Philip K. Dick
Philip Kindred Dick (December 16 1928--March 2 1982), often known by his initials PKD, or by the pen name Richard Phillips, was an American science fiction writer and novelist who changed the genre profoundly. Though hailed during his lifetime by peers such as Stanislaw Lem, Dick received little public recognition until after his death, when several popular film adaptations of his novels introduced him to a larger audience. His work is now some of the most popular in science fiction, and Dick has gained both general acclaim and critical respect.
Discarding the optimistic and simple world-view of Golden Age science fiction, Dick consistently explored the themes of the nature of reality and humanity in his novels, which were populated by common working people, rather than galactic elites. Foreshadowing the cyberpunk sub-genre, Dick brought the anomic world of Northern California to many of his works. His acclaimed novel, The Man in the High Castle (1963, winner of the Hugo Award), is a pioneering work bridging the genres of alternate history and science fiction. He also produced a tremendous number of short stories and minor works which were published in pulp magazines.
His works are characterized by a constantly eroding sense of reality, with protagonists often discovering that those close to them (or even they themselves) are secretly robots, aliens, supernatural beings, brainwashed spies, hallucinating, or some combination of the above.
Dick experimented with mind-altering drugs, though he often denied that they were influences on his work.
Youth
Philip K. Dick was born in Chicago, to Dorothy Kindred Dick. His father, Edgar Dick, was a fraud investigator for the United States Department of Agriculture. He had a twin sister, Jane. The children were both born six weeks premature, and the girl died on January 26, 1929. Shortly thereafter, the family moved to California.
Dick's parents divorced when he was young; he grew up with his mother. He went to high school in Berkeley and briefly attended the University of California, Berkeley, where he majored in German. He sold records and was a disk jockey before selling his first story in 1952. He wrote full-time, more or less, from that time forward. He sold his first novel in 1955. The 1950's were a hard-scrabble time for Dick, so much so that, as he once said, "we couldn't even pay the late fees on a library book." He associated with the pre-1960's counterculture of California and was sympathetic to beat poets and the Communist Party. In 1963, he won the Hugo Award for The Man in the High Castle. Though Dick was hailed as a genius at this time in the SF world, the literary world as a whole was as yet unappreciative, and so he could only publish books at low-paying SF publishers. Consequently, while he would regularly publish novels for the next several years, he continued to struggle financially and psychologically. Dick was opposed to the Vietnam War and had a file at the FBI as a result.
Dick and his visions
In his youth, around the age of thirteen, Dick had a recurring dream for a number of weeks. He dreamt that he was in a bookstore, trying to find an issue of Astounding!. This issue, when he found it, would contain a story called "The Empire Never Ended", which would reveal to him the secrets of the universe. As the dream repeated, the pile of magazines through which he was searching got smaller and smaller, but he never reached the bottom of it. Eventually, he became anxious that discovering the magazine would drive him mad (like the Lovecraftian Necronomicon, promising insanity to its readers). Shortly thereafter, the dreams stopped. They never returned, but the phrase "The Empire Never Ended" would appear in his later works.
On February 20, 1974 he was recovering from the effects of sodium penthanol administered after the extraction of an impacted wisdom tooth. Answering the door to receive a delivery of additional painkillers, he noticed the woman delivering the package was wearing a pendant with what he called the "vesicle pisces". (He probably was referring to the intersecting arcs of the vesica piscis.) After her departure, Dick began experiencing strange visions. Although this may have initially been attributed to the painkillers, after weeks of these visions, such a rationale becomes less probable. Throughout February and March of 1974 he received a series of visions which he collectively referred to as 2-3-74, shorthand for February/March of 1974. He described his initial visions as laser beams and geometric patterns, and occasionally brief pictures of Jesus Christ and ancient Rome, which he would glimpse periodically. As the pictures increased in length and frequency, Dick claimed that he began to live a double life, one as himself and one as Thomas, a Christian persecuted by Romans in the 1st century C.E. Despite his current and past drug use, Dick accepted these visions as reality, believing that he had been contacted by a god-entity of some kind, which he referred to as Zebra, God, and most often VALIS. VALIS is an acronym for Vast Active Living Intelligence System; he used this term as the title of one of his novels, and later theorized that it was a satellite of some kind which used beams to communicate with people on Earth. He claimed that the being used what he called "disinhibiting stimuli" to prep the subjects for the communication, in his case the vesicle pisces.
VALIS
Most observers of this phenomenon would conclude that Dick's visions were a brief psychotic episode, and they might be correct in that assumption. However, what has allowed the mystery of Dick's experiences to endure are reports of several even more intriguing incidences. At one point, during an encounter with the VALIS, Dick learned that his infant son was in danger of perishing from an unnamed malady. Routine checkups on the child had shown no trouble or illness; however, Dick insisted that thorough tests be run to ensure his son's health. The doctor eventually complied, despite the fact that there were no apparent symptoms. During the examination doctors discovered an inguinal hernia, which would have killed the child if an operation was not quickly performed. The child survived thanks to the operation, which Dick accredited to the VALIS.
Another event was an episode of glossolalia. Dick's wife transcribed the sounds she heard him speak, and Dick wrote that they later discovered that he was speaking an ancient dialect of the Greek language, which he had never studied.
Exegesis
Regardless of the apparent evidence that he was somehow experiencing a divine communication, Dick was unable ever to fully rationalize the events. For the rest of his life, he struggled to fully comprehend what was occurring, questioning his own sanity and perception of reality. He excised what thoughts he could into an 8,000 page, million word journal dubbed the Exegesis. He spent sleepless nights furiously writing into this journal, in some instances high on large quantities of amphetamines, which no doubt contributed to its eclectic tone. A recurring theme in the Exegesis is Dick's hypothesis that history had been stopped in the 1st century, and that the "[Roman] Empire never ended". He saw Rome as the pinnacle of materialism, and that after forcing the Gnostics underground 1900 years earlier had kept the population of the Earth as thralls to worldly possessions. Dick believed that VALIS had contacted him and unnamed others to induce the "impeachment" (read: assassination) of Richard M. Nixon, whom Dick believed to be the current Emperor incarnate.
As time went on, he became increasingly paranoid, imagining plots against him perpetrated by the KGB or FBI, who he believed were constantly laying traps for him. At one point he alleged that they had broken into his house and pilfered various documents, though later he stated that he probably committed the burglary himself, and then forgotten he had done so.
His later works, especially the Valis trilogy, were heavily autobiographical, many with 2-3-74 references or influences. Dick was also a voracious reader of works on religion, philosophy, metaphysics, and Gnosticism, and these ideas found their way into many of his stories. His final novel was The Transmigration of Timothy Archer. Dick's works may be compared with those of William S. Burroughs, though Dick is arguably less scathing and more philosophical.
Marriages and children
Dick married five times, and had two daughters and a son. The first four ended in divorce; the last in his death.
- May 1948, to Jeanette Marlin (lasted six months)
- June 1950, to Kleo Apostolides (divorced 1958)
- 1958, to Anne Williams Rubinstein (children: Laura Archer, born February 26, 1960) (divorced 1964)
- 1966 or 1967 (sources conflict), to Nancy Hackett (children: Isolde, usually called "Isa") (divorced 1970)
- April 18, 1973, to Tessa Busby (children: Christopher)
Death
Philip K. Dick died of a stroke in 1982 without having learned what had caused his strange visions. It has been theorized that Dick suffered from epileptic discharges in his temporal lobe. This can cause subtle, non-disabling seizures which can cause feelings ranging from a general disorientation to visions often construed by the victim as "psychic" experiences or epiphanies. This particular region of the brain allows for differentiation of reality and fantasy and is very sensitive to epileptic discharges. The symptoms which go along with these discharges read like a summary of the last decade of Dick's life. Part and parcel to these kind of seizures is a behavioral phenomenon called "hypergraphia", where the subject begins obsessively documenting their experiences, usually in journal form.
After his death (he was disconnected from life support on March 2, but his EEG had been flat for five days prior to that), his father Edgar, who was still alive at that point, brought his son's body to Fort Morgan, Colorado. When his twin Jane had died, a tombstone had been carved with both of their names on it, and an empty space for Philip's date of death. After fifty-three years, that final date was carved in, and Philip K. Dick was buried beside his sister.
Dick's influence on others
Like other more famous science fiction authors, several of Dick's stories have been made into movies. Most of these are only loosely based on Dick's original story, using them as a starting-point for a Hollywood action-adventure story. While the most admired is Ridley Scott's classic movie Blade Runner, the action film Total Recall faithfully translates a number of Dick themes, albeit with uncharacteristic violence.
Philip K. Dick is often cited as a major influence on the Cyberpunk movement led by William Gibson, but as this work, and titles as diverse as the inventive Eye in the Sky and Martian Time Slip, the moving Galactic Pot-Healer, the complex and yet delicate The Man in the High Castle and the chilling yet deeply moving A Scanner Darkly show, there was much more to his genius than just influence.
One influence unusually distant from science fiction within "culture space" is the composition by Tod Machover, and performance, of an opera VALIS. This distance is suggested by at least one music reviewer explaining the character "Horselover Fat" as being introduced by the opera's librettist, in order to interact with the PKD character in the opera. The fact that "Horse-lover Fat" was in fact invented by PKD, included in the novel to interact with a Philip-Dick character, and more or less faithfully retained in the opera, betrays a striking communication gap.
Quotes
- My major preoccupation is the question, 'What is reality?' Many of my stories and novels deal with psychotic states or drug-induced states by which I can present the concept of a multiverse rather than a universe. Music and sociology are themes in my novels, also radical political trends; in particular I've written about fascism and my fear of it.
For more quotes, see Philip K. Dick on Wikiquote.
Bibliography
Short stories
The short stories of Philip K. Dick have recently been republished in five omnibus volumes, as follows:
- The Short Happy Life of the Brown Oxford and Other Stories, ISBN 0806511532
- We Can Remember It for You Wholesale and Other Stories, ISBN 0806512091
- Second Variety and Other Stories, ISBN 0806512261
- The Minority Report and Other Stories, ISBN 0806512768
- The Eye of the Sibyl and Other Stories, ISBN 0806513284
- 1952
- Beyond Lies the Wub
- The Gun
- The Little Movement
- The Skull
- The Variable Man
- 1953
- The Builder
- Colony
- The Commuter
- The Cookie Lady
- The Cosmic Poachers
- The Defenders
- Expendable
- The Eyes Have It
- The Great C
- The Hanging Stranger
- The Impossible Planet
- Impostor
- The Indefatigable Frog
- The Infinities
- The King of the Elves
- Martians Come in Clouds
- Mr. Spaceship
- Out in the Garden
- Paycheck
- Piper in the Woods
- Planet for Transients
- The Preserving Machine
- Project: Earth
- Roog
- Second Variety
- Some Kinds of Life
- The Trouble with Bubbles
- The World She Wanted
- 1954
- A World of Talent
- The Last of the Master
- Adjustment Team
- Beyond the Door
- Breakfast at Twilight
- The Crawlers
- The Crystal Crypt
- The Exhibit Piece
- The Father-thing
- The Golden Man
- James P. Crow
- Jon's World
- The Little Black Box
- Meddler
- Of Withered Apples
- A Present for Pat
- Prize Ship
- Progeny
- Prominent Author
- Sales Pitch
- Shell Game
- The Short Happy Life of the Brown Oxford
- Small Town
- Souvenir
- Strange Eden
- Survey Team
- Time Pawn
- Tony and the Beetles
- The Turning Wheel
- Upon the Dull Earth
- 1955
- Autofac
- Captive Market
- The Chromium Fence
- Foster, You're Dead!
- The Hood Maker
- Human Is
- The Mold of Yancy
- Nanny
- Psi-man Heal My Child!
- Service Call
- A Surface Raid
- Vulcan's Hammer
- War Veteran
- 1956
- A Glass of Darkness
- Minority Report
- Pay for the Printer
- To Serve the Master
- 1957
- Misadjustment
- The Unreconstructed M
- 1958
- Null-o
- 1959
- Explorers We
- Fair Game
- Recall Mechanism
- War Game
- 1963
- All We Marsmen
- The Days of Perky Pat
- If There Were No Benny Cemoli
- Stand-by
- What'll We Do With Ragland Park?
- 1964
- Cantata 140
- A Game of Unchance
- Novelty Act
- Oh, to be a Blobel!
- Orpheus with Clay Feet
- Precious Artifact
- The Unteleported Man
- The War with the Fnools
- Waterspider
- What the Dead Men Say
- 1965
- Project Plowshare
- Retreat Syndrome
- 1966
- Holy Quarrel
- We Can Remember It For You Wholesale
- Your Appointment Will Be Yesterday
- 1967
- Faith of our Fathers
- Return Match
- 1968
- Not By Its Cover
- The Story To End All Stories
- 1969
- A. Lincoln, Simulacrum
- The Electric Ant
- 1972
- Cadbury, the Beaver Who Lacked
- 1974
- The Different Stages of Love
- The Pre-persons
- A Little Something For Us Tempunauts
- 1979
- The Exit Door Leads In
- 1980
- I Hope I Shall Arrive Soon
- Rautavaara's Case
- Chains of Air, Web of Aethyr
- 1981
- The Alien Mind
- 1984
- Strange Memories Of Death
- 1987
- The Day Mr. Computer Fell Out of Its Tree
- The Eye of The Sibyl
- Fawn, Look Back
- Stability
- 1988
- Goodbye, Vincent
- 1989
- 11-17-80
- 1992
- The Name of the Game is Death
Novels: recommendations
Most of Dick's novels are very accessible and make quick reading; a few, however, most notably his final trilogy (VALIS, The Divine Invasion, and The Transmigration of Timothy Archer), were inspired by his VALIS experience and involve religious material some readers find dense and inscrutable.
Some good choices for a reader new to Dick are The Man in the High Castle, which takes place in an alternate America ruled by the victorious Axis powers, and which features an early exploration by Dick into the questions of false worlds he would later ask in VALIS; Do Androids Dream of Electric Sheep?, the inspiration for the film Blade Runner, which deals with Dick's themes about replicas of real things; another excellent depiction of a man discovering his world to be fake is Time out of Joint (in many ways very similar to the movie Truman Show); Now Wait for Last Year, a somewhat traditional sci-fi novel involving time travel, Dick's theme of reality-altering drugs, more questions of replicas, and a fine example of Dick's recurring dark-haired female character; and Dr. Bloodmoney, or How We Got Along After the Bomb, which features northern California culture in the early 60's and questions of politics and society.
For the more patient reader, Dick's masterpiece VALIS is a unique piece of literature. It started out as a traditional sci-fi novel (early draft work can be seen in the collection The Shifting Realities of Philip K. Dick: Selected Literary and Philosophical Writings), turned into a missive as Dick attempted to demonstrate the truth of his paranoia, and ended up including a moving admission of insanity layered on top of the book.
Novels by year
- 1955
- Solar Lottery
- 1956
- The World Jones Made
- The Man Who Japed
- 1957
- Eye in the Sky
- The Cosmic Puppets
- 1959
- Time Out of Joint
- 1960
- Dr. Futurity
- Vulcan's Hammer
- 1962
- The Man in the High Castle
- 1963
- The Game-Players of Titan
- 1964
- Martian Time-Slip
- The Simulacra
- Clans of the Alphane Moon
- The Penultimate Truth
- 1965
- The Three Stigmata of Palmer Eldritch
- Dr. Bloodmoney, or How We Got Along After the Bomb
- 1966
- The Crack in Space
- Now Wait for Last Year
- The Unteleported Man
- 1967
- Counter-Clock World
- The Zap Gun
- The Ganymede Takeover with Ray Nelson
- 1968
- Do Androids Dream of Electric Sheep?
- 1969
- Ubik
- Galactic Pot-Healer
- 1970
- Maze of Death
- Our Friends from Frolix 8
- 1972
- We Can Build You
- 1974
- Flow My Tears, The Policeman Said
- 1975
- Confessions of a Crap Artist
- 1976
- Deus Irae with Roger Zelazny
- 1977
- A Scanner Darkly
- 1981
- Valis
- The Divine Invasion
- 1982
- The Transmigration of Timothy Archer
- The Man Whose Teeth Were All Exactly Alike
- 1985
- Radio Free Albemuth
- Puttering About in a Small Land
- In Milton Lumky Territory
- 1986
- Humpty Dumpty in Oakland
- 1987
- Mary and the Giant
- 1988
- The Broken Bubble
- Nick and the Glimmung (for children)
- 1994
- Gather Yourselves Together
Movie adaptations of Philip K. Dick's works
- His novel Do Androids Dream of Electric Sheep? was made into the movie Blade Runner (1982).
- The movie Total Recall (1990) was based on one of his short stories (We Can Remember It For You Wholesale)
- The movie Screamers (1995) was based on the short story Second Variety.
- Some scenes in The Terminator, of the future war landscape with killer androids trying to sneak into the shelters disguised as humans, are very reminiscent of Second Variety, though no mention was made in that movie's credits. The other main inspiration for The Terminator seems to have been Harlan Ellison's short story Soldier.
- The 2000 film (released 2002) Impostor is based on his story by the same name as was a 1960s TV series.
- The Steven Spielberg film Minority Report (2002) is based on Dick's short story of the same name.
- The French film Confessions d'un Barjo (1992 - by Jérôme Boivin) is based on Confessions of a Crap Artist.
- Dick's personal essay Strange Memories of Death was adapted into a short film of the same name by Yates House Studios, but the film has yet to be distributed.
- Paycheck, directed by John Woo, is based on Dick's story,
- A film adaptation of A Scanner Darkly is currently in production, directed by Richard Linklater, and starring Winona Ryder, Keanu Reeves, and Robert Downey Jr..
Awards
- Hugo Awards
- Best Novel
- 1963 - The Man in the High Castle (winner)
- 1975 - Flow My Tears, The Policeman Said (nominee)
- Best Novelette
- 1968 - Faith of Our Fathers (nominee)
- Best Novel
- Nebula Awards
- Best Novel
- 1965 - Dr. Bloodmoney (nominee)
- 1965 - The Three Stigmata of Palmer Eldritch (nominee)
- 1968 - Do Androids Dream of Electric Sheep? (nominee)
- 1974 - Flow My Tears, The Policeman Said (nominee)
- 1982 - The Transmigration of Timothy Archer (nominee)
- Best Novel
See also
External links
- Official site
- iSFDB bibliography
- Open Directory entry for Philip K. Dick
- Robert Crumb comic strip about Philip K. Dick's theophany
- an extensive bibliography of Dick's works and many photos
- The Second Coming of Philip K. Dick by Frank Rose, Wired Magazine - movies created from the author's novels
- Wikiquote - Quotes by Philip K. Dick