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==External links==
==External links==
{{commonscat}}
{{commonscat}}
* [http://www.ushmm.org/museum/exhibit/focus/antisemitism/voices/transcript/?content=20070913 ''Voices on Antisemitism'' Interview with Daniel Libeskind] from the U.S. Holocaust Memorial Museum
* [http://www.daniel-libeskind.com/daniel/index.html?c=bio Biography (on Libeskind homepage)]
* [http://www.daniel-libeskind.com/daniel/index.html?c=bio Biography (on Libeskind homepage)]
* [http://www.daniel-libeskind.com/projects/index.html Projects list (on Libeskind homepage)]
* [http://www.daniel-libeskind.com/projects/index.html Projects list (on Libeskind homepage)]

Revision as of 18:52, 28 September 2007

Daniel Libeskind in front of his extension to the Denver Art Museum.

Daniel Libeskind, (born May 12, 1946 in Łódź, Poland) is a Polish-born Jewish American architect, who has designed many prominent and celebrated buildings, including the Jewish Museum in Berlin, Germany, the Denver Art Museum in the United States, the Imperial War Museum North in Manchester, United Kingdom, the Michael Lee-Chin Crystal at the Royal Ontario Museum in Toronto, Canada, the Felix Nussbaum Memorial Museum in Osnabrück, Germany, the Jewish Museum in Copenhagen, Denmark, the Wohl Centre at the Bar-Ilan University in Tel Aviv, Israel, as well as many more commercial and residential projects around the world. In 2003, Libeskind won the competition for the masterplan to rebuild the World Trade Center site in Lower Manhattan.

World Trade Center master design

2002 World Trade Center master design contest

File:Contestsite.jpg
Libeskind's master plan for the World Trade Center called for a museum to overhang the site and performing arts spaces and an art gallery to overhang the footprints on the sides.

After the 9/11 attacks destroyed the World Trade Center, then-New York Governor George Pataki and then-Mayor Rudy Giuliani established the Lower Manhattan Development Corporation (LMDC) to distribute more than $10 billion in federal funds aimed at rebuilding the towers and downtown Manhattan.

LMDC had questionable legal status at the World Trade Center since the owner of the property is the Port Authority of New York and New Jersey and Larry Silverstein held a lease which permitted him to rebuild office towers on the site.

Nonetheless, the LMDC declared that it – rather than the site owners or leaseholder – should create the master plan for a memorial and office towers.

In 2002, LMDC conducted a national competition for a master designer for Ground Zero.

Libeskind was among the finalists[1] which included:

Frank Gehry and several high profile architects refused to even participate in the competition as they considered the $40,000 (US) paid to the finalists was demeaning for a project of such stature.[2]

The other finalists depicted massive buildings and a more open space at their base. Libeskind's design spread the offices over smaller buildings with one large central tower and less open space at their base.

LMDC chose the Viñoly design (dubbed "Project Think"). However Governor Pataki intervened on Libeskind's behalf. LMDC reversed course and Libeskind, who had never designed a big tower, wound up with a commission for one of the biggest, most high-profile complexes in the world.

File:Contestmap.jpg
A map clarifying the boundaries of the contest from the LMDC's Contest Guidelines

Memory foundations master plan

Overview

Libeskind's plan called for a memorial in the center with five large office buildings arranged in an ascending spiral upward from the southeast of the site. The spiral's pinnacle -- the tallest building at the site -- will be the 1,776 ft (541 m) Freedom Tower, designed by David Childs. Also included will be a transit station designed by Santiago Calatrava, a museum being designed by architectural firm Snøhetta, a cultural complex being designed by Frank Gehry, and various parks and public spaces.

The plan aims to fully replace the 10 million square feet (1 km²) of office space lost on September 11, to memorialize the victims of the attacks, and to revive New York City's economy and skyline. If schedules are met, the plan will be completed by the year 2015.

Detailed information about the Memory Foundations site plan can be seen here.

LMDC was to be criticized for allowing Libeskind to attempt to micromanage the exact look and feel of the buildings. The argument had been that a master designer should merely say what buildings go where and then leaves it up to the actual building architects to design the building. While most of his plan has changed so significantly that he now does not even acknowledge the plan as one of his official projects, there are major legacies that affect the overall project for better or worse.

Freedom Tower

The single biggest Libeskind legacy is the Freedom Tower. Libeskind, the Master Site Planner for the World Trade Center site, envisioned a tower with aerial gardens and windmills with an off center spire reaching a symbolic 1,776 ft (541 m) high. Libeskind declined a request to place it in a more rentable location next to the World Trade Center (PATH station) and instead placed it a block west because in profile it would line up and resemble the Statue of Liberty. Although the design was to be changed so the tower lost the Libeskind touches and became more buildable, the name "Freedom" stuck as did the height and the spot on the grid.

Slurry wall

The so called slurry wall that had kept the Hudson River out of the base of the original WTC tower was little more than an engineering footnote before Libeskind enshrined it as a basic part of any design. Libeskind's original plan called for the WTC memorial to be 70 ft (21 m) below street level so that it could celebrate the wall. Because of various technical considerations to the depth was raised to 30 ft (9 m) and there was a philosophical desire to turn the footprints into a piazza for the new buildings. The slurry wall is now considered a major part of the memorial process contributed to efforts to protect other parts of the footings of the original towers. The idea of a sunken rather than street level memorial has stuck thus far.

File:IMG 2571 saved.jpg
NY Governor George Pataki and architect Daniel Libeskind at an event on December 17, 2006. The event was to sign a 53.4-ton steel beam which was placed as part of the Freedom Tower foundation on December 20, 2006. Libeskind signed the beam with the words he spoke when his master plan for the trade center site was chosen in 2003, "Life victorious!"

Wedge of light

Since the memorial would be below ground level, Libeskind left the northeast corner of the site open as he hoped the light around the autumnal equinox would hit the footprints. There was considerable criticism that this would not happen. However, the World Trade Center (PATH station) was set at an angle so that it would permit the light if it in fact comes.

Memorial master design abandoned in 2003 with reflecting absence

Libeskind's plans first started coming undone in the 2003 World Trade Center Memorial Design Competition.

Libeskind had envisioned that the memorial would be 30 ft (9 m) below ground, with an exposed truck ramp coming in from the southwest corner. Further, a massive golden World Trade Center museum would hang suspended over the northeast corner of the site. A Performing Arts Center would be built over part of the footprints of one tower and a think tank/art gallery (to become the International Freedom Center) was to overhang the other footprint. The entire southeast corner was to have a giant waterfall.

The design rules said that guidelines should be followed but did not have to be. All of the finalists except Michael Arad met those guidelines. Arad's submission was chosen over Libeskind's buildings; as a result, his design won the World Trade Center Memorial competition.

Portfolio

Internal space of Jewish Museum in Berlin

The following projects are listed on the Libeskind official site. The first date is the competition date. The second is the estimated completion date

The Jewish Museum in Berlin

Completed

Royal Ontario Museum expansion in Toronto, opened June 2007
  • The Jewish Museum in Berlin, Germany
  • The 'Frederic C. Hamilton Building' of the Denver Art Museum
  • The Felix-Nussbaum-Haus in Osnabrück, Germany, a museum dedicated to the life and art of the painter Felix Nussbaum
  • The Imperial War Museum North in Greater Manchester, United Kingdom
  • The London Metropolitan University Graduate Centre on the Holloway Road in north London]
  • The Danish Jewish Museum in Copenhagen
  • Studio Weil, Mallorca, the private Barbara Weil gallery building in Spain
  • Tangent, Hyundai Development Company Headquarters, Seoul, South Korea.
  • Memoria e Luce, 9/11 Memorial, Padua, Italy.
  • The Wohl Centre at Bar-Ilan University, Ramat-Gan, Israel.
  • The Michael Lee-Chin Crystal, a major expansion project of the Royal Ontario Museum in Toronto, Canada

Under way

  • Jewish War veterans memorial, a war memorial remembering soldiers who died fighting for Canada. The memorial will contain two walls reaching 15 m (49 ft), and an amphitheatre with seating for 250 people. Construction is due to begin in 2007.
  • The Ascent at Roebling's Bridge, Covington, Kentucky. Residential condo development build at the base of the John R. Roebling Suspension Bridge, connecting Cincinnati, Ohio to Covington.
  • Reflections at Keppel Bay in Singapore.
  • Shopping Center Westside in Bern, Switzerland

Proposed

File:Libeskind gw.jpg
Złota 44, apartment tower in Warsaw.
  • Major renovations to the Hummingbird Centre in Toronto
  • Złota 44, 45-story (192 m high) apartment tower in downtown Warsaw, Poland
  • Grand Canal Theatre, Grand Canal Square, Dublin, Ireland
  • Ørestaden, new city, Copenhagen, Denmark
  • Aura a 39-story (444 ft high) condominium tower in downtown Sacramento, California[3]
  • EB Tower - a 23-storey building in the centre of Brescia, Italy; headquarters of the local newspaper and luxury apartments

Unbuilt

Other projects

In addition to his architectural projects, Libeskind has also worked in the theatre creating set designs for opera. In 1998, Libeskind designed the sets and costumes for the Norwegian National Theatre in Oslo for The Architect. He created the sets for the 2001 production of Tristan und Isolde at Saarbrücken's Saarländisches Staatstheater. In addition, he also designed the sets and costumes for Intolleranza by Luigi Nono. The following year he designed the sets for a production of Messiaen's Saint Francis of Assisi by Deutsche Oper Berlin. He has also written free verse poetry, included in his book Fishing from the Pavement.

The aluminium clad east face of the Imperial War Museum North in Trafford, England.

Bibliography

  • Breaking Ground (2004) (ISBN 1-57322-292-5)
  • Jewish Museum Berlin (with Helene Binet) (1999) (ISBN 90-5701-252-9)
  • Daniel Libeskind (2001) (ISBN 0-7893-0496-1)
  • Daniel Libeskind Radix-Matrix (1997) (ISBN 3-7913-1727-X)
  • Daniel Libeskind: Countersign (1992) (ISBN 0-8478-1478-5)

References

  1. ^ New York unveils new WTC plans
  2. ^ In the shadow of New York's 'wailing wall'
  3. ^ Aura Condos
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