms him. Thinking that the situation is under control, Zorba asks the Widow to follow him and turns his back. At that moment, the dead boy's father pulls his knife and cuts the widow's throat. She dies at once, as the villagers shuffle away apathetically, whisking the father away. Only Basil, Zorba and Mimithos show any emotion over her murder. Basil proclaims his inability to intervene whereupon Zorba laments the futility of death.

On a rainy day, Basil and Zorba come home and find Madame Hortense waiting. She expresses anger at Zorba for making no progress on the wedding. Zorba conjures up a story that he had ordered a white satin wedding dress, lined with pearls and adorned with real gold. Madame Hortense presents two golden rings she had made and proposes their immediate engagement. Zorba tries to stall, but eventually agrees with gusto, to Basil's surprise.

Some time later, Madame Hortense apparently has contracted pneumonia, and is seen on her deathbed. Zorba stays by her side, along with Basil. Meanwhile, word has spread that "the foreigner" is dying, and since she has no heirs, the State will take her possessions and money. The desperately poor villagers crowd around her hotel, impatiently waiting for her demise so they can steal her belongings. As two old ladies enter her room and gaze expectantly at her, other women try to enter, but Zorba manages to fight them off. At the instant of her death, the women re-enter Madame Hortense's bedroom en masse to steal her valued possessions. Zorba leaves with a sigh, as the hotel is ransacked and stripped bare by the shrieking and excited villagers. When Zorba returns to Madame Hortense's bedroom, the room is barren apart from her bed (where she lies) and the bird in her cage. Zorba takes the birdcage with him.

Finally, Zorba's elaborate contraption to transport timber down the hill is complete. A festive ceremony is held, and all the villagers turned out. After a blessing from the priests, Zorba signals the start by firing a rifle in the air. A log comes hurtling down the zip line at a worrying pace, destroying the log itself and slightly damaging part of the contraption. Zorba remains unconcerned and gives orders for a second log. This one also speeds down and shoots straight into the sea. By now the villagers and priests have grown fearful and head for cover. Zorba remains unfazed and orders a third log, which accelerates downhill with such violence that it dislodges the entire contraption, destroying everything. The villagers flee, leaving Basil and Zorba behind.

Basil and Zorba sit by the shore to eat a rack of lamb for lunch. Zorba pretends to tell the future from the lamb shank, saying that he foresees a great journey to a big city. He then asks Basil directly when he plans to leave, and Basil replies that he will leave in a few days. Zorba declares his sadness about Basil's imminent departure to England and tells Basil that he is missing madness. Basil asks Zorba to teach him to dance. Zorba teaches him the sirtaki and Basil begins to laugh hysterically at the catastrophic outcome. The story ends with both men enthusiastically dancing the sirtaki on the beach.

Characters[edit]

  • Alexis Zorba (Αλέξης Ζορμπάς), a fictionalized version of the mine worker, George Zorbas (Γιώργης Ζορμπάς 1867–1942).[2]

Cast[edit]

Production[edit]

Simone Signoret began filming the role of Madame Hortense; Lila Kedrova replaced her early in the production.[3]

The film was shot on location on the Greek island of Crete. Specific locations featured include the town of Chania, the Apokoronas region and the Akrotiri peninsula. The famed scene in which Quinn's character dances the Sirtaki was filmed on the beach of the village of Stavros.

Reception[edit]

The film was a commercial smash. Produced on a budget of only $783,000,[1] it grossed $9 million at the U.S. box office,[4] earning $4.4 million in U.S. theatrical rentals.[5] At the worldwide box office, the film earned $9.4 million in rentals,[1] placing the worldwide gross between $18.8 million to $23.5 million. It was the 19th highest grossing film of 1964.

The film won three Academy Awards.

Award.[6] Result Winner
Best Picture Nominated Mihalis Kakogiannis
Winner was Jack WarnerMy Fair Lady
Best Director Nominated Mihalis Kakogiannis
Winner was George CukorMy Fair Lady
Best Actor Nominated Anthony Quinn
Winner was Rex HarrisonMy Fair Lady
Best Screenplay Based on Material from Another Medium Nominated Mihalis Kakogiannis
Winner was Edward AnhaltBecket
Best Supporting Actress Won Lila Kedrova
Best Art Direction (Black-and-White) Won Vassilis Photopoulos
Best Cinematography (Black-and-White) Won Walter Lassally

The film has an 83% rating at Rotten Tomatoes.[7] On both sides of the Atlantic, the film was applauded and Anthony Quinn came in for the best reviews. He was loved as Zorba, along with the other stars, including Greek born Irene Papas, who worked with Quinn on The Guns of Navarone.

Cultural influence[edit]

The dance at the end of the film, choreographed by Giorgos Provias, formerly known as "Zorba's dance" and later called Sirtaki, has become a popular cliché of Greek dance.

Zorba the Greek was adapted into a 1968 Broadway musical named Zorba. The play starred Herschel Bernardi: then, the show was revived in 1983, with Anthony Quinn and Lila Kedrova reprising their film roles. It opened to big box office receipts and good reviews, plus 362 performances, more than the original stage production.

The film's music by Mikis Theodorakis, especially the main song, Zorbas, is well known in popular culture. For example, the song has been used at Yankee Stadium for years to incite crowd participation during a potential rally by the home team.[citation needed] A remake of Zorbas by John Murphy and David Hughes was used during the climax shootout-scene in the 1998 Guy Richie film, Lock Stock and Two Smoking Barrels.[8]

A short film made in Scotland in 1999, Billy and Zorba, is about a man who believes he is Zorba the Greek.

The film has been referenced in two of actress Nia Vardalos' films. In My Big Fat Greek Wedding, the family-owned restaurant her character works at is called Dancing Zorba's; this is also seen in the short-lived 2003 show My Big Fat Greek Life. In My Life In Ruins, Vardalos' character Georgia expresses contempt for the film because of the Greek's love of dancing and Anthony Quinn.

A web browser flash game akin to Dance Dance Revolution was created by Pippin Barr, wherein the player competes with Zorba by taking turns performing Zorba's dance, trying to out-dance each other.[9]

See also[edit]

References[edit]

  1. ^ a b c Box Office Information for Zorba the Greek. IMDb. Retrieved May 19, 2013.
  2. ^ Thomas R. Lindlof, Hollywood under siege 
  3. ^ Osborne, Robert (1994). 65 Years of the Oscar: The Official History of the Academy Awards. London: Abbeville Press. p. 180. ISBN 1-55859-715-8. 
  4. ^ Box Office Information for Zorba the Greek. The Numbers. Retrieved May 19, 2013.
  5. ^ Solomon, Aubrey. Twentieth Century Fox: A Corporate and Financial History (The Scarecrow Filmmakers Series). Lanham, Maryland: Scarecrow Press, 1989. ISBN 978-0-8108-4244-1. p. 229. See also "Big Rental Pictures of 1965", Variety, 5 January 1966 p. 6
  6. ^ "NY Times: Zorba the Greek". NY Times. Retrieved 2008-12-25. 
  7. ^ http://uk.rottentomatoes.com/m/zorba_the_greek/
  8. ^ https://www.youtube.com/watch?v=u6-NHK-GzwU
  9. ^ http://www.pippinbarr.com/games/zorba/Zorba.html

External links[edit]