Suite (Cassadó): Difference between revisions
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==Recordings== |
==Recordings== |
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{{expandsect|date=August 2023}} |
{{expandsect|date=August 2023}} |
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* 2014 - [[Alisa Weilerstein]], ''Solo''<ref>Decca CD 0289 478 5296</ref> |
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* 2019 – [[Marina Tarasova]], ''Gaspar Cassadó: Romantic Cello Music & Transcriptions''<ref>Alto CD ALC 1391</ref> |
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* 2014 - [[Alisa Weilerstein]], ''Solo'' (Decca) |
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== References == |
== References == |
Revision as of 11:14, 22 April 2024
This article provides insufficient context for those unfamiliar with the subject.(August 2018) |
This Suite for violoncello, like the Cello Concerto and the Piano Trio, came from one of Gaspar Cassadó's most prolific periods, in the mid-1920s.[1][2] It was dedicated to Francesco von Mendelssohn.
The Suite consists of three dance movements:
- Preludio-Fantasia - a Zarabanda
- Sardana; and
- Intermezzo e Danza Finale - a Jota.
The first movement quotes Zoltán Kodály's Sonata for Solo Cello, and the famous flute solo from Maurice Ravel's ballet Daphnis et Chloé.
This Suite was popularized by the great cellist János Starker.[3]
Recordings
This section needs expansion. You can help by adding to it. (August 2023) |
- 2014 - Alisa Weilerstein, Solo[4]
- 2019 – Marina Tarasova, Gaspar Cassadó: Romantic Cello Music & Transcriptions[5]
References
- ^ "Universal Edition". www.universaledition.com. Retrieved 2022-05-20.
- ^ Kaufman, Gabrielle (2016-12-08). Gaspar Cassadó: Cellist, Composer and Transcriber. Routledge. ISBN 978-1-317-13095-6.
- ^ CelloBello. "Cassadó Suite – 1st Mvt., Preludio: Fantasia - a Zarabanda". CelloBello. Retrieved 2022-05-20.
- ^ Decca CD 0289 478 5296
- ^ Alto CD ALC 1391