Judith Beheading Holofernes (Caravaggio)
 | This article needs additional citations for verification. (June 2010) |
| Judith Beheading Holofernes | |
|---|---|
 | |
| Artist | Caravaggio |
| Year | 1598-1599 |
| Type | Oil on canvas |
| Location | Galleria Nazionale d'Arte Antica, Rome |
Judith Beheading Holofernes is a work by Michelangelo Merisi da Caravaggio, painted in 1598-99. The widow Judith first charms the Assyrian general Holofernes, then decapitates him in his tent.
Subject
The apocryphal Book of Judith tells how Judith saved her people by seducing and killing Holofernes, the Assyrian general. Judith gets Holofernes drunk, then seizes his sword and decapitates him: "Approaching to his bed, she took hold of the hair of his head, and said, Strengthen me, O Lord God of Israel, this day! And she smote twice upon his neck with all her might, and she took away his head from him." (Judith, 13:7-8).
The beheading of Holofernes was a favourite subject of the age, attempted by such names as Donatello, Sandro Botticelli, Andrea Mantegna, Giorgione, and Lucas Cranach the Elder, among many others. Caravaggio's approach was, typically, to choose the moment of greatest dramatic impact, the moment of the decapitation itself. The figures are set out in a shallow stage, theatrically lit from the side, isolated against the inky, black background. Judith and her maid Abra stand to the left, partially over Holofernes, who is vulnerable on his back. X-rays have revealed that Caravaggio adjusted the placement of Holofernes' head as he proceeded, separating it slightly from the torso and moving it slightly to the right. The faces of the three characters demonstrate his mastery of emotion, Judith in particular showing in her face a mix of determination and repulsion. Artemisia Gentileschi and others were deeply influenced by this work, and even surpassed Carravagio's physical realism, but none matched his capture of Judith's psychological ambivalence.[1]
The model for Judith is probably the roman courtesan Fillide Melandroni, who posed for several other works by Caravaggio around this year; the scene itself, and especially the details of blood and decapitation, were presumably drawn from his observations of the public execution of Beatrice Cenci a few years before.[2]
Gustav Klimt also painted a Judith holding the head of Holofernes in his famous gilt-laden style.
See also
References
External links
 | This painting-related article is a stub. You can help Wikipedia by expanding it. |