Rasmus Fleischer: Difference between revisions
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In 2003, he was one of the founders of [[Piratbyrån]], the anti-copyright organization that, in turn, once founded BitTorrent tracker [[The Pirate Bay]]. Since then he has been lecturing extensively, on subjects related to "the collapse of copyright" and the future of music, at various European conferences addressing [[art]] and/or [[new media]].<ref>[http://copyriot.wordpress.com/2006/12/12/between-artworks-and-networks/ Between artworks and networks: Navigating through the crisis of copyright « Copyriot<!-- Bot generated title -->]</ref><ref>[http://copyriot.wordpress.com/2006/06/03/piratbyrans-speech-at-reboot/ Piratbyran’s speech at Reboot « Copyriot<!-- Bot generated title -->]</ref><ref>[http://piratbyran.org/?view=articles&id=114 ::: Piratbyrån :::<!-- Bot generated title -->]</ref><ref>[http://oil21.org/?conference The Oil of the 21st Century. Conference<!-- Bot generated title -->]</ref><ref>[http://copyriot.se/2007/11/26/some-notes-on-general-rights-management/ Copyriot » Some notes on General Rights Management<!-- Bot generated title -->]</ref> |
In 2003, he was one of the founders of [[Piratbyrån]], the anti-copyright organization that, in turn, once founded BitTorrent tracker [[The Pirate Bay]]. Since then he has been lecturing extensively, on subjects related to "the collapse of copyright" and the future of music, at various European conferences addressing [[art]] and/or [[new media]].<ref>[http://copyriot.wordpress.com/2006/12/12/between-artworks-and-networks/ Between artworks and networks: Navigating through the crisis of copyright « Copyriot<!-- Bot generated title -->]</ref><ref>[http://copyriot.wordpress.com/2006/06/03/piratbyrans-speech-at-reboot/ Piratbyran’s speech at Reboot « Copyriot<!-- Bot generated title -->]</ref><ref>[http://piratbyran.org/?view=articles&id=114 ::: Piratbyrån :::<!-- Bot generated title -->]</ref><ref>[http://oil21.org/?conference The Oil of the 21st Century. Conference<!-- Bot generated title -->]</ref><ref>[http://copyriot.se/2007/11/26/some-notes-on-general-rights-management/ Copyriot » Some notes on General Rights Management<!-- Bot generated title -->]</ref> |
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Parts of an interview with Fleischer commenting on [[copyright]] are featured in ''[[Steal This Film]]'' (2006). |
Parts of an interview with Fleischer commenting on [[copyright]] are featured in ''[[Steal This Film]]'' (2006). While most of his writings on this topic has been in Swedish, in June 2008 the [[Cato Institute]] commissioned an essay titled ''[http://www.cato-unbound.org/2008/06/09/rasmus-fleischer/the-future-of-copyright/ The future of copyright]''. |
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During January and February 2008, he stayed as an [[artist in residence]] in [[Vienna]], invited by Transforming Freedom,<ref>{{cite web |
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| ⚫ | }} {{Dead link|date=October 2010|bot=H3llBot}}</ref> an audio archiving platform based in the Viennese [[Museumsquartier]] to live there while doing mainly theoretical and conceptual work.<ref>[http://copyriot.se/2008/01/08/residerar-i-wien/ Copyriot » Residerar i Wien<!-- Bot generated title -->]</ref> |
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When the Swedish engineering weekly ''[[Ny Teknik]]'' in September 2006 ranked the fifty most influential persons in Swedish IT-industry, he ended up as seventh on the list.<ref>{{sv icon}} {{cite news |
When the Swedish engineering weekly ''[[Ny Teknik]]'' in September 2006 ranked the fifty most influential persons in Swedish IT-industry, he ended up as seventh on the list.<ref>{{sv icon}} {{cite news |
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|archiveurl = http://web.archive.org/web/20061111071316/http://www.nyteknik.se/art/47124 <!-- Bot retrieved archive --> |archivedate = 2006-11-11}}</ref> |
|archiveurl = http://web.archive.org/web/20061111071316/http://www.nyteknik.se/art/47124 <!-- Bot retrieved archive --> |archivedate = 2006-11-11}}</ref>. During January and February 2008, he stayed as an [[artist in residence]] in [[Vienna]], invited by Transforming Freedom,<ref>{{cite web |
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| ⚫ | }} {{Dead link|date=October 2010|bot=H3llBot}}</ref> an audio archiving platform based in the Viennese [[Museumsquartier]] to live there while doing mainly theoretical and conceptual work.<ref>[http://copyriot.se/2008/01/08/residerar-i-wien/ Copyriot » Residerar i Wien<!-- Bot generated title -->]</ref> |
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==Musical activities== |
==Musical activities== |
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''This is not a complete bibliography'' |
''This is not a complete bibliography'' |
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*''[http://www.cato-unbound.org/2008/06/09/rasmus-fleischer/the-future-of-copyright/ The future of copyright]'', essay published by the [[Cato Institute]] in June 2008 |
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*''[http://www.rasmusfleischer.se/skriverier/postdigitalt-manifest/ Det postdigitala manifestet]'' (September 2009), an essay in Swedish, available for [http://bluwiki.com/go/Postdigitala free download] and also sold as a printed book, 82 pages, ISBN 91-973586-9-X |
*''[http://www.rasmusfleischer.se/skriverier/postdigitalt-manifest/ Det postdigitala manifestet]'' (September 2009), an essay in Swedish, available for [http://bluwiki.com/go/Postdigitala free download] and also sold as a printed book, 82 pages, ISBN 91-973586-9-X |
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*"[http://www.inkbokforlag.com/b&b.html Boken & Biblioteket]" (2011). |
*"[http://www.inkbokforlag.com/b&b.html Boken & Biblioteket]" (2011). |
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Revision as of 09:54, 29 September 2013
Rasmus Fleischer (born 19 April 1978 in Halmstad) is a Swedish historian, essayist and occasional musician. He earned his Ph.D. in history in 2012 with a dissertation that was also published as a book of 640 pages: "The political economy of music: Legislation, sound media and the defence of live music, 1925–2000".[1]
He is currently a researcher at the department of economic history, Stockholm University, while continuing to also publishing non-academic articles and books. Since 2004 he has been running the blog Copyriot[2].
Anti-copyright activism
In 2003, he was one of the founders of Piratbyrån, the anti-copyright organization that, in turn, once founded BitTorrent tracker The Pirate Bay. Since then he has been lecturing extensively, on subjects related to "the collapse of copyright" and the future of music, at various European conferences addressing art and/or new media.[3][4][5][6][7]
Parts of an interview with Fleischer commenting on copyright are featured in Steal This Film (2006). While most of his writings on this topic has been in Swedish, in June 2008 the Cato Institute commissioned an essay titled The future of copyright.
When the Swedish engineering weekly Ny Teknik in September 2006 ranked the fifty most influential persons in Swedish IT-industry, he ended up as seventh on the list.[8]. During January and February 2008, he stayed as an artist in residence in Vienna, invited by Transforming Freedom,[9] an audio archiving platform based in the Viennese Museumsquartier to live there while doing mainly theoretical and conceptual work.[10]
Musical activities
Rasmus Fleischer has also studied at the Royal College of Music and, amongst other musical activities, interpreted medieval music in the ensemble Vox Vulgaris.[11] His main instruments are recorder and clarinet. In recent years, he has been playing together with members of bands like Dungen[12] and appears on a LP by Our Solar System in 2013.[13][14]
Political background
Fleischer's political background is leftist, without any known party affiliation. In the early 2000's, he worked for some years as a journalist for Arbetaren, the weekly newspaper of the Central Organisation of the Workers of Sweden, a syndicalist union. Around the same time, he criticized parts of the Swedish political left for tendencies of nationalism[15] and during the 2006 Lebanon War, he criticized Swedish anti-war demonstrators for siding up with Hezbollah supporters.[16] Since 2010, Fleischer's writings has appeared several times in the anarchist magazine Brand.
Writing
His essay Det postdigitala manifestet (2009, in Swedish) analyzes how the contemporary culture of digital abundance produces a reevaluation of physical presence, inspired by philosophers like Spinoza and taking examples mainly from the area of music.
His second book, the double volume Boken & Biblioteket", was published in October 2011, also in Swedish. The first book is about books, including discussions about the political economy of publishing, the history of print on demand, the durability of e-books, the aesthetics of audiobooks and robot publishing. The second book discusses the library both in terms of a selective institution, a digital interface and a post-digital space.
Bibliography
This is not a complete bibliography
- Det postdigitala manifestet (September 2009), an essay in Swedish, available for free download and also sold as a printed book, 82 pages, ISBN 91-973586-9-X
- "Boken & Biblioteket" (2011).
Notes
- ^ http://www.rasmusfleischer.se/english/the-political-economy-of-music/
- ^ http://copyriot.se/
- ^ Between artworks and networks: Navigating through the crisis of copyright « Copyriot
- ^ Piratbyran’s speech at Reboot « Copyriot
- ^ ::: Piratbyrån :::
- ^ The Oil of the 21st Century. Conference
- ^ Copyriot » Some notes on General Rights Management
- ^ Template:Sv icon "Mäktigast i it-Sverige 2006 - hela listan". Ny Teknik. 2006-09-19. Archived from the original on 2006-11-11. Retrieved 2007-02-11.
{{cite news}}: Unknown parameter|coauthors=ignored (|author=suggested) (help) - ^ 2008-02-12. "How to own sound? The strange history of music copyright - Rasmus Fleischer (SE)". Transforming Freedom News. Transforming Freedom. Retrieved 2009-05-03.
{{cite web}}:|last=has numeric name (help) [dead link] - ^ Copyriot » Residerar i Wien
- ^ Vox Vulgaris – Music at Last.fm
- ^ http://www.discogs.com/Life-On-Earth-A-Space-Water-Loop/release/2887211
- ^ http://beyondbeyondisbeyondrecords.bigcartel.com/product/our-solar-system-vart-solsystem-lp-pre-order
- ^ http://copyriot.se/2013/05/02/solsystem-i-majafton/
- ^ "Nationalvänstern - så funkar den", Arena (issue 1, 2004). Arena is a Swedish leftist political magazine.
- ^ Måndag på Möllan (uppföljning kring Hizbollah), his blog Copyriot on July 26, 2006.
External links
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