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Burma Rani

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Burma Rani
Theatrical release poster
Directed byT. R. Sundaram
Produced byT. R. Sundaram
StarringK. L. V. Vasantha
T. R. Sundaram
C. Honnappa Bhagavathar
Serugulathur Sama
T. S. Balaiah
CinematographyW. R. Subba Rao
Edited byD. Dorairaj
Music byT. A. Kalyanam
Production
company
Distributed byModern Theatres
Release date
  • 1945 (1945)
CountryIndia
LanguageTamil

Burma Rani (Tamil pronunciation: ['bəɾ.mɑː 'ɾaːɳɪ]; transl. Queen of Burma) is a 1945 Indian Tamil-language war-spy film set against the backdrop of the Second World War.[1] Directed by T. R. Sundaram[2], it starred K. L. V. Vasantha and Sundaram, himself. The film was believed to be lost until 2006, when it was rediscovered and made available on DVD.[3]

Plot

The main plot revolves around a spy ring in Japanese-occupied Burma. It is led by a Tamil woman named Mangalam.[2][4] She monitors General Bakjina, who is planning an attack on India. General Bakjina, the Japanese army commander, is modeled after Adolf Hitler.[5][6]

The story intensifies when three Indian pilots crash-land in Japanese-occupied Rangoon. They hide in the house of Rani, an Indian dancer. The secondary plot is a love story between Ranjit Kumar, one of the pilots, and Rani. The pilots are captured and taken prisoner, and Ranjit is eventually killed. The story of the escape of the other two pilots forms the plot of the movie.

Cast

Reception

Burma Rani was one among four war-effort films released in Madras in 1945.[7] Upon its initial release, Burma Rani was appreciated by the British.[7][8] The local war propaganda officer, G. T. B. Harvey, presided over the premiere of the film.[7][9] However, Harvey later grew suspicious of the film’s portrayal of Japanese characters and withheld its commercial release, reflecting the ideological complexity of a war film set against the backdrop of India, Britain, and Japan.[7] While the Japanese characters were negatively stereotyped, the Indian spies and military officers were portrayed with a nuanced patriotism that could be interpreted as anti-colonial.[7][8]

It was eventually banned by the Madras censor board in post-independence India.

References

  1. ^ Velayutham, Selvaraj (2008-04-03). Tamil Cinema: The Cultural Politics of India's Other Film Industry. Routledge. ISBN 978-1-134-15446-3.
  2. ^ a b Nathan, Archana (2017-05-27). "Rangoon has never been too far away from Madras – ask Kollywood". Scroll.in. Retrieved 2024-06-30.
  3. ^ "War relic". Frontline. 2006-10-05. Retrieved 2024-06-30.
  4. ^ "As The Temple Bells Beckon". Outlook India. 2022-02-05. Retrieved 2024-06-30.
  5. ^ Balasubramanian, Roshne (2017-11-22). "Untold war tales of Madras". The New Indian Express. Retrieved 2024-06-30.
  6. ^ migrator (2019-09-29). "The textile engineer who took Tamil film industry to new heights". www.dtnext.in. Retrieved 2024-06-30.
  7. ^ a b c d e Mukherjee, Debashree (2023-09-13). "Media wars: Remaking the logics of propaganda in India's wartime cine-ecologies". Modern Asian Studies. 57 (5): 1585–1614. doi:10.1017/S0026749X22000427. ISSN 0026-749X.
  8. ^ a b Alonso, Isabel Huacuja; Amstutz, Andrew (2023-09-13). "Rethinking the Second World War in South Asia: Between theatres and beyond battles". Modern Asian Studies. 57 (5): 1449–1458. doi:10.1017/S0026749X2300015X. ISSN 0026-749X.
  9. ^ Baskaran, S. Theodore (1981). The Message Bearers: The Nationalist Politics and the Entertainment Media in South India, 1880-1945. Cre-A.
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