Federico García Lorca

Federico García Lorca

Federico García Lorca (June 5, 1898 – August 19, 1936) was a Spanish poet and dramatist, also remembered as a painter, pianist, and composer. An emblematic member of the Generation of '27, he was murdered by Nationalist partisans at the age of 38 at the beginning of the Spanish Civil War.

Biography

Born into a family of minor, but wealthy, landowners in the village of Fuente Vaqueros, Granada, García Lorca was a precocious child, although he did not excel at school. In 1909, his father moved the family to the city of Granada, where in time he became deeply involved in local artistic circles. His first collection of poems, Impresiones y paisajes, was published in 1918 to local acclaim but little commercial success.

Associations made at Granada's Arts Club were to stand him in good stead when he moved in 1919 to the famous Residencia de estudiantes in Madrid. At university he would befriend Luis Buñuel and Salvador Dalí, amongst many others who were or would become influential artists in Spain. Some have claimed he and Dalí were lovers, although serious critics tend to be very skeptical of this. Here he met Gregorio Martínez Sierra, the Director of Madrid's Teatro Eslava, at whose invitation he wrote and staged his first play, "El maleficio de la mariposa", in 1919-20. A verse play dramatising the impossible love between a cockroach and a butterfly, with a supporting cast of other insects, it was laughed off stage by an unappreciative public after only four performances and soured García Lorca's attitude to the theatre-going public for the rest of his career -- he would later claim that 1927's Mariana Pineda was his first play.

Over the next few years García Lorca became increasingly involved in his art and Spain's avant-garde. He published three further collections of poems including the Romancero Gitano (1928, translated as 'Gypsy Ballads', 1953), his best known book of poetry, and his second play Mariana Pineda opened to great acclaim in Barcelona in 1927.

However, towards the end of the 1920s, García Lorca fell victim to increasing depression, a situation exacerbated by his anguish over the increasingly unsuccessful concealment of his homosexuality from friends and family. In this he was deeply affected by the success of his Romancero gitano, which increased—through the celebrity it brought him—the painful dichotomy of his life: he was trapped between the persona of the successful author, which he was forced to maintain in public, and the tortured self, which he could only acknowledge in private. Growing estrangement between García Lorca and his closest friends reached its climax when the two Surrealists Dalí and Buñuel collaborated on the film Un chien andalou ("An Andalusian Dog", 1929), which García Lorca interpreted, perhaps erroneously, as a vicious attack on him. At the same time, his intensely passionate but fatally one-sided affair with the sculptor Emilio Aladrén was collapsing as the latter became involved with his future wife. Aware of these problems (though not perhaps of their causes), García Lorca's family arranged for him to take a lengthy tour of the United States in 1929-30.

García Lorca's stay in America, particularly New York—his first adult experience of a democratic society, albeit one he considered to be dominated by rampant commercialism and the casual social oppression of minority groups—acted as a catalyst for some of his most daring work. His collection of poems Poeta en Nueva York explores his alienation and isolation through some graphically experimental poetic techniques, and the two plays Así que pasen cinco años and El público were far ahead of their time—indeed, El público was not published until the late 1970s and has never been published in its entirety.

His return to Spain in 1930 coincided with the fall of the dictatorship of Primo de Rivera and the re-establishment of the Spanish Republic. In 1931, García Lorca was appointed Director of the government-sponsored student theatre company, La Barraca, whose charge was to tour Spain introducing (predominantly rural) audiences to 'classic' Spanish theatre. While touring with La Barraca, García Lorca wrote his best-known plays, the 'rural trilogy' of Bodas de sangre ("Blood Wedding"), Yerma and La casa de Bernarda Alba. He distilled his theories on artistic creation and performance in a charming lecture entitled "Play and Theory of the Duende," first given in Buenos Aires in 1933, in which he argues that art depends upon a vivid awareness of death, connection with the earth, and an acknowledgment of the limitations of reason.

Statue of García Lorca in Madrid's Plaza de Santa Ana

When war broke out in 1936, García Lorca left Madrid for Granada, even though he was aware that he was almost certainly heading toward his death in a city reputed to have the most conservative oligarchy in Andalucía. García Lorca and his brother-in-law, who was also the socialist mayor of Granada, were soon arrested. He was executed, shot by Falange militia on August 19, 1936 and thrown into an unmarked grave in or around between Víznar and Alfacar, near Granada. There is a large controversy, similar to the controversy about the John F. Kennedy assassination, about the motives and details of his death. The dossier compiled at Franco's request has yet to surface.

The Franco regime placed a general ban on his work, which was not rescinded until 1953 when a (heavily censored) Obras completas was released. That Obras did not include his late Sonnets of Dark Love, written in November 1935 and performed only for close friends - these were lost until 1983/4 when they were finally published. It was only after Franco's death in 1975 that García Lorca's life and death could be openly discussed in Spain.

In 1986, Leonard Cohen's English translation of the poem "Pequeño vals vienés" by García Lorca reached #1 in the Spanish single charts (as "Take This Waltz", music by Cohen).

Today, García Lorca is honored by a statue prominently located in Madrid's Plaza de Santa Ana. Political philosopher David Crocker reports that "the statue, at least, is still an emblem of the contested past: each day, the Left puts a red kerchief on the neck of the statue, and someone from the Right comes later to take it off." [1]

Major works

Poetry

• Impresiones y paisajes ("Impressions and Landscapes", 1918)
• Libro de poemas ("Book of Poems", 1921)
• Canciones ("Songs", 1927)
• Primer romancero gitano ("Gypsy Ballads", 1928)
• Poema del cante jondo ("Poem of Deep Song", 1931)
• Sonetos del amor oscuro ("Sonnets of Dark Love", 1935)
• Primeras canciones ("First Songs", 1936)
• Poeta en Nueva York (published posthumously in 1940, first translation into English as "A Poet in New York", 1988)

Theatre

• El maleficio de la mariposa ("The Butterfly's Evil Spell": written 1919-20, first production 1920)
• Mariana Pineda (written 1923-25, first production 1927)
• La zapatera prodigiosa ("The Shoemaker's Wonderful Wife": written 1926-30, first production 1930, revised 1933)
• Amor de Don Perlimpín con Belisa en su jardín ("Love of Don Perlimpín with Belisa in the garden": written 1928, first production 1933)
• Bodas de sangre ("Blood Wedding": written 1932, first production 1933)
• Yerma (written 1934, first production 1934)
• Doña Rosita la soltera ("Doña Rosita the Spinster": written 1935, first production 1935)
• Retablillo de Don Cristóbal ("The Puppet-Play of Don Cristóbal": written 1931, first production 1935)
• Los títeres de Cachiporra ("The Billy-Club Puppets": written 1928, first production 1937)
• Así que pasen cinco años ("When Five Years Pass": written 1931, first production 1945)
• La casa de Bernarda Alba ("The House of Bernarda Alba": written 1936, first production 1945)
• El público ("The Public": written 1930-1936, first production 1972)
• Comedia sin título ("Untitled Play": written 1936, first production 1986)

Playlets

• El paseo de Buster Keaton ("Buster Keaton goes for a stroll", 1928)
• La doncella, el marinero y el estudiante ("The Maiden, the Sailor and the Student", 1928)
• Quimera ("Dream", 1928)

Filmscripts

• Viaje a la luna ("Trip to the Moon", 1929)

References

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External links

• Lorca on CyberSpain.com with photographs
• Lorca biography on boppin.com with photo and translations of some poems
• Federico García Lorca in flamenco The intense relationship between the poet from Granada and this universal art form
• Federico García Lorca and his works, on Atelier Yoyita. An extensive Spanish-language site.