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Portal:Visual arts

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THE VISUAL ARTS PORTAL

Introduction

Visual arts is a class of art forms focusing on the creation of works that are primarily visual in nature, such as painting, drawing, illustration, architecture, photography, graphic design, printmaking, filmmaking, and Internet art also known as net.art. Works that involve moulding or modeling, such as sculpture, public art, and ceramics, are more narrowly referred to as plastic arts.

The visual arts are distinguished from the performing arts, language arts, culinary arts and other such classes of artwork, but those boundaries are not well defined. Many artistic endeavors combine aspects of visual arts with one or more non-visual art forms, such as music or spoken word.

The current use of the phrase "visual arts" includes fine arts as well as crafts, but this was not always the case. Prior to the Arts and Crafts movement in Britain and elsewhere at the turn of the 20th century, "visual artist" referred to a person working in the fine arts (such as painting, sculpture, or printmaking) and not the handicraft, craft, or applied art disciplines.

The scope of study and appreciation of visual arts spans the globe, and reaches through time back to people drawing on stone walls. All societies have embellished their tools and toys with more visual interest than is functionally necessary.

More about visual arts...


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Michelangelo's Pietà
Michelangelo's Pietà
Michelangelo's Pietà
Credit: Stanislav Traykov

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Raising the Flag on Iwo Jima
Raising the Flag on Iwo Jima
Raising the Flag on Iwo Jima is an iconic photograph taken on February 23, 1945 by Joe Rosenthal. It depicts five United States Marines and a U.S. Navy corpsman raising the Flag of the United States atop Mount Suribachi during the Battle of Iwo Jima in World War II. The photograph was instantly popular, being reprinted in hundreds of publications. Later, it became the only photograph to win the Pulitzer Prize for Photography in the same year as its publication, and ultimately came to be regarded as one of the most significant and recognizable images in history, and possibly the most reproduced photograph of all time. Of the six men depicted in the picture, three (Franklin Sousley, Harlon Block, and Michael Strank) did not survive the battle; the three survivors (John Bradley, Rene Gagnon, and Ira Hayes) became suddenly famous. The photograph was later used by Felix de Weldon to sculpt the USMC War Memorial, located just outside Washington, D.C. (Full article...)

Selected quote


Many are willing to suffer for their art. Few are willing to learn to draw.
Simon Munnery, Attention Scum!


Selected biography

Moore's Reclining Figure (1951)
Henry Moore was a British artist and sculptor. Born into a poor mining family in the Yorkshire town of Castleford, he became well-known for his large-scale abstract cast bronze and carved marble sculptures; substantially supported by the British art establishment, Moore helped to introduce a particular form of modernism into Britain. His ability to satisfy large-scale commissions made him exceptionally wealthy towards the end of his life. However, he lived frugally and most of his wealth went to endow the Henry Moore Foundation, which continues to support education and promotion of the arts. His signature form is a pierced reclining figure, first influenced by a Toltec-Maya sculpture known as "Chac Mool", which he had seen as a plaster cast in Paris in 1925. Early versions are pierced conventionally as a bent arm reconnects with the body. Later, more abstract versions, are pierced directly through the body in order to explore the concave and convex shapes. These more extreme piercings developed in parallel with Barbara Hepworth's sculptures. Hepworth first pierced a torso after misreading a review of one of Henry Moore's early shows.


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Visual arts on Wikibooks     Visual arts on Wikinews     Visual arts on Wikiquote     Visual arts on Wikisource     Visual arts on Wikimedia Commons
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