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added on Bibliography: "Duchossoir, A. R. (1998), Gibson Electrics - The Classic Years : an Illustrated History from the Mid-'30s to the Mid-'60s, Hal Leonard Corporation, ISBN 978-0-7935-9210-4"; converted 2 citations using {{harvnb|Duchossoir|1998|p=|loc=}};
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* [[Gibson EB–2|EB–2]] bass (1958–1972)<ref name="Moseley2012">{{Cite news |last=Moseley |first=Willie G. |date=January 2012 |title=The Gibson EB–2: Kalamazoo Biggest Bass Innovation? |page=60 |work=[[Vintage Guitar (magazine)|Vintage Guitar]]}}</ref>{{vn|date=October 2013}}
* [[Gibson EB–2|EB–2]] bass (1958–1972)<ref name="Moseley2012">{{Cite news |last=Moseley |first=Willie G. |date=January 2012 |title=The Gibson EB–2: Kalamazoo Biggest Bass Innovation? |page=60 |work=[[Vintage Guitar (magazine)|Vintage Guitar]]}}</ref>{{vn|date=October 2013}}
* [[Gibson EB-6|EB-6]] 6-string bass/[[baritone guitar]] (1959–1961: hollow-body similar to [[Gibson EB–2|EB–2]],<ref name=Moseley2014>{{Cite magazine |last=Moseley |first=Willie G. |title=Danelectro's Four-String Basses |url=http://www.vintageguitar.com/17777/danelectros-four-string-basses/ |department=Classic Instruments |magazine=[[Vintage Guitar (magazine)|Vintage Guitar]] |quote= Danelectro's first bass [UB–2] (''VG'', January '09), debuted in 1956, and it was a true bass guitar, supporting six strings but with a short bass scale, tuned down an octave. The instrument was the first of its kind, preceding the Gibson EB-6 (first listed in '59) and Fender's Bass VI (late '61). |<!-- issue -->date=January 2014}} [http://www.vintageguitar.com/wp-content/uploads/03_DANO1.jpg Danelectro #3412, #4423 & UB–2 image]</ref> 1962–1965: ''[[Gibson SG|SG]]-shaped'' solid-body similar to [[Gibson EB-3|EB-3]]/[[Gibson EB-0|EB-0]]<ref name="Duchossoir1998">{{Cite book |last=Duchossoir |first=A. R. |title=Gibson Electrics - The Classic Years |date=1998 |publisher=Hal Leonard |isbn=978-1-4768-5126-6 |page=[https://books.google.com/books?id=REhMAgAAQBAJ&pg=PA195 195] |quote='''EB-6''' : At the end of 1961 the thinline EB-6 was discontinued and replaced by a solid body version built with the ultra thin SG body style. This did not improve the popularity of the 6-string bass (a.k.a. baritone guitar) and the model was eventually phased out in 1965. ... Only 66 solid body EB-6s were shipped between 1962 and 1965, including a very small number of single pickup versions (probably no more than a dozen).}}</ref>)
* [[Gibson EB-6|EB-6]] 6-string bass/[[baritone guitar]] (1959–1961: hollow-body similar to [[Gibson EB–2|EB–2]],<ref name=Moseley2014>{{Cite magazine |last=Moseley |first=Willie G. |title=Danelectro's Four-String Basses |url=http://www.vintageguitar.com/17777/danelectros-four-string-basses/ |department=Classic Instruments |magazine=[[Vintage Guitar (magazine)|Vintage Guitar]] |quote= Danelectro's first bass [UB–2] (''VG'', January '09), debuted in 1956, and it was a true bass guitar, supporting six strings but with a short bass scale, tuned down an octave. The instrument was the first of its kind, preceding the Gibson EB-6 (first listed in '59) and Fender's Bass VI (late '61). |<!-- issue -->date=January 2014}} [http://www.vintageguitar.com/wp-content/uploads/03_DANO1.jpg Danelectro #3412, #4423 & UB–2 image]</ref> 1962–1965: ''[[Gibson SG|SG]]-shaped'' solid-body similar to [[Gibson EB-3|EB-3]]/[[Gibson EB-0|EB-0]]<ref name="Duchossoir1998p195">{{harvnb|Duchossoir|1998|p=[https://books.google.com/books?id=REhMAgAAQBAJ&pg=PA195 195]|loc=}}: {{smaller|"'''EB-6''' : At the end of 1961 the thinline EB-6 was discontinued and replaced by a solid body version built with the ultra thin SG body style. This did not improve the popularity of the 6-string bass (a.k.a. baritone guitar) and the model was eventually phased out in 1965. ... Only 66 solid body EB-6s were shipped between 1962 and 1965, including a very small number of single pickup versions (probably no more than a dozen)."}}</ref>)


===Related models===
===Related models===
====Origin models====
====Origin models====
*[[Gibson L-50|L-50]] - the base model of the first Electro Spanish model, [[Gibson ES-150|ES-150]].<ref name=Duchossoir1998p15>{{cite book |first=A. R. |last=Duchossoir |date=1998 |chapter=Chapter One The First Production Electrics 1935 - 1939 |chapter-url=https://www.google.com/books/edition/Gibson_Electrics/rogO4vkRrYcC?gbpv=1&pg=PA15&dq=Gibson%20L-50 |title=Gibson Electrics - The Classic Years : an Illustrated History from the Mid-'30s to the Mid-'60s |publisher=Hal Leonard Corporation |isbn=978-0-7935-9210-4 |page=15-18 |quote=}}<br/>{{smaller|"In mid-1936, Gibson announced the commercialisation of its first electric Spanish guitar called the '''ES-150''', with the following slogan: ‘'''Another guitar miracle by Gibson - a true, undistorted tone amplified by electricity'''’. For all practical purposes, the ES-150 was essentially a 16-inch L-50 arch-top acoustic fitted with a bar pickup and a reinforced top to support it. ... / Some may wonder why Gibson chose then to electrify first a mid-range model like the L-50 rather than a more senior instrument like, say, the L-5. The answer is probably two-fold. First, the company assumed that an electric guitar need not have superior acoustic properties to be efficient. ... But it can also be argued that Gibson was perhaps reluctant to tarnish its reputation for superior craftsmanship by cannibalising its higher grade models. Back in 1936 the electric guitar was seen as a potentially attractive new segment among fretted instruments, but it was not yet an established product."}}</ref>
*[[Gibson L-50|L-50]] - the base model of the first Electro Spanish model, [[Gibson ES-150|ES-150]].<ref name=Duchossoir1998p15>{{harvnb|Duchossoir|1998|p=[https://www.google.com/books/edition/Gibson_Electrics/rogO4vkRrYcC?gbpv=1&pg=PA15 15]|loc=[https://www.google.com/books/edition/Gibson_Electrics/rogO4vkRrYcC?gbpv=1&pg=PA15&dq=Gibson%20L-50 Chapter One The First Production Electrics 1935 - 1939]}}: {{smaller|"In mid-1936, Gibson announced the commercialisation of its first electric Spanish guitar called the '''ES-150''', with the following slogan: ‘'''Another guitar miracle by Gibson - a true, undistorted tone amplified by electricity'''’. For all practical purposes, the ES-150 was essentially a 16-inch L-50 arch-top acoustic fitted with a bar pickup and a reinforced top to support it. ... / Some may wonder why Gibson chose then to electrify first a mid-range model like the L-50 rather than a more senior instrument like, say, the L-5. The answer is probably two-fold. First, the company assumed that an electric guitar need not have superior acoustic properties to be efficient. ... But it can also be argued that Gibson was perhaps reluctant to tarnish its reputation for superior craftsmanship by cannibalising its higher grade models. Back in 1936 the electric guitar was seen as a potentially attractive new segment among fretted instruments, but it was not yet an established product."}}</ref>
*[[Gibson L-4|L-4]]
*[[Gibson L-4|L-4]]
*[[Gibson L-5|L-5]]
*[[Gibson L-5|L-5]]
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===Related models===
===Related models===
<gallery mode="packed" heights="110" style="float:left;text-align:left;line-height:120%;">
<gallery mode="packed" heights="110" style="float:left;text-align:left;line-height:120%;">
File:Gibson TG-50 Archtop Tenor (1955) & Gibson L-7 Archtop Guitar (1947) - 2012 Northwest Handmade Musical Instrument Exhibit.jpg|[[Gibson L-50|L-50]] tenor version (TG-50) with L-7
File:Gibson TG-50 Archtop Tenor (1955) & Gibson L-7 Archtop Guitar (1947) - 2012 Northwest Handmade Musical Instrument Exhibit.jpg|[[Gibson L-50|TG-50]] (L-50 tenor ver.), with L-7
File:Gibson Electro Spanish-150, Prototype Batch (1936), Museum of Making Music.jpg|ES-150 proto. (based on L-50)
File:Gibson L-4 CES (vert).jpg|[[Gibson L-4|L-4]]
File:Gibson L-4 CES (vert).jpg|[[Gibson L-4|L-4]]
File:Gibson L-5 (1928), Maybelle Carter, CMHF clip1.jpg|[[Gibson L-5|L-5]]
File:Gibson L-5 (1928), Maybelle Carter, CMHF clip1.jpg|[[Gibson L-5|L-5]]
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==References==
==References==
;Bibliography
;Bibliography
* {{Citation |last=Duchossoir |first=A. R. |date=1998 |title=Gibson Electrics - The Classic Years : an Illustrated History from the Mid-'30s to the Mid-'60s |url=https://www.google.com/books/edition/Gibson_Electrics/rogO4vkRrYcC?gbpv=1&pg=PA1 |publisher=Hal Leonard Corporation |isbn=978-0-7935-9210-4}}
* {{Citation |title=Gibson Electric Archtop Model Descriptions |url=http://home.provide.net/~cfh/gibson3.html |work=Vintage Guitars Info |archive-url=https://web.archive.org/web/20100116050135/http://home.provide.net/~cfh/gibson3.html |archive-date=2010-01-16 |url-status=dead}}{{Self published inline|date=October 2022}}
* {{Citation |title=Gibson Electric Archtop Model Descriptions |url=http://home.provide.net/~cfh/gibson3.html |work=Vintage Guitars Info |archive-url=https://web.archive.org/web/20100116050135/http://home.provide.net/~cfh/gibson3.html |archive-date=2010-01-16 |url-status=dead}}{{Self published inline|date=October 2022}}
* {{Citation |title=Gibson Thinline Model Descriptions |url=http://home.provide.net/~cfh/gibson4.html |work=Vintage Guitars Info |archive-url=https://web.archive.org/web/20120501163948/http://home.provide.net/~cfh/gibson4.html |archive-date=2012-05-01 |url-status=dead}}{{Self published inline|date=October 2022}}
* {{Citation |title=Gibson Thinline Model Descriptions |url=http://home.provide.net/~cfh/gibson4.html |work=Vintage Guitars Info |archive-url=https://web.archive.org/web/20120501163948/http://home.provide.net/~cfh/gibson4.html |archive-date=2012-05-01 |url-status=dead}}{{Self published inline|date=October 2022}}

Revision as of 14:03, 6 November 2022

The Gibson ES series of semi-acoustic guitars (hollow body electric guitars) are manufactured by the Gibson Guitar Corporation.

The letters ES stand for Electric Spanish, to distinguish them from Hawaiian-style lap steel guitars which are played flat on the lap. Many of the original numbers referred to the price, in dollars, of the model. Suffixes in the names indicate additional appointments, for example "T" means "thinline" (a thinner profile than most) while "D" means "double pickup". Many of the models come with f-holes, though some, such as B.B. King's signature Lucille series, are made without f-holes. Some models are full-bodied models, while single- and double-cutaways are also available. Two different styles of cutaways are used, both named by Gibson after Italian cities. Florentine models had a sharper, more pointed end on the cutaway, while more rounded and contoured cutaways were called Venetian style.[1]

Numerous signature models of the ES series exist, as well as some later hybrid models such as the "ES-Les Paul" that combines features of a Gibson Les Paul with those of the ES series.

ES Series guitars were built at Gibson's Memphis, Tennessee factory from 2000 until 2019.[2] After Gibson's change of ownership in 2019, the Memphis factory was closed and production was moved back to Nashville, Tennessee.

Models

ES models

  • ES-5 (1949–1955)   Three-pickup, full depth hollowbody.
  • ES-5 Switchmaster   (1955–1962)
  • ES-100 (1938–1941)   Entry-level archtop hollow-body model.  (Renamed to ES-125)
  • ES-120T (1962–1971)   Most basic student model, thinline
  • ES-125   (1941–1970)   Successor of ES-100.  1956–1960  ES-125T thinline model added.
  • ES-130   (1954–1956)   (Renamed to ES-135)
  • ES-135   (1956–1958)   Thick-body version of ES-125TDC.  (1991–2002)
  • ES-137   (2002–2013) Upscaled ES-135 with Les Paul sound.
  • ES-139   (2013 only) Semi-hollow dealer exclusive, sized between a Les Paul and ES-135. No f-holes. Marketed as a lighter alternative to the Les Paul.
  • ES-140   (1950–1957)   3/4 size, short scale ES-175.
  • ES-140T (1956–1968)   Thinline ES-140 3/4T.
  • ES-150   (1936–1956)   Gibson's first electric guitar, based on L-50.[3] (1937-?)    EST–150 (tenor) and EPG–150 (plectrum) were shipped. (1969–1974)   ES-150DC resembling thick ES-335.
  • ES-165   (1991–2013) Single pickup ES-175 based on Herb Ellis's.
  • ES-175   (1949–c. 2017) Full depth, florentine cutaway, maple top, 24 3/4" scale. (1953-) ES-175D (dual pickup). (1976–1979)   ES-175T (thinline hollow-body)
  • ES-225T (1955–1959)   Variation on ES-125T (thinline, florentine cutaway), with trapeze bridge.
  • ES-250   (1938–1940)   Rare, fancier version of ES-150.
  • ES-260   (1982–1983)   Resembling ES-125T/ES-225T (thinline, florentine cutaway), but semi-hollow with center block, stop tailpiece, and humbuckers instead of P90 pickups.
  • ES-295   (1952–1959)   ES-175 resembling Les Paul Goldtop with trapeze bridge.
  • ES-300   (1940–1952)   Slant-mounted long pickup.
  • ES-320TD (1971–1974)   Similar to ES-330TD but with tune-o-matic and metal control plate.[4]
  • ES-325   (1972–1979)   Similar to ES-330TD but with mini-humbuckers, single f-hole, and a half-moon shaped plastic control plate
  • ES-330TD (1958–) Double rounded cutaway, thinline hollow-body
  • ES-333   (c. 2001–2003) Stripped-down version of ES-335
  • ES-335   (1958–) World's first thinline archtop semi-acoustic (semi-hollow-body with center-block), (2013–) ES-335 Bass
  • ES-336   (1996–2001)   Replaced by CS-336.
  • ES-339   (2007–) Size of CS-336 with construction of ES-335.
  • ES-340TD (1968–1973) ES-335 with a master volume/mixer and phase switch[5]
  • ES-345   (1958–1981)   ES-335 construction, but with parallelogram inlays, Varitone, and stereo outputs.
  • ES-347   (1978–c. 1990s) Alternate ES-345 with a coil-tap switch instead of Varitone
  • ES-350   (1947–1956)   Rounded cutaway ES-300. (1955–1981)   ES-350T as a plainer Byrdland.
  • ES-355   (1958–1982)   Upscaled ES-345 (ebony fretboard, extra binding, etc.) with vibrato unit, optional Varitone and stereo outputs.
  • ES-359   (2008–) Upscaled ES-339 (ebony fretboard, extra binding, gold hardware, block inlays).[6]
  • ES-369   (late 1970s–c. 1980s)[7]
  • ES-390   (2013–) Similar in size to the ES-339, but with the fully hollow construction of ES-330. Equipped with mini humbuckers (2013 model year) or dog-ear P90s (2014–present).
  • ES-775   (1990–1993)   ES-175 with higher quality components
  • ES Artist   (1979[8]–c. 1985) Upscale model of ES-335 without f-holes, with active circuit by Moog.[9]

ES signature models

ES-333 signature
ES-335 signature
  • DG-335 (2007–?) Dave Grohl model based on Trini Lopez.
  • Trini Lopez (1964–1971) Trini Lopez two versions: one based on ES-335, other similar to Kessel model with diamond-shaped sound holes and a single-side headstock.
  • Chris Cornell (2013–) First edition released in 2013 with a limited edition run of 250 released in 2019 - green Olive Drab finish with Jason Lollar Gretsch Filtertron style Lollartron pickups, Bigsby vibrato, and Cornell's signature inlaid on the headstock[10]
ES-355 derivative signature
ES-330/ES-336 derivative signature
  • Johnny A. (2004–) ES-336 sized fully-hollow thinline body with sharp double cutaways that resemble the Barney Kessel model with three variants (all models have '57 Classic humbuckers and 25.5" scale unless otherwise noted): [11]
    • Signature with Bigsby vibrato
    • Standard with Bigsby vibrato, which has less cosmetic appointments compared to the Signature, nickel instead of gold hardware, and a rosewood fretboard instead of ebony [12]
    • Spruce Top, with a spruce top instead of maple and a stopbar tailpiece instead of a Bigsby vibrato, rosewood fretboard, and Alnico III CustomBuckers instead of '57 Classics [13]

Derived models

  • 335-S (1980–1983) Loosely related solidbody guitar similar in shape and controls to ES-335 with two Dirty Fingers pickups.
  • CS-336 (2001–?) Custom Shop's first "tonally carved" guitar.
  • CS-356 (2001–?) Upscaled CS-336 with goldplate parts, etc.
  • Vegas (2006) Offset semi-hollow with similar aesthetics to the Trini Lopez - non-reverse Firebird six-in-line headstock, diamond f-holes, and split-diamond inlays. Two variants:
    • Standard - Plain maple top, ebony fingerboard, '57 Classic humbuckers, four finishes: Ebony, Natural, Sunburst, Wine Red.
    • High Roller - AAA Flame maple top, gold hardware, block inlays, Burstbucker Pro humbuckers, four finishes: Desert Sunset, Felt Green, Neon, Roulette Red.
  • Les Paul Bantam/Florentine (1995/1996–c. 2003) Custom Shop models with thinline semi-hollow-body with center-block. (Note: "Gibson USA Florentine" released in 2009 is a solid-body model[14])
  • ES-Les Paul (2015)  Mash up of Les Paul and ES-335[15]
  • Les Paul Signature (c. 1972–c. 1975)[16]
    • Midtown (2011–2016) Smaller chambered body with f-holes that came in five variants: [17]
      • Standard with dot inlays and BurstBucker humbuckers, as well as optional Bigsby vibrato [18]
      • Standard P-90 with trapezoid inlays and P-90 pickups [19]
      • Custom with humbuckers, block inlays and split diamond headstock inlay, like an ES-355[20]
      • Kalamazoo, with appointments referencing the Byrdland [21]
      • Signature Bass [22]

Origin models

  • EDS–1275 Double 12 (1958–) Doubleneck, hollow-body (1958–1962) or SG-shaped solid-body (1962-) guitar with 12 and 6 string guitar necks.[27]
    Other doubleneck models include:
    • EMS–1235 Double Mandolin (mandolin[27] or short neck guitar[28] & normal guitar, hollow-body (1958–1962) or solid-body (1962-))
    • EBSF–1250 Double Bass (4 string bass & guitar, built-in fuzz effect)[29]
    • EBS–1250 Double Bass (6 string bass & guitar)[27][29]
    • EDS–1250 (6 string bass & 4 string bass)
  • Barney Kessel (1961–1974) Barney Kessel model. 3" deep, double florentine cutaway hollow-body (Two versions, Regular and Custom).
  • Johnny Smith  (1961–c. 1989) Later renamed as Gibson LeGrande.
    • Solid Formed (2015) - new style archtop using 1/2 the wood by bending it instead of traditional carving. 17" full hollowbody with a venetian cutaway and floating Johnny Smith style humbucker.
  • Blueshawk (1996–2006)

This section provides the visual information of models mentioned above, to easily identify and grasp each model at a glance.

ES models (with signatures and derivations)

Tree chart

origins
/1930s
 
L-50L-4Les PaulL-5L-5 CES(The Log)
ES-150
ES-250ES-100
(ver.2)ES-125ES-300
(postwar)
ES-175ES-5ES-350
ES-130ES-140 3⁄4ES-295
ES-135ES-125TES-5 SMByrdlandES-350TES-225T
ES-140 3⁄4TES-330TDES-335ES-345ES-355
ES-120T
Trini Lopez
ES-150DCES-340TD
ES-175TLes Paul SignatureES-320
ES-325
ES-347
CRS/CRRES ArtistLucille
DotPro
ES-369
ES-135ES-165ES-775ES-336
Les Paul Florentine
ES-137ES-333CS-336CS-356
Tom DeLongeES-339ES-359
ES-Les Paul
 origins
/1930s
 

1940s
 
1940s
 

1950s
 
1950s
 

1960s
 
1960s
 

1970s
 
1970s
 

1980s
 
1980s
 

1990s
 
1990s
 

2000s
 
2000s
 

2010s
 
2010s
 

References

Bibliography
  • Duchossoir, A. R. (1998), Gibson Electrics - The Classic Years : an Illustrated History from the Mid-'30s to the Mid-'60s, Hal Leonard Corporation, ISBN 978-0-7935-9210-4
  • "Gibson Electric Archtop Model Descriptions", Vintage Guitars Info, archived from the original on January 16, 2010[self-published source?]
  • "Gibson Thinline Model Descriptions", Vintage Guitars Info, archived from the original on May 1, 2012[self-published source?]
Citations
  1. ^ Leonard, Michael. "A Guitar Geek's Guide to Gibson ES Models". Gibson.com. Retrieved December 18, 2018.
  2. ^ Dirks, Rebecca; Egolf, James (July 11, 2007). "A Modern History of the Gibson Custom Shop". www.premierguitar.com. Retrieved October 31, 2020.
  3. ^ "Gibson Electro Spanish–150, Prototype Batch 1058-9 B (1936)", exhibition label, Museum of Making Music, The body was basically that of the acoustic Gibson L-50.
  4. ^ "Gibson Es 320 TD ( 1971–1974 )", Vintage Gibson Guitars
  5. ^ "Gibson Es 340 TD Archtop (1968–1973)", Vintage Gibson Guitars
  6. ^ Gibson Custom ES-359, Gibson Guitar Corporation (2008), archived from the original on February 19, 2009, retrieved May 2, 2012
  7. ^ "Gibson ES 369: TONE to the BONE", Best Guitars World
  8. ^ The Active Sound Of The 80s (advertisement), Gibson Guitar Corporation (1979)
    An advertisement in 1979 for Artist series: "RD Artist Active" released around 1977, and two new models added in 1979, "ES Artist Active" and "Les Paul Artist Active".
  9. ^ "ES Artist", 1980 Gibson guitar, bass and banjo catalogue, Gibson Guitar Corporation (1980), p. 33
  10. ^ Bienstock, Richard (August 28, 2019). "Gibson officially releases Limited-Edition Chris Cornell Tribute ES-335". guitarworld. Retrieved October 31, 2020.
  11. ^ "Gibson Custom Johnny A Signature".
  12. ^ "Johnny A Standard". YouTube. Archived from the original on December 15, 2021.
  13. ^ "Gibson Johnny A Spruce Top".
  14. ^ Gibson USA Les Paul Florentine with Bigsby, Gibson Guitar Corporation (2009)
  15. ^ "Gibson Memphis ES-Les Paul 2015". Gibson Guitar Corporation (2015).
  16. ^ 1975 Les Paul catalogue, Gibson Guitar Corporation (1975), p. 5
  17. ^ Is it a 335 or a Les Paul? | 2012 Gibson Midtown Custom Cherry Sunburst | Review + Demo, retrieved October 31, 2020
  18. ^ "Gibson Midtown Standard".
  19. ^ "Gibson Midtown Standard P-90 | Reverb". reverb.com. Retrieved October 31, 2020.
  20. ^ Marten, Neville (March 14, 2012). "Gibson Midtown Custom review". MusicRadar. Retrieved October 31, 2020.
  21. ^ "The Byrdland Brother". YouTube. Archived from the original on December 15, 2021.
  22. ^ "Gibson Midtown Signature Bass".
  23. ^ Moseley, Willie G. (January 2012). "The Gibson EB–2: Kalamazoo Biggest Bass Innovation?". Vintage Guitar. p. 60.
  24. ^ Moseley, Willie G. (January 2014). "Danelectro's Four-String Basses". Classic Instruments. Vintage Guitar. Danelectro's first bass [UB–2] (VG, January '09), debuted in 1956, and it was a true bass guitar, supporting six strings but with a short bass scale, tuned down an octave. The instrument was the first of its kind, preceding the Gibson EB-6 (first listed in '59) and Fender's Bass VI (late '61). Danelectro #3412, #4423 & UB–2 image
  25. ^ Duchossoir 1998, p. 195: "EB-6 : At the end of 1961 the thinline EB-6 was discontinued and replaced by a solid body version built with the ultra thin SG body style. This did not improve the popularity of the 6-string bass (a.k.a. baritone guitar) and the model was eventually phased out in 1965. ... Only 66 solid body EB-6s were shipped between 1962 and 1965, including a very small number of single pickup versions (probably no more than a dozen)."
  26. ^ Duchossoir 1998, p. 15, Chapter One The First Production Electrics 1935 - 1939: "In mid-1936, Gibson announced the commercialisation of its first electric Spanish guitar called the ES-150, with the following slogan: ‘Another guitar miracle by Gibson - a true, undistorted tone amplified by electricity’. For all practical purposes, the ES-150 was essentially a 16-inch L-50 arch-top acoustic fitted with a bar pickup and a reinforced top to support it. ... / Some may wonder why Gibson chose then to electrify first a mid-range model like the L-50 rather than a more senior instrument like, say, the L-5. The answer is probably two-fold. First, the company assumed that an electric guitar need not have superior acoustic properties to be efficient. ... But it can also be argued that Gibson was perhaps reluctant to tarnish its reputation for superior craftsmanship by cannibalising its higher grade models. Back in 1936 the electric guitar was seen as a potentially attractive new segment among fretted instruments, but it was not yet an established product."
  27. ^ a b c 1963 Gibson Guitar and Bass catalog, Gibson Guitar Corporation (1963), p. 15
  28. ^ 1960 Gibson Guitar and Bass catalog, Gibson Guitar Corporation (1960), p. 17
  29. ^ a b "Elvis' 1965 Gibson EBS–1250 Double Bass", Scotty Moore Official Website — comparing the 1962/1963 & 1964 EBSF–1250 (4 string bass + guitar + fuzztone), 1964 EBS–1250 (4 string bass + guitar), and Elvis' 1965 EBS–1250 (6 string bass + guitar)
  30. ^ Holder, Mitch (January 2006), The Jazz Guitar Stylings of Howard Roberts, Mel Bay Publications (2006), p. 100, ISBN 9780786674091
  31. ^ "Gibson Chet Atkins Country Gentleman". uniqueguitar.blogspot.com. Retrieved October 31, 2020.
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